About This Manual
This is version 11.0 of the manual to the home and professional versions of X‑Plane (X-Plane 11 Global and X‑Plane 11 for Professional Use, respectively). The latest version will always be available online on the X‑Plane website. To use this manual, you can jump to a section by clicking its title in the table of contents on the side. To search for a specific term or set of words, press “ctrl” (“command” on a Mac) + “f” then start typing to be taken to the term anywhere in the document. For a PDF version of this manual, use an HTML to PDF converter such as pdfcrowd.com.
X-Plane is the world’s most comprehensive and powerful flight simulator for personal computers, and it offers the most realistic flight model available.
X-Plane is not a game, but an engineering tool that can be used to predict the flying qualities of fixed- and rotary-wing aircraft with incredible accuracy.
Because X‑Plane predicts the performance and handling of almost any aircraft, it is a great tool for pilots to keep up their currency in a simulator that flies like the real plane, for engineers to predict how a new airplane will fly, and for aviation enthusiasts to explore the world of aircraft flight dynamics.
Welcome to the world of props, jets, single- and multi-engine airplanes, as well as gliders, helicopters and VTOLs. X‑Plane contains subsonic and supersonic flight dynamics, allowing users to predict the flight characteristics of the slowest aircraft or the fastest. X‑Plane includes more than 15 aircraft in the default installation, spanning the aviation industry and its history. Aircraft included range from the Sikorsky S–76 and Cessna 172 to the Space Shuttle and the B–52 Bomber. Additionally, some 2,000 additional aircraft models can be downloaded from the Internet (X-Plane.org and Google are good places to start looking), many of which are completely free. If those aren’t enough, users can design their own airplanes and test-fly them!
The full X‑Plane scenery package covers the Earth in stunning resolution from 74 north to 60 south latitude. Users can land at any of over 35,000 airports or test their mettle on aircraft carriers, oil rigs, frigates (which pitch and roll with the waves), or helipads atop buildings. They can also realistically model the flight of remote-controlled model aircraft, perform an air-launch in an X–15 or Space Ship One from the mother ship, fly re-entries into Earth’s atmosphere in the Space Shuttle, fly with friends over the Internet or a LAN, drop water on forest fires, or shoot approaches to aircraft carriers at night in stormy weather and rough water conditions in a damaged F–4. The situations that can be simulated are unbelievably diverse!
Weather in X‑Plane is variable from clear skies and high visibility to thunderstorms with controllable wind, wind shear, turbulence, and micro bursts. Rain, snow, and clouds are available for an instrument flying challenge, and thermals are available for the gliders. Actual weather conditions can be downloaded from the Internet, allowing users to fly in the weather that really exists at their current location!
X-Plane has detailed failure modeling, with multitudes of systems that can either be failed manually at an instructor’s command, or randomly when users least expect it! Users can fail instruments, engines, flight controls, control cables, antennae, landing gear, or any of dozens of other systems at any moment. They can also have a friend or flight instructor (locally or via the Internet, working from an Instructor’s Operating Station) fail components on the aircraft without the pilot’s knowledge. The instructor can alter the time of day, weather conditions, and failure status of hundreds of aircraft systems and components. Additionally, the instructor can relocate the aircraft to a location of his or her choice at any time.
Aircraft models are also extremely flexible, allowing users to easily create paint jobs, sounds, and instrument panels to modify any airplane you choose. Custom airplane or helicopter designs can even be created and flown using X‑Plane and the included Plane Maker software.
X-Plane is used by world-leading defense contractors, air forces, aircraft manufacturers, and even space agencies for applications ranging from flight training to concept design and flight testing.
For example, X‑Plane has been used in crash investigations to depict the view pilots experienced moments before a mid-air collision, or to graphically present to juries and judges the forces that impact an aircraft in flight. Scaled Composites used X‑Plane to visualize Space Ship One’s flights to the edge of the atmosphere in their pilot training simulator. Kalitta has used X‑Plane to train their pilots to fly freight 747s in the middle of the night. Northwest and Japan Airlines use X‑Plane for flight review and training. Cessna uses X‑Plane to train new customers in the intricacies of the Garmin G1000. Dave Rose has used X‑Plane to optimize airplanes for his many wins at Reno. NASA has used X‑Plane to test the re-entry of gliders into the Martian atmosphere, and the list goes on. These customers serve as perhaps the most significant endorsement of the incredible capabilities of this simulator.
Furthermore, X‑Plane has received certification from the FAA for use in logging hours towards flight experience and ratings. This experience can provide credit towards a private pilot’s license, recurrence training, hours towards instrument training, and even hours towards an Airline Transport Certificate—it’s that good.
Windows, Mac, and Linux installers are included with X‑Plane 11. It includes over 70 GB-worth of scenery (covering essentially the entire world) and over 15 aircraft, with thousands of planes available on the web. The DVDs or digital download contain everything needed to run X-Plane—there is nothing more that you need to buy. You’ll receive free updates to X‑Plane 11 until Version 12 is released, as well some of the best customer service and tech support available.
While on its own X‑Plane represents the world’s most comprehensive flight simulator, the installation DVD also comes with Plane Maker, allowing users to create custom aircraft or modify existing designs, and Airfoil Maker, allowing users to create airfoil performance profiles.
The stock installation includes the following aircraft:
|Cirrus Vision SF50||North American X–15|
|Beechcraft Baron 58||Boeing 747–400 and 747–100|
|Cessna 172SP||McDonnell Douglas KC–10 Extender|
|Stinson L–5 Sentinel||Beechcraft King Air C90B|
|ASK–21 glider||Boeing B–52G Stratofortress|
|Lockheed C–130 Hercules||Space Shuttle Orbiter|
Of course, the thousands of aircraft available on the Internet provide even greater variety. The following is a (small) sample of what’s out there:
|Beechcraft Bonanza||Boeing 727/737/747/787|
|Mooney M20J 201||Piper PA–16 Clipper|
|de Havilland DH–106 Comet||Pitts “Mountain Dew” S2C|
|Sikorsky S76||StratoCloud Ram-Air|
|P–51D Mustang||Piper Twin Comanche PA30|
|Beechcraft King Air 350||Cessna 195|
|Cessna C150||Bell 222|
|Douglas A–4B Skyhawk||Ilyushin IL–76|
|Fiat CR.42 Falco||Paris Jet III|
|Bell 407||Peregrine F222 Firenze|
|Beechcraft Staggerwing||Curtis P–6 Hawk|
|Ford Tri-motor||Cessna 120|
|Hawker Sea Harrier FRS1||Airbus A320/A340/A380|
X-Plane can be used in a wide array of situations, ranging from home use to commercial flight training. The standard installation of X‑Plane is X‑Plane 11 Global, and it is perfect for almost all home users. Situations that go beyond the standard home use (including use in commercial simulators) require the purchase of a USB “key” (a simple flash drive) that is used to unlock the features of X‑Plane Professional.
Note that FAA certification of a simulator requires not only that the user has X‑Plane 11 Professional but also the appropriate hardware (cockpit and flight controls) available through the X-Plane Hardware page and companies such as Precision Flight Controls and Fidelity Flight Simulation. This is because flight-training systems can only be certified as a complete package (a software and hardware combination). The commercial, FAA-certifiable software is available for $750 to $1,000 per copy and the hardware runs from $5,000 to $500,000. The retail version of X‑Plane purchased at X-Plane.com is not certified for flight training right out of the box, since certification requires a software and hardware combination. However, the software available at X-Plane.com is almost identical to what is found in the $500,000 full-motion, FAA-certified platforms. The biggest difference is that the FAA-certified versions have custom aircraft files with larger instrument panels, which are set up to work with hardware radios like those found in the physical cockpits. The FAA-certifiable version also has some of the purely fun stuff (like space flight) removed even though those situations are simulated accurately in X-Plane, just like the FAA-certified subsonic terrestrial flight.
The standard X‑Plane simulator is the retail copy of X-Plane. It requires one X‑Plane 11 Disc 1 DVD or one digital download product key for each copy of X‑Plane on the network, and nothing else. For additional information on the digital download version of X‑Plane 11 Global, see this Knowledge Base article.
Many copies of X‑Plane on many computers can be networked to act as external visuals, external cockpits, instructor stations, and the like. One X‑Plane Disc 1 DVD or one digital download product key is required for each computer networked together running the simulator. This system cannot be certified by the FAA or any other authority for logging flight training, due to the fact that it does not self-test for the presence of flight controls or a usable frame rate. However, since only one X‑Plane Disc 1 DVD or digital download product key is needed for each computer, this setup is amazingly affordable and easy to assemble, even though a user could never certify the system.
This version of X‑Plane is for commercial use and FAA-approved simulators. It requires one X‑Plane Professional USB key in addition to each copy of X‑Plane on the network. This version is very similar to the X‑Plane 11 Global simulator but enables commercial uses, FAA certification checks, and ability to use a real GPS. This version is designed to replace Microsoft ESP.
This USB key needs to be used for commercial purposes and FAA-approved simulators for flight training. It gives a Commercial Use message as X‑Plane starts up, causing X‑Plane to check for flight controls and self-test the frame rate, as required for FAA certification.
Furthermore, this key enables X‑Plane to drive real Garmin G430 and G1000 GPS units. Note that in order to interface with a real G430 or G1000, users must get a Simulator G430 or G1000 from Garmin, then make the wiring harnesses to plug them in to the serial or Ethernet cables to the computer. Users unsure on how to do this are better off buying a simulator boxed and ready to go from Precision Flight Controls. PFC does provide ready-made units with real G430s and G1000s installed and running.
Finally, this key enables cylindrical and spherical projections (see “Projector Setup for X‑Plane Professional” for more information.)
The Professional key can be purchased from X-Plane.com’s Ordering page. USB key drivers for both Mac OS and Windows can be downloaded from the X-Plane.com site. Run those installers to make X‑Plane recognize the USB keys.
This chapter is designed to allow a first-time X‑Plane user to get the simulator up and running in as short a time as possible. The goal is to be in the air and flying within ten minutes of completing the installation while still learning the essentials of the simulator.
This chapter will gloss over a great deal of background information, and configuration of many non-essential options will be skipped entirely. It assumes that the computer X‑Plane is being installed on is capable of running the simulator with its default rendering options. For the latest system requirements, see “X-Plane 11 System Requirements” in the X‑Plane Knowledge Base.
Where the process differs between installing on Windows and Mac OS X, the differences have been noted.
After getting off the ground initially, you may want to continue reading the full manual, or simply keep it for reference. If you have any issues while following this guide, check the rest of the manual—the problem is very likely addressed there, and you’ll save time for both yourself and customer support.
Detailed information on installing and configuring X‑Plane can be found in the chapters Preparation and Installation and Configuring and Tuning Your X‑Plane Installation. Detailed information on joystick configuration can be found in the chapter Configuring and Tuning Your X‑Plane Installation, and the chapter Flight in X-Plane contains more on setting up and flying the aircraft.
Before installing, we recommend uninstalling any old or demo versions of X-Plane. You can do this by simply dragging the old X‑Plane folders to your Recycle Bin (called Trash in Mac OS X).
Insert the first X‑Plane DVD into your DVD drive and wait for it to spin up.
If you have purchased a digital download product key, download the latest X‑Plane installer from our web site. Launch that installer, then skip to step 3.
In Windows, if the operating system does not launch the X‑Plane DVD installer automatically, click the Start menu, then My Computer. Double click on the XPLANE11 DVD, then “X-Plane 11 Installer.exe”.
Mac users will need to double click on the X‑Plane DVD icon on the desktop, then double click the “X-Plane 11 Installer.app” to launch the installer.
When the installer window appears, click Continue to begin the installation process.
Note that you can change the language or pick a different operating system for the install by clicking on the settings slider icon in the top right corner.
If you purchased a digital download product key, enter it on the following screen. Be sure you are connected to the Internet at all times during your installation.
By default X‑Plane will install to the Desktop. Though it can be installed elsewhere, it is strongly recommended that it be placed on the Desktop so that it can be found in the future. For the purposes of this guide, we will assume it is installed there. Click Continue.
Accept the user agreement and click Continue once again. It is highly recommended that you leave the box for sending anonymous usage data checked. This allows Laminar Research to gather anonymous data to make updates to the simulator based on how you use it.
Figure 2.1: All scenery selected for installation after clicking “Select All”
Select the scenery you would like to install. Parts of the world that are currently selected will be a bright blue color (as all continents are in Figure 2.1). Note that for regions where no scenery is installed, only oceans and airports will be visible.
If you are unsure what areas are currently selected, just click Select None to turn everything off (as seen in Figure 2.2). From there, move your mouse around the map to highlight sections of the world and click on on the ones you would like to install.
Figure 2.2: No scenery selected for installation after clicking “Select None”
When you’re finished selecting scenery, click Continue to begin installing.
The installer will begin displaying its progress. When using DVDs, the installer will prompt you when it’s time to remove the current disc and insert the next. DVD installation may take anywhere from thirty to sixty minutes per disc, and that only one X‑Plane disc can be in the system at once (the installer wont recognize a disc placed in a second DVD drive). Note that digital download time estimates are based on your initial network speed and real install times may vary significantly.
We strongly recommend that you install only a small bit of scenery now and add more later, as the entire scenery package takes nearly 60 GB of space and a long time to install.
Scenery can be added or removed at any point in the future by re-running the installer. Insert Disc 1 if you have the DVD set, but if you are using a digital download product key, X‑Plane should remember it. If not, enter your product key when required. When the X-System installer comes up saying “You already have X‑Plane 11 installed on this computer,” click the Add or Remove Scenery button and proceed just like in step 7 above.
Note: Having finished the installation, Mac users will probably want to exclude their X‑Plane installation directory from their Time Machine backups (as described in the chapter Preparation and Installation, in the section “Special Considerations for Mac Users.”)
Make sure your USB joystick is plugged in. To avoid any possible problems, it is recommended that the flight controls be plugged directly into the machine rather than into a hub.
If you own the DVD set, put Disc 1 into your DVD drive.
Open the X‑Plane folder (located by default on the Desktop) and double click on ‘X-Plane.exe’ in Windows, or ‘X-Plane.app’ on a Mac.
If you have a digital download key, X‑Plane may prompt you for your key, or the field may be pre-filled if you have entered your product key before (i.e., during installation). Simply click “Authorize” and X‑Plane will proceed. Starting the simulator without this or a DVD in the drive will force it to run in demo mode only.
If you have successfully used your digital download product key, X‑Plane will try to contact the authorization server in the background without prompting you. Thus if your net connection is good and your product key is not locked, you may never notice or need the product key again to fly.
Since this is the first time you’ve started X-Plane, it will begin with a tutorial on the basics of flight and using X-Plane. Follow the instructions or use the Skip buttons to complete it.
During this first launch, if you are using flight control hardware, the program can quickly and automatically configure them. In the Uncalibrated Joystick or Yoke box that appears, click the Open Joystick Calibration button then continue with the steps below.
Note that a mouse may be used to fly if neither a yoke or a joystick is available, though it will (of course) be unrealistic and cumbersome. If the mouse will be used, skip to the section “Setting Up a Flight” below.
Click on the Calibrate or Calibrate Now button (if necessary).
Figure 2.3: The calibration window for a new yoke
Move each axis of the device through its full range of motion. Make sure to move all levers as well as the stick or yoke itself.
Press the Next button to continue to the centering screen. Release the controls, press Next again and wait until the timer is up.
Click Finish to leave the calibration screen to return to the main joystick screen.
Figure 2.4: The joystick configuration screen, after completing calibration
If any axes weren’t recognized properly during the automatic calibration, you can set them with the drop down menus in the column of controls on the right.
Assign functions to joystick buttons, such as brake toggle (if you’re not using rudder pedals) by clicking the Edit button. Note that for many of the most popular flight controls, you will be able to refer to the labeled image on the left if you are unsure which button is being assigned.
Find the command you’d like to assign, such as “Toggle brakes regular effort,” by searching or scrolling through the list. Then click Apply.
Once you’ve finished assigning functions to buttons, close the Joystick screen by pressing the Done button.
If at any time you need to return to the joystick screen, you can access it by clicking on the settings icon in the top right corner of the screen and going to the Joystick section.
The first thing you see when you launch X‑Plane is the main menu. From here you can choose to quit, resume your last flight, start a new flight, load a saved flight, or visit Flight School for tutorials. If you are brand new to X‑Plane or flying, it’s recommended that you start with this last option, Flight School. Otherwise, to set up a new, custom flight, click the New Flight option to go to the Flight Configuration screen.
Figure 2.5:The Flight Configuration screen
Select an aircraft from the list on the left. You can narrow down your options by using the drop down menus at the top of the screen or the search bar. Click on the star in the corner of the aircraft box to mark it as a favorite, and quickly find it next time at the top of the list.
Pick an airport to start at by searching by Name, ICAO/FAA/IATA code, or feature (such as “grass strip”) in the Location box at the top left side of the screen. You can specify which runway or ramp to start on by clicking the Customize button.
Drag the slider in the Weather box to change the cloud and precipitation settings between 8 different presets. Adjust the time of day the same way.
Once you’re ready, click the Start Flight button and get flying!
See the section Setting Up Your Flight for detailed explanations of the Customize screen options for each aspect of the flight.
Updating X‑Plane will ensure that the copy of X‑Plane you are using is the most stable, most feature-rich version available. Updates within a given version of X‑Plane (e.g., from Version 11.0 to 11.1 to 11.2) are free, and recommended for virtually all users.
Simply start X-Plane, and if an update is available you will see an “Update Available” box with the options to “Ignore” or “Update.” Click Update to have X‑Plane automatically download and launch the latest installer/updater. Proceed through the installer to update X‑Plane to the latest version.
If you would like to check what version of the simulator you’re using:
Go to Settings > General.
Click the About X-Plane button in the bottom left corner.
Your version number will be listed in the “About This Copy of X-Plane” section. There will be an Update X-Plane button if an update is available. Clicking this will cause X‑Plane to download the latest updater and run the updater for you.
Given X-Plane’s incredible capabilities and accuracy, it is not possible to run a current release of X‑Plane on an exceptionally old computer. A good rule of thumb is that any machine built in the last 18 to 24 months will probably be able to run the simulator acceptably. Computers up to about 36 months old may be fine if they were top-of-the-line machines when manufactured. Even if they weren’t, X‑Plane may still be able to run, albeit with its rendering options turned down.
For the latest system requirements, see the “X-Plane 11 System Requirements” Knowledge Base article.
X-Plane can display on any screen, with resolutions ranging from 1,024 × 768 pixels to 9,999 × 9,999 pixels. It makes no difference to X‑Plane what aspect ratio your screen has; if your aspect ratio doesn’t match that of the instrument panel you are using, X‑Plane will simply zoom or stretch the panel as appropriate to fill your screen.
X-Plane allows the use of any number of screens to depict anything you like. Multiple computers with multiple copies of X‑Plane can be used to drive multiple monitors, thereby networking up to about 20 screens to show any combination of views imaginable. Many modern graphics cards or technology such as a video splitter like the Matrox TripleHead2Go) can be used to drive mulitple forward visuals with one machine. In that case, a second machine could be used to drive the cockpit display and/or IOS, as described in the section “Configuring a Multi-Monitor Simulator.”
X-Plane, of course, needs a decent graphics card in the computer you wish to run it on. Essentially any modern, discrete (i.e., non-integrated) video card will do just fine, though a more powerful, more expensive graphics card will allow for higher detail in the simulator’s graphics. Just as important as the graphics card itself, though, are the computer’s graphics drivers (essentially, the instructions that let X‑Plane know how to use your graphics card).
On many systems the required graphics drivers will already be installed. However, it may be necessary to periodically update the computer’s video drivers, either to fix a problem or to get the very best performance the system can deliver. Many graphics card companies provide software that can automatically detect when a new driver is available and help keep you up to date. Users of ATI/AMD video cards can find out more and download drivers from the AMD web site, while NVIDIA users can download drivers and software from NVIDIA’s web site.
Before updating the graphics driver, we recommend installing and launching X‑Plane (per the section “Installing X-Plane” of this chapter) and seeing how it runs. If any of the following problems are experienced, the system’s graphics drivers probably need to be updated:
Additionally, if an error appears referring to a corrupt or missing ‘.dll’ file, the drivers most likely need to be replaced.
Some Windows-based computers are operating with drivers that are out of date or that do not currently support OpenGL (caused by using the default Windows drivers rather than those of the manufacturer). If you conclude that your graphics drivers need to be updated, the following (general) steps should guide you through the process.
Many of the latest video cards come with manufacturer’s software that can automatically download and install the latest drivers, easily keeping you up to date.
While it is physically possible to fly X‑Plane with only the mouse and keyboard, this can be cumbersome and unrealistic (for obvious reasons). While instructions for flying this way are included in the section “How to Fly” of the chapter Flight in X-Plane, it is strongly recommended that users fly with at least a joystick for a realistic experience.
So which joystick should a user purchase? Most USB joysticks and yokes made in the last 10 years or so will work with X-Plane, but, as with most things in life, you get what you pay for. Be leery of joysticks advertised for $29.95 at a local retailer. In our experience the cheaper hardware typically does not last as long or work as well as more moderately priced equipment.
Note: X‑Plane can only interface with USB devices. This covers nearly all the controllers manufactured in the last ten years, but if you have a non-USB device, an adapter will be needed to change it to a USB input.
Joysticks typically provide pitch, roll, and throttle control, as well as a few buttons that can be programmed to do different things. For example, you may program one button to raise and lower the landing gear, and two additional buttons to raise the flaps and lower them. Also, some joysticks can have their handle twisted left and right to control yaw movement. If the joystick being used does not offer yaw control, you will probably want a set of rudder pedals to provide realistic yaw control in the airplane. A joystick will be best for flying fighter or sport airplanes, or planes made by companies like Airbus, Cirrus, or Lancair, for the simple reason that those planes, in reality, are controlled with joysticks!
A yoke consists of a steering wheel-like control that rotates left and right and also slides back and forth. These are the best option for users primarily interested in flying older-style general aviation planes, business jets, and non-Airbus airliners, since these planes are flown with yokes in reality.
Yokes are typically clamped to a desk for stability. They may have a built-in throttle quadrant, which will allows for independent control of the propeller, throttle, and mixture for a single propeller engine. Also, note that yokes do not control yaw movement (they do not twist left and right for yaw control like some joysticks), so rudder pedals are required for realistic yaw control.
Rudder pedals allow users to realistically control the airplane’s yaw by pushing the left or right pedal to turn. While in flight, the pedals control the rudder, whereas on the ground they’re used to steer. The pedals also control the brakes to help the airplane stop or turn sharply while on the ground. (Push the top of the left or right pedal to activate the brakes on that side of the plane.)
If neither a set of rudder pedals nor the joystick is set to control yaw, X‑Plane will automatically slew the rudder to try and keep the airplane flying true. This auto-rudder function, however, is not smart enough to take off or land properly in a crosswind, slip, or do various other things that rudders might be used for. For this reason, rudder pedals (or at least a twisting joystick) are highly recommended.
Please note that, when flying a helicopter, pedals must be used for the anti-torque controls—this can not be assigned to keyboard commands, simply because it is not practical to try to use the keyboard to fly.
For added realism in certain situations, you may want an independent throttle quadrant. CH Products’ Multi-Engine Throttle Quadrant is perhaps the most popular and offers independent and variable control of six different functions. Normally, this would be set up to control the throttle, propeller, and mixture controls for each engine on a twin-engine airplane. This controller can also be used to control throttle and condition (fuel cutoff) for jet engines, allowing independent control of jet aircraft with up to three engines. A multi-engine throttle quadrant is recommended for users interested in realistically flying airplanes with more than one engine.
To purchase joysticks or other equipment, check out the CH Products, Logitech, or Saitek websites. Each of the sites allows users to browse the available products and find where to buy them. Also, feel free to ask your questions on the X-Plane Q & A site. You may call or e-mail X‑Plane customer support (email@example.com) with any additional questions.
In order to avoid confusion, be sure to delete any installations of the X‑Plane demo, or older versions of X-Plane, before installing the full version. (Uninstalling the demo is as straightforward as locating the “X-Plane 11 Demo” folder and moving it to the Recycle Bin or Trash.)
Note: If you are using a digital download product key, you will need to download the latest X‑Plane installer from X-Plane.com.
To install X‑Plane using the DVD set, do the following:
Insert Disc 1 into your DVD drive and wait for it to spin up.
If the X-System window doesn’t open automatically, navigate to the drive now labeled “X-Plane 11” (usually the ’D:' drive). If the X-System window does appear automatically, skip to step 4.
Double-click on ‘X-Plane 11 Installer’ to launch the X‑Plane installation.
When the installer window appears, click Install an X‑Plane Product Purchase if necessary.
You can change the language or pick a different operating system for the install by clicking on the settings slider icon in the top right corner.
Note that if the buttons at the bottom of the X-System screen are not visible, then the system is probably running at a minimal resolution like 800×600. Using this resolution will not allow the computer to display the bottom of the X‑Plane screen and you will need to force the installer to exit (via Ctrl+Alt+Del) and increase the screen’s resolution in Windows to at least 1024×768.
By default, X‑Plane will install to the Desktop. Though it can be installed elsewhere (by clicking the Change Destination button), it is strongly recommended that it be placed on the Desktop so that the folder can be found in the future, and so it has correct permission settings.
When an acceptable location has been selected, click Continue.
Accept the user agreement and click Continue once again.
Figure 3.1: All scenery selected for installation after clicking “Select All”
Select the scenery you would like to install. Parts of the world that are currently selected will be a bright blue color (as all tiles are in Figure 3.1).
If you are unsure what areas are currently selected, just click Select None to turn everything off (as seen in Figure 3.2). From there, move your mouse around the map to highlight sections of the world and click on on the ones you would like to install. Note that for regions where no scenery is installed, only oceans and airports will be visible.
Figure 3.2: No scenery selected after clicking the Select None button during the installation
When you’re finished selecting scenery, click Continue to begin installing.
The installer will begin displaying its progress. When the installer prompts you to do so, remove the current disc and insert the next. Note that installation may take anywhere from thirty to sixty minutes per disc, and that only one X‑Plane disc can be in the system at once (the installer won’t recognize a disc placed in a second DVD drive).
When the installation completes, reinsert Disc 1 and go fly!
We recommend installing a small amount of scenery at first. Installing the complete scenery package will consume about 75 GB of hard drive space, and doing so will take between five and six and a half hours. At any point in the future, scenery can be added or removed by inserting Disc 1 and re-running the installer. When the X-System installer comes up with the message “You already have X‑Plane 11 installed on this computer,” click the Add or Remove Scenery button and proceed just like in step 7 above.
By default, Mac OS X is set to automatically back up the entire hard drive using Time Machine. This includes a user’s X‑Plane directory. Most people would prefer not to have this backed up, due to the fact that it requires a significant amount of space on the backup disk (for something already backed up to DVDs or online, no less) and the fact that it takes a great deal of time to complete the backup.
For this reason, it is recommended that users exclude the X‑Plane directory from Time Machine’s backup, either during or shortly after the X‑Plane installation, by doing the following:
Open the Time Machine preferences, either from the task bar (by clicking the Time Machine icon and selecting “Open Time Machine Preferences”) or from the System Preferences (by clicking the Time Machine icon there).
With the preferences open, click the Options… button.
Click the + icon to add a folder to the list of excluded directories.
Select the X‑Plane installation directory (located by default on the Desktop) and click Exclude.
Click Save and exit the Time Machine preferences.
Some of X-Plane’s menus may render strangely when using the default Aero themes in Windows 7 and Windows Vista. For this reason, it is recommended that users switch to the Basic theme when running X-Plane.
To make Windows automatically switch to the Basic theme when you launch X‑Plane (and switch back when you’re done), do the following:
Locate either the ‘X-Plane.exe’ file (found in the X‑Plane 11 installation folder) or the shortcut you use to launch X‑Plane and right click on it.
Click Properties from the menu that appears.
Go to the Compatibility tab and check the Disable desktop composition box. With that done, X‑Plane will launch with the Basic theme and all menus will render correctly.
To install X‑Plane using a digital download product key, do the following:
Ensure your computer is connected to the Internet. Download the latest X‑Plane installer from our web site.
Double click the “X-Plane 11 Installer” icon to launch the installer.
Click the Install an X‑Plane Product Purchase button if necessary. Enter your digital download product key in the boxes on the following screen then click the Continue button.
By default, X‑Plane will install to the Desktop. Though it can be installed elsewhere (by clicking the Change Destination button), it is strongly recommended that it be left on the Desktop so that the folder can be found in the future and all permissions are correct.
Accept the user agreement on this screen. It is highly recommended that you leave the box for sending anonymous usage data checked. This allows Laminar Research to gather anonymous data to make updates to the simulator based on how you use it. Click Continue once again.
Figure 3.3: All scenery selected for installation after clicking “Select All”
Select the scenery you would like to install. Parts of the world that are currently selected will be a bright blue color (as all tiles are in Figure 3.3).
If you are unsure what areas are currently selected, just click Select None to turn everything off (as seen in Figure 3.4). From there, move your mouse around the map to highlight sections of the world and click on on the ones you would like to install. Note that for regions where no scenery is installed, only oceans and airports will be visible. When you’re finished selecting scenery, click Continue to begin installing.
Figure 3.4: No scenery selected after clicking the Select None button during the installation
We strongly recommend that you install only a small bit of scenery now and add more later, as the entire scenery package takes nearly 60 GB of space and a very long time to install.
The installer will begin displaying its progress. Note that digital download time estimates are based on your initial network speed and real install times may vary significantly.
When the installation completes, start the simulator and go fly!
Scenery can be added or removed at any point in the future by re-running the installer. When the X-System installer comes up with the message “You already have X‑Plane 11 installed on this computer,” click the Add or Remove Scenery button. Enter your digital download product key if necessary and proceed just like in step 6 above.
In order for the simulator to work (outside of demo mode), the computer running X‑Plane Digital Download Edition must have an Internet connection to contact our servers. X‑Plane does not require an Internet connection to re-validate on every single application launch, but it does require authentication frequently. If your primary use of X‑Plane is on a computer that does not have net access or where net access is unreliable or rare, you should purchase a DVD or a USB dongle.
X-Plane digital download product keys are like credit card numbers: the key itself authorizes you to get X-Plane, and each user has a different key. If someone else has your key, that user has access to your copy of X-Plane. Just like credit cards, you should not share your product key with anyone else.
If you need to contact Laminar Research customer support, we will only require the last eight digits of your product key; you do not need to send your full product key to anyone, including Laminar Research.
If someone manages to steal your product key, piracy is prevented by fraud detection; our servers will see your key being used in a pattern that looks like multiple people (e.g. your key used from two continents at the same time) and it will be locked. Downloading the product repeatedly may appear to be piracy and may also cause your key to be locked. You can contact X-Plane customer support if you experience problems with your digital download product key.
A digital copy of X‑Plane is not a backup. The digital version of X‑Plane is available online at any time for download, but it is not a replacement for a good backup of your computer(s); only a true backup can save your preferences, third party aircraft you’ve downloaded, your log book, etc.
Additionally, only the latest, non-beta version of X‑Plane 11 is available digitally. If you do not want to update to the latest version, you need to make your own backup of X-Plane; re-installing the product will get the latest version.
Unlike many of the programs you may be familiar with, X‑Plane does not create shortcuts to itself across your hard drive. We recommend launching X‑Plane by opening the X‑Plane 11 installation directory (located by default on the Desktop) and double-clicking the X‑Plane icon. However, if you would like, you can create a shortcut (called an “alias” in OS X) by doing the following:
Open the X‑Plane installation directory (located by default on the Desktop).
In Windows, right-click on the X-Plane.exe icon and select Create Shortcut. In Mac OS, right-click on the X-Plane.app icon and select Make Alias.
Drag the shortcut wherever you wish to launch X‑Plane from.
To launch X‑Plane for the first time:
Make sure your USB joystick is plugged in. To avoid any possible problems, it is recommended that the flight controls be plugged directly into the machine rather than into a hub.
If you own the DVD set, put Disc 1 into your DVD drive.
Open the X‑Plane folder (located by default on the Desktop) and double click on ‘X-Plane.exe’ in Windows, or ‘X-Plane.app’ on a Mac.
If you have a digital download key, X‑Plane may prompt you for your key, or the field may be pre-filled if you have entered your product key before (i.e., during installation). Simply click “Authorize” and X‑Plane will proceed. Starting the simulator without this or a DVD in the drive will force it to run in demo mode only.
If you have successfully used your digital download product key, X‑Plane will try to contact the authorization server in the background without prompting you. Thus if your net connection is good and your product key is not locked, you may never notice or need the product key again to fly.
Having installed X‑Plane as described in the previous chapter, you can configure the simulator in a number of ways. These include downloading the latest free update (giving you the latest set of features available), setting up flight controls, and tuning the performance of the simulator both in terms of graphics quality and frame rate.
X-Plane has been written to operate on Windows, Macintosh, and Linux systems. For consistency’s sake, the layout and appearance of X‑Plane is the same across all three operating systems.
Here are a few pointers to aid in the learning process:
X-Plane’s menu is hidden. To access the menu bar, move the mouse pointer to the top of the screen. When the mouse is within a centimeter or so of the top edge of the screen, the menu bar will appear. By default the Esc key will also display the menu. You’ll find the majority of X‑Plane 11’s options in the drop down menus in the left of this menu bar.
Some of the key functions of the simulator are accessed through small icons on the right side of the menu bar however. From left to right, clicking the icons will: pause the simulator, open Flight Configuration, show the ATC window, show the map, open Settings, and open a help webpage. Keep in mind you can use keyboard shortcuts to access many of these features as well.
Figure 4.1: The menu icons
Keyboard shortcuts can be found by opening the settings screen and going to the Keyboard tab. These keyboard assignments can also be changed using this screen (per the section “Configuring Keyboard Shortcuts”) to anything you like. Also note that many of the keyboard shortcuts are shown in the X‑Plane menus. For example, opening the View menu will display the list of available views on the left side of the drop down menu, with the list of corresponding keyboard shortcuts on the right.
You can adjust almost all aspects of how the simulator runs by going to the Settings screen. Here you’ll find tabs to adjust the settings associated with the sound, graphics, networking configurations, data input and output, joysticks and flight hardware, and the keyboard shortcut assignments. Many other helpful options, such as the language and warnings, can be found in the General section.
Like most programs, the simplest way to navigate around X‑Plane is using the mouse, though there are many keyboard shortcuts to help you navigate quickly through the options after you become familiar with the program. These shortcuts are particularly important when using the mouse to fly. In that case, it is much easier to use the ‘2’ key to drop a notch of flaps than it is to let go of the controls, reach down with the mouse to adjust the flaps, and then reach back up and grab the controls again.
Also note that most instruments and controls inside the cockpit are interactive, meaning that the mouse can be used to alter switches, set frequencies, manipulate the throttle(s), change the trim, etc.
With your flight controls plugged in and X‑Plane running, you can configure how the simulator responds to input from each axis and button. Throughout this section we will refer to any input device as a joystick; the instructions apply to yokes, throttle quadrants, and rudders also. Configuring should be done upon initial set up of X‑Plane and any time new equipment is plugged in, but it is not necessary to configure hardware upon every use.
The first time a joystick or yoke is plugged in, the program can automatically take you to the joystick settings screen to configure the device. If you selected No in the Joystick Quick-Config box, move the mouse to the top of the screen and click the settings icon, then Joystick, and continue with the steps below.
Click on the Calibrate or Calibrate Now button. This will open the dialog box allowing you to configure and calibrate the flight controls.
Figure 4.2: The calibration window of the Joystick settings screen
To begin, move the joystick’s controls around to see how the axes are mapped in X-Plane. As this is done, one of the red bars will move vigorously for each input that is actuated. (Note that if you are using a trim wheel, you may have to roll the wheel continuously to see which axis it is mapped to.) Thus, when the stick is rolled left and right only one bar will move a substantial amount; when it is pushed back and forth it will be a different bar.
Move your joystick through the full range of motion for each axes, and each slider through its entire range as well. Move your joystick or yoke forward and back for pitch. Move your joystick/yoke left and right for roll, and twist your joystick (if applicable) for yaw. (If you do not have or assign a yaw axis, X‑Plane will attempt to stabilize it for you.) Once all the red bars have changed to blue, click on the Next button. You can bypass axes that are not fully recognized by using the “Skip” button.
Let go of the controls and press the Next button to begin centering the controls and setting the nullzone. When the timer’s up, press the Finish button to go back to the joystick screen and complete joystick set up.
Figure 4.3: The Joystick settings screen, after calibration is completed
If any axes were not recognized automatically, or were incorrectly categorized, in the first calibration screen, you can set them in the right column of the joystick settings screen. Simply use the drop down menu to select the appropriate axis type.
Do not click the “Reverse Axis” box unless, when flying, the aircraft’s control is working backward.
Note: Any remaining bar (if applicable) which is not actively controlled by your hardware needs to be set to none. When this is set, X‑Plane is not using the axis.
Each of the buttons and switches on the joystick can be assigned a function within X‑Plane (for example, toggling the brakes or landing gear) in the right column of the Joystick settings screen.
Figure 4.4: Clicking button 5 in the image highlights the button in the list on the right
You can tell which button you’re assigning by the mapping in the image on the left. Click on a number to highlight the line in the list on the right side of the screen. You can also press the button on the joystick and seeing which number in the list lights up.
Assign a function to a hat switch by picking from the drop down menu. Assign a function to a button or a two-direction switch by clicking the Edit button and scrolling through the list of commands, or by typing a key term in the search bar, as in Figure 4.5 below.
Figure 4.5: Searching commands for the term “brakes”
Repeat this process for as many buttons and switches as need functions assigned. Close the Joystick window and the settings will be saved.
To modify the joystick’s sensitivity, press the Control Response button at the bottom of the Joystick settings screen. The three sliders in this window control the response curves for the pitch, roll, and yaw axes of the joystick.
If these sliders are set all the way to the left, the aircraft’s response to that axis’ input will be completely linear. This means that a 50% deflection of the joystick will deflect the airplane’s flight controls 50% of their travel. As these sliders are moved to the right the response becomes curved. In this case, a deflection of the joystick from center to its halfway point may only deflect the aircraft’s controls by 10%. This will dampen any aircraft movements and desensitize the user’s controls. Keep in mind, however, that in this case, the remaining 90% of the control surface deflection must take place in the last 50% of joystick movement. Thus, the controls will be dampened for the first half or so of their travel and then become hyper-sensitive for the remainder of their throw. This gives the user plenty of fine-tune control near the center of the flight control envelope to hold altitude and roll precisely, but still allows for full control authority at the extremes.
Try flying with the sliders in various different positions to see what setting works best.
To modify the stability of the aircraft, press the Stability Augmentation button. These sliders control X-Plane’s stability augmentation by damping the predicted forces acting on the aircraft’s flight control surfaces. If these sliders are all the way to the left, then there is no stability augmentation of the aircraft. As the sliders are moved to the right, X‑Plane will automatically add some stability augmentation to the aircraft, adding some elevator input to level the nose, some aileron input to minimize the roll rate, and some rudder input to counter any aircraft yaw rates. In other words, the simulator will try to make the plane easier to fly by adding control inputs for the user. The downside, of course, is that as X‑Plane adds stability, the aircraft becomes less responsive (and less realistic).
Click the PFC Hardware button to set up special equipment for use in X-Plane. This tab is generally used on multi-computer X‑Plane configurations in professional, FAA-certified simulators or to tie in various GPS navigators (such as a real Garmin 96/296/396 or a 430 GPS radio). After being connected to the computer, this equipment should be set up per the manufacturer’s recommendations, then checked off on the Equipment screen to tell X‑Plane that it is connected.
X-Plane has been designed to be both extremely flexible and easily usable. For this reason, most of the keys on the keyboard do something.
To see which keys are tied to which functions, open the settings by moving the mouse to the top of the screen, clicking the settings icon, and clicking on Keyboard. Here you can look at the functions assigned to the keys of the keyboard.
You can use the buttons on the left side to narrow down the list, or use the plus and minus symbols to change how many items are shown from the list of functions. Functions are classified into a number of categories (operation, engines, ignition, etc.), but if you aren’t sure what category a functions falls under, you can use the search bar to find it.
The description of the function is on the left while the button assigned to it is on the right. To change the key a command is bound to, type in the box on the right or use the +. Use the - to delete a key assignment.
Note that it is not necessary to try and remember all of the keyboard shortcuts. Instead, many of them are shown in the menus when flying. For example, while in flight, move the mouse to the top of the screen and click the View menu and a subcategory. The keyboard shortcut it’s assigned to is found on the right. For instance, in the view menu, the “Forward with 2-D Panel” view has a “w” symbol next to it, so it can be selected with the ‘w’ key.
X-Plane is a very advanced simulator that has been designed for use across a broad range of computers with varying specifications. As such, X‑Plane offers the ability to change graphics settings to optimize performance on your computer. The Graphics tab of the settings window allows you to match X-Plane’s settings (and thus the demands the simulator puts on the computer) to you computer’s capabilities.
The simulator’s performance is measured in frames per second (FPS, or frame rate). This is how many times per second the X‑Plane physics and rendering code (currently more than 700,000 lines of code!) can be run. Each time the computer runs through the program it advances the aircraft and recalculates the images that are seen (cloud formations, scenery, aircraft instruments, other aircraft, etc.).
Obviously, X‑Plane has to be tremendously flexible to be able to run on a three year old computer and also take full advantage of the latest and greatest hardware available. There are two things that affect X-Plane’s frame rate: the computer’s capabilities and how much it is being asked to simulate (e.g., how much visibility is set, how many buildings, clouds, and other aircraft are being drawn, etc.). It will be much harder for the computer to compute images when flying an airplane in 30-mile visibility with 8,000 3-dimensional buildings and cloud puffs than it would be if X‑Plane were set up with only two or three miles of visibility and no clouds. Thus, generally speaking, the higher the rendering options are set, the lower the performance and frame rate achieved.
The faster a computer can run X‑Plane the more realistic and rewarding the simulation will be. Testing has shown that the human brain can separate individual frames at frame rates of less than about 20 FPS, causing the simulation to appear “choppy.” Coincidentally, this is also about the same place that the engineering behind the simulation begins to fall apart. For this reason, X‑Plane has set the minimum operating speed at this level. If a computer is not capable of delivering a frame rate of 20 FPS while rendering the level of detail set up in the Rendering Options page, X‑Plane will automatically introduce fog to help the simulation to run more smoothly. The fog keeps X‑Plane from having to draw the world to as great a distance, allowing the simulation to run faster.
Before we begin, we will need to be able to tell how fast X‑Plane is running on your computer. To do this, launch X‑Plane and:
Move your mouse to the top of the screen (causing the menu to appear) and click the settings icon, then the Data Output tab.
On the first line, Frame rate, check the first box to display the current frame rate in the upper left of the screen during flight.
Figure 4.6: Checking the box to display the frame rate while in the simulator
Close the Data Output window. You should now see how fast the simulation is running, in the f-act / sec output on the far left (highlighted in orange in the image below). This is the current frame rate, given in frames per second (fps).
Figure 4.7: The frame rate per second highlighted
Note that the frame rate will change depending on what is happening in the simulation. It is not uncommon for a computer to output 50 fps while sitting on an empty runway, but drop down to, say, 30 fps when rendering lots of buildings, other aircraft, etc.
Refer to the following to determine the significance of this number.
19 fps is terrible and barely adequate to run the simulator.
25 to 35 fps is the ideal range. Higher frame rates indicate the computer isn’t rendering with as much detail as it could.
50 fps is very high and indicates that the system could probably draw more buildings, clouds, and other objects.
The Graphics screen is used to configure the level of detail in the simulator. This window can be found by moving the mouse to the top of the screen, clicking on the settings icon, and clicking Graphics.
The rendering options sliders are organized with settings that depend primarily on CPU on the right, and GPU-heavy options on the left. The Visual Effects slider adjusts the quality of the visual effects, such as shadows and light reflection and is dependent on the quality of your graphics card. If you have a new and/or fairly powerful GPU, try setting this slider to high or maximum.
Figure 4.8: The Rendering Options screen of the Settings window
Adjust the Texture Quality slider to fine tune the level of detail in the textures of the cockpit and world objects. This setting determines the clarity and detail of the textures displayed in X-Plane. Textures are the image-maps that are draped over the terrain and aircraft to make them look realistic. If it is set too low, the runway and terrain will look blurry and blocky. While this will not look very good, it will use very little video memory (VRAM), so a high frame rate will be more easily achievable. The more powerful a computer’s video card is, though, the higher the texture resolution can be set in X‑Plane without hurting the frame rate. The frame rate will be significantly impacted, though, if a texture resolution is selected that requires more VRAM than the computer’s video card has. You will need to restart X‑Plane to see the effect of changing this slider.
The Antialiasing slider is used to smooth the edges of the objects drawn in the simulator. When a computer tries to draw diagonal lines across the finite number of rectangular pixels in a monitor, “jaggies” result–pixelated-looking, stair-stepped lines. These jaggies may be (somewhat) eliminated by turning on anti-aliasing. This will cause X‑Plane to actually draw the simulated world several times per frame and blend those frames together, resulting in a better looking image. Thus, it is similar to using a higher screen resolution; running at a resolution of 2048×2048 without anti-aliasing is similar to running at 1024×1024 and 4× anti-aliasing. Both situations tax the video card with virtually no increase in CPU use. This will completely kill the simulator’s frame rate if the system doesn’t have a strong video card, but if the video card can take it, crank this option up.
The Number of Objects slider will adjust how many 3D objects are drawn in the world, such as trees, buildings, and static aircraft. If you have a powerful CPU you can set this to high or even maximum without affecting your frame rate too much, and the highest settings will ensure that you see all there is to see around an airport. Check the Draw parked aircraft box if you would like to see static aircraft at airports.
If X‑Plane is still running at a very high frame rate, you can also choose to check the box next to “Use Vsync” at the bottom of the window. This will limit X-Plane’s frame rate to the refresh rate of your monitor, thus preventing brief frame rate drops, or stutters. Checking the Draw shadows on scenery box will also add detail that older, slower cards may not be able to handle.
Always keep in mind that, if your graphics card has too little VRAM for the textures X‑Plane is loading (a very real possibility in this version), you may see a huge drop in frame rate when you move up a notch on one of the GPU-dependent sliders on the right.
We recommend putting the visual effects slider on its lowest setting, exiting the sim, restarting it, and noting the frame rate. From there, raise the slider up one level and repeat until the frame rate decreases. This is the point at which all of the video card’s RAM is being used. Back the texture resolution off to one level lower than where the decrease was noted and restart X‑Plane one more time.
Finally, you can enable the TrackIR, TrackHat or Matrox TripleHead2Go with the checkboxes at the bottom of the window.
If the simulator’s frame rate isn’t as high you would like, you can raise it by following the instructions below. We recommend following these instructions in order, checking the frame rate after each major change until you find settings that give an acceptable frame rate. Ensure the frame rate is visible on screen per the instructions in Displaying the Frame Rate above.
The final setting that really impacts the simulator’s frame rate is the number of other airplanes. Access this by moving the mouse to the top of the screen, clicking Aircraft, then selecting Aircraft and Situations. In the dialog box that appears, go to the Other Aircraft tab.
There, the number of aircraft setting (found in the upper left of the screen) should be set to one for maximum speed. This means X‑Plane will only have to calculate physics on your aircraft, providing a significant speed increase on slower CPUs.
With that done, your performance should be optimized, and you’re ready to fly.
At the bottom of the Graphics section of the Settings screen are the options for configuring the monitor. Use the drop down menu to switch between full screen and windowed mode, or the Instructor Operating Station (requires at least two monitors).
When using X‑Plane in full screen mode, the resolution will default to the same resolution as your operating system. You can change this with the Resolution drop down, but keep in mind that if you choose a resolution with a different aspect ratio than your monitor has, X‑Plane will appear stretched. This would happen, for instance, if your monitor had a native resolution of 1920×1080 (a widescreen, 16:9 aspect ratio) and you selected a resolution of 1024×768 (a “standard” 4:3 aspect ratio). The lowest available resolution is 1024×768. Increasing the resolution may also cause a drop in frame rate if your graphics card is not powerful enough.
Expand the Visuals Settings to set the default view or turn off windshield effects such as cracked glass after a crash.
You can adjust the Lateral field of view in the Field of view section. This changes the extent of the observable scenery that is onscreen. Widescreen monitors (those with an aspect ratio of, say, 16:10 or 16:9 and a resolution of, say, 1920×1080, 1600×900, and so on) may benefit from a wider field of view (60° or more). Older monitors with a 4:3 aspect ratio (corresponding to a resolution like 1024×768 or 1600×1200) probably want to stick to a 45° field of view.
If you are using a multimonitor set up, expand the Visual Offsets section to make adjustments for monitor bezels or wraparound monitors. See the section Configuring a Multi-Monitor Simulator for more details.
To configure the sound, move your mouse to the top of the screen and click on the settings icon, then Sound. The options here allow you to configure the relative volumes of all sounds in X‑Plane using the sliders on the left side of the window. On the right side, ATC sound and text can be turned off or on. By default, all sounds are enabled, with volumes set at 100% (sliders fully to the right).
This window will also check the status of speech synthesis software used for ATIS.AWOS. If the software is not installed on Windows, download the Microsoft Speech SDK 5.1.
To change the language used throughout X-Plane, move your mouse to the top of the screen (causing the menu to appear) and click the Settings icon. Then, click on the General tab and select select your language from the list in the section labeled “Language.”
The X‑Plane simulator is designed for both realism and longevity. Maximizing both of these requires that X‑Plane be updated often. We regularly release new updates to the simulator that contain feature enhancements, bug fixes, stability improvements, aircraft and resource updates, flight model improvements, and even new feature additions.
A purchase of X‑Plane entitles you to free updates through that full X‑Plane version run. This means that if you purchase the Version 11 discs, you will get the Version 11.10 update, the Version 11.20 update, etc., all the way through Version 11.99 if it exists—all free of charge. Of course, you do not have to take advantage of these updates, but it is recommended that you do so.
If an update is available you will be notified the next time you start X-Plane. If you’d like to update immediately, click the Update button to automatically download and launch the latest installer/updater, then complete the process.
If you would like to check what version of the simulator you’re using:
Go to Settings > General.
Click the About X-Plane button in the bottom left corner.
Your version number will be listed in the “About This Copy of X-Plane” section. There will be an Update X-Plane button if an update is available. Clicking this will cause X‑Plane to download the latest updater and run the updater for you.
In between official (or “stable”) releases, users can download beta versions of the upcoming update. These are treated as a kind of “update in progress”—new features and bug fixes are included, but in the beta stage, the updates have not been fully tested in a range of situations. This means that they may create incompatibilities or create other problems that would not be experienced in the stable releases.
The X‑Plane beta updates are for users who want to help test the newest refinements to the X‑Plane software. The advantage to doing so is that these users get access to the latest enhancements to the software. The downside is that there is a greater risk of encountering problems with third-party models or other general bugs. We recommend that most users stick to the stable version releases, as these are the ones known to “just work.”
See the X‑Plane Release Notes page for information on the latest builds.
To install a beta:
Note that Steam users only have access to the final betas, called “release candidates.”
The X‑Plane installer does not infest your hard drive with shortcuts and directories. Therefore, all it takes to uninstall the program is to delete the X‑Plane installation folder (located by default on the Desktop) by dragging it to the Recycle Bin or Trash. After you empty the Recycle Bin/Trash, the program will be removed completely from your hard drive.
Some features of X‑Plane require that X‑Plane be able to communicate across your network. These features include:
In order for your computer to “see” the other computers in the situations above, you must first allow X‑Plane to communicate through your firewall. If your computer is not running a firewall, of course, this is of no concern to you.
To do this in Windows 7, 8 and 10:
Open Windows Control Panel and select “System and Security.”
In the Windows Firewall pane, click Allow a program through Windows Firewall.
Select the check box next to X‑Plane in the Allowed programs, and then click OK. If X‑Plane is not in the list, you can add it by clicking the Allow another program button underneath the list and browsing for it.
To allow X‑Plane through the firewall in Mac OS,
Open System Preferences from the Apple menu.
Click Security & Privacy.
Click the Firewall tab.
Unlock the pane by clicking the lock in the lower-left corner and enter the administrator username and password.
Click Firewall Options to customize the firewall configuration.
Click the + (plus) button, then select your copy of X-Plane.app. With X‑Plane selected, click Add, then OK.
If you need to allow X‑Plane through a corporate firewall, open the Operations & Warnings screen and enter a non-transparent HTTP proxy in the box at the bottom of the window.
X-Plane can be modified in a number of ways. You can add aircraft or custom scenery, or you can download plug-ins that can radically alter the functionality of the simulator. If you don’t find the aircraft, scenery, or plug-ins you’re looking for, you can create your own with a bit of programming know-how.
The X-Plane Developer site has a wealth of information on creating both scenery and aircraft, and the X-Plane SDK site has documentation on developing plug-ins. The Plane Maker manual will prove especially useful for users creating aircraft files, while those developing scenery should keep the WorldEditor manual handy.
Perhaps the easiest place to find new aircraft is on X-Plane.org. X-Plane.org has models for sale (some of which are very, very good) as well as free models. Other noted sources of high-quality, payware aircraft are the folks at X-Aviation, as well as Jason Chandler of AIR.C74.NET.
When downloading a custom aircraft, it will typically be in a compressed folder (usually a ZIP file) that contains the airplane and all its various paint jobs, airfoils, custom sounds, and instrument panels. Once the compressed folder is downloaded, you should be able to double-click on it to open or expand it on Macintosh, Windows, or Linux computers.
From here, the folder can be dragged and dropped into the Aircraft folder. For instance, for a newly downloaded Piper J–3 Cub, the folder path in Windows might look like this:
C:\User\Desktop\X-Plane 11\Aircraft\Piper Cub
With the new aircraft in the proper directory, open up X-Plane. When you start a new flight, your aircraft will show up in the aircraft grid of the Flight Configuration screen. (If the aircraft does not come with icons for the grid, you can have X‑Plane generate them by using the commands “(re)generate all icons for this aircraft” or “(re)generate the icon for the current aircraft & livery”. Bind them to a button or key according to the instructions in Configuring Flight Controls.)
Of course, users can also upload their own aircraft to X-Plane.org and similar sites, after creating a custom airplane per the Plane Maker manual. We place no copyright restrictions of any sort on aircraft made by users with Plane Maker, and these custom aircraft may be uploaded and shared (or sold) at will.
Custom scenery packages, too, can be found on the X-Plane.org download page, among other places. These may be downloaded and installed at will. Typically, custom scenery packages will need to be unzipped into the X‑Plane ‘Custom Scenery’ folder, and X‑Plane will load them automatically the next time it is started.
Advanced scenery customization may be handled through modification of the “scenery_packs.ini” file found in the Custom Scenery folder. This file determines the order in which scenery packs load, with files at the top of the list overriding those lower down. Any time a new scenery pack is added to the Custom Scenery folder, it is automatically added to the top of the scenery_packs.ini file, and therefore takes priority.
To modify the order of scenery packs, open the scenery_packs.ini file with a text editor of your choice, and simply move the scenery pack line to a different location in the list (i.e., higher for those packs you most want to see and lower for those it is less important to see). Additionally, the XAddonManager utility may be helpful for managing a large amount of custom scenery or downloaded objects.
To create your own custom scenery, use the World Editor tool (WED), downloadable for free from the Scenery Tools page of the X‑Plane Developer site. A good number of tutorials for the tools can be found in the Scenery Development documentation section of X‑Plane Developer and on YouTube.
The Airport Scenery Gateway is a community-driven effort to collect airport data into a global airport database. It is a collection of all airport layouts authored by the X‑Plane community over the years. Custom airports made in WED and uploaded to the Gateway are shared with all X‑Plane users via updates to X-Plane.
The latest Gateway scenery will be provided automatically via updates. You may also add scenery from the Airport Scenery Gateway before that happens, but note that if you do so, it will suppress any later Global Airport updates to that same airport.
Plug-ins are little programs that let you modify X-Plane. People write plug-ins to do all sorts of interesting things like hang weights on the dashboard that move around accurately, run little tugs around to push your airplane on the ground, or draw interesting terrain visualization systems, among other things. Once again, X-Plane.org is a good place to go to find various plug-ins and other things to tweak your copy of X-Plane.
For information on creating custom plug-ins, see the X-Plane SDK site.
X-Plane, of course, is a flight simulator. A typical flight consists of some, if not all, of the following steps:
choosing an aircraft,
going to a location (either an airport’s runway, a location some distance out from an airport in order to make an approach to the airport, or a random location),
setting the weather and time of day, and
In addition, you might take advantage of a number of features of the simulator either before or during a flight. These include using instruments in the aircraft’s panel, switching your view of the aircraft, visualizing your flight (either on a 2-D map or in 3-D), and creating files to share your flight with others.
The first thing you see when you launch X‑Plane is the main menu. Here you can pick from four options to get flying. You can also quit from this screen, adjust your settings, or access the manual for help.
Resume Last Flight will load the aircraft you were last using when you quit X‑Plane and place it at the closest airport. Load Saved Flight will allow you to load one of your saved situation files (see the section Creating a Reusable Situation for more details). Flight School accesses the tutorials and is a great place to start if you’re new to flying or X-Plane.
For now, we’re going to focus on setting up a New Flight to customize all its features. Click the button to be taken to the Flight Configuration screen.
Note that if you return to the Main Menu (found under the File menu) after starting any flight, the name of some options will have changed slightly. You can Resume Current Flight or choose Edit Flight to access the Flight Configuration screen. You will also have the option to Save Flight in addition to Load Saved Flight and access to Flight School.
Figure 5.1: Setting up a new flight in the Flight Configuration screen
Select an aircraft from the list on the left. You can narrow down your options by using the drop down menus at the top of the screen or the search bar. Click on the star in the corner of the aircraft box to mark it as a favorite, and quickly find it next time at the top of the list.
By clicking on the Customize button, you can switch between starting your flight with engines running or cold & dark. You can change the aircraft’s livery (if available) by using the scroll wheel of the mouse or the drop down list in the top right corner. Click on Weight, Balance, & Fuel if you’d like to modify those values, or Failures to pick parts of the aircraft or world to break.
X-Plane’s aircraft can be relocated to virtually any airport on Earth. It can place your aircraft on a runway or apron, or it can start you in the air on a 3 or 10 nautical mile approach to a runway.
Pick an airport to start at by searching by Name, ICAO/IATA/FAA code, or feature (such as “grass strip”) in the location box at the top right side of the screen. You can obtain the same results by searching for “KLAX,” “Los Angeles Intl,” or even just typing “Los Angeles” and scrolling through the results. The unfiltered list is the complete X‑Plane airport database, which represents nearly every airport on the planet.
Click on the Customize button to go to the Location screen if you’d like additional control over where your flight starts. This screen is divided into three parts. In the top left is a larger version of the airport selection on the previous screen. The bottom left portion toggles between ramp & runway starts. When the toggle button is set to “Runway” you can start on the ground at the runway end, or in the air 3 or 10 nautical miles away from the runway.
To the right of the list pane is an overhead view of the selected airport’s layout with your current starting point marked in blue. You can quickly see which end of the runway you’ll start on, or where the ramp start you’ve selected is located. You can zoom in and out by using your mouse scroll wheel and even click on the location you’d like to start at in the map instead of picking from the lists on the left.
Note that if the aircraft is moved to an area that does not have any scenery installed, it will end up on a runway which is hovering above the ocean down below. This is referred to as “water world” and it is covered in detail in the appendix Water World, or “Help, there’s water everywhere!”.
You do not have to choose a location for your flight using the list of world airports. You can have X‑Plane choose a random location near you by clicking the Special Starts button at the bottom of the Location screen, then selecting “Get Me Lost” from the bottom of the list. You can also choose from a number of special starts in this screen, such as a carrier cat shot, oil rig approach, or the space shuttle landings.
The X‑Plane environment consists of weather, time of day, and date, each of which can be modified at will.
X-Plane’s weather simulation is highly configurable and remarkably realistic. Weather in X‑Plane can be set in three ways. The first, and easiest, way to set the weather is using the slider on the Flight Configuration screen. Eight options are available, with the cloud cover getting increasingly heavy as you drag the slider right.
Click the Customize button for much finer control over the weather. It may be easiest to start with the closest type of weather you want with the slider, then go to the Weather Settings screen to tweak the individual settings.
The Weather Settings screen allows you to specify the exact weather you want. The largest portion of the screen is for the weather map, which displays the clouds and wind layers in relation to each other.
You can use the Preset Conditions drop down menu to set some preset weather conditions to start designing your custom weather from:
CAVOK sets the weather to clear and visibility OK. Typically pilots refer to this as “CAVU”—Clear And Visibility Unlimited. This puts no wind or cloud layers in the weather map, and the visibility slider is set to 25 statute miles.
VFR sets the weather to good visual flight rule conditions—clear, sunny skies with no wind and visibility at 7sm.
Marginal VFR sets the weather marginal VFR flying conditions, with about five miles of visibility and a 1,500 foot ceiling.
Non-Precision Approach sets the weather for a non-precision approach, with a 3 mile visibility and a 400 foot ceiling.
IFR Cat I sets the weather up for a Category-I ILS approach, with poor ceiling and visibility.
Cat II sets the weather up for a Category-II ILS approach, with terribly poor ceiling and visibility.
Cat III sets the weather up for a Category-III ILS approach. These are extremely low instrument conditions, with basically zero ceiling and visibility.
Stormy sets the weather to about IFR-I level ceiling and visibility conditions with heavy precipitation and storms, of course.
Custom allows you to open a custom METAR.rwx file to create your own weather conditions in a text file.
Or you can simply add up to six cloud and/or wind layers (3 each) by clicking on their respective buttons. Note that each layer you add will be placed above any existing layers of the same type, so it will be most efficient to design your weather from the bottom up.
The weather map is very tactile–you can grab the icons and drag them up and down, and some cloud types allow you to adjust their edges to make them wider or narrower. Click on a layer to adjust additional settings in the Layer Properties column on the left side of the window. Press the Delete Layer button if you’d like to remove the wind or cloud layer.
Figure 5.2: Specifying the cloud and wind layers in Weather Settings
Cloud layers can be set to cirrus, various amounts of cumulus, and stratus. You can adjust the heights of the clouds by using the sliders, or typing in the boxes for the most precision. These heights are measured in feet above mean sea level (MSL).
The altitude, speed, turbulence, gust, and shear of wind layers can also be adjusted by dragging the sliders or specifying a number in the boxes. X‑Plane will use the high, middle, and low altitude settings to interpolate between the layers. You can click and drag near the edge of the direction circle to make the wind come from that direction.
In the right side of the Weather Settings window are the setting sliders for atmospheric conditions.
The Set visibility drop down and slider adjusts what its name suggests, measured in statute miles for atmospheric visibility or feet for runway visual range.
The precipitation slider sets the level of precipitation. Depending on the temperature around the airplane and in the clouds where it is formed, this will be in the form of rain, hail, or snow.
The storminess slider adjusts the tendency for convective activity. The weather radar map in the lower-right of the window shows where the cells are forming. Flying into these cells results in heavy precipitation and extreme turbulence. The turbulence is great enough that in reality, airplanes can fly into thunderstorms in one piece and come out in many smaller pieces.
Taking helicopters into these icing and thunderstorm situations is interesting because their very high wing-loading on their rotor and the fact that the rotor is free teetering causes them to have a pretty smooth ride in turbulence. They are still not indestructible, though, and they are subject to icing on their blades just like an airplane.
Next, the temperature at the nearest airport and the barometric pressure (air pressure) at sea level can be set. Keep in mind that the “standard atmosphere” is 59° F (15° C) and 29.92 inches mercury (1013 millibars).
Expand the “Thermals” section to enter the altitude, coverage, and climb rate. These controls are mainly used when flying gliders. In addition to thermals, X‑Plane also runs air up and down the terrain as wind blows into mountains, simulating the effects that real glider pilots have to keep in mind and try to take advantage of. Try setting the wind at 30 knots or better at a right angle to a mountain range and running along the upwind side of the mountain range in a glider—you should be able to stay aloft on the climbing air if you stay pretty low. Drift to the downwind side of the mountain, though, and an unstoppable descent is assured!
Expand “Bodies of Water” to set wave height and wave direction for bodies of water. Changing the wave height, in feet, will also modify the wave length and speed.
The final method of setting the weather in X‑Plane is to download the weather from the Internet. Downloading real weather will obtain weather and winds information for the entire world.
To enable this, first open the Customize Weather screen from Flight Configuration. There, check the Match real world conditions box at the bottom left of the window. X‑Plane will automatically download the weather in your current location, and it will set a timer to re-download weather in one hour. If you want to download weather at some other time, you can always come back to this window and press the Refresh button.
When X‑Plane downloads and uses real weather it places two files in the Output folder: flight_config_global_winds.grib and flight_config_metar.rwx.
You can make your own weather and wind files, allowing you to provide your own weather to X‑Plane with unlimited resolution and location of weather definitions. This chapter will provide a basic explanation of how to set up your own custom weather text files, or see this article on the X‑Plane Developer site for more information.
For custom weather, create a text file named “METAR.rwx” that list the reporting station name as MDEG. Then add the longitude, latitude, and elevation. Next, enter the METAR report you want to apply at that location.
For example, if we wanted to change the weather for the South Carolina area, we would specify the area in the METAR.rwx file as: “MDEG –81.235425 34.5647 80.0”. After that we’d enter: “24031KT 2SM CLR 10/M10 A3011” for our weather.
X-Plane has 16 weather envelopes spanning the area around the flying region. Each bucket is about 1.0 degrees of longitude by 0.6 degrees of latitude, or about 35 miles or so. If you put an MDEG airport every degree of longitude and every half degree of latitude, you will be entering about the right number of MDEG airports to get all the detail you can out of the X‑Plane weather engine.
For custom winds, create a text file named “Winds.rwx.” This file will load custom winds 10,000 ft and 34,000 ft into X-Plane, so you have winds aloft for both light planes and airliners, with interpolation for turboprops that fly in between.
Start the line with “DEG,” then enter the latitude and longitude for the location. Each of the numbers after the latitude represent the direction, speed and temperature. Add additional columns of wind information to correspond to specific altitudes: 3000, 6000, 9000, 12000, 18000, 24000, 30000, 34000, and 39,000 feet. Note that you may leave a lower altitude column blank if the location is already above that altitude, but you must enter a full winds-aloft report for all of the altitudes. X‑Plane will only use the data at 12,000 and 34,000 ft (with interpolation between them) but you must enter a number (a dummy value like zero is fine) for all altitudes for the file to be scanned properly.
DEG –82.235 34.345 2910 3117+14 2925+08 2934+04 2924–07 2836–20 284436 284946
Let’s parse the first few items in our example above. Note that X‑Plane uses longitude first, then latitude; thus the location is 82.235 degrees West, 34.345 degrees North. At 3000 feet, the wind direction is 290, with a speed of 10 knots. At 6000 feet, the wind direction is 310, speed 17 knots, and a temperature of +14 degrees Celsius. Continue on in this manner when you are adding custom winds or interpreting the report.
Again, X‑Plane has 16 weather envelopes spanning the area around the flying region, and each bucket is about 1.0 degrees of longitude by 0.6 degrees of latitude. So, if you put DEG wind-reporting station every degree of longitude and every half degree of latitude, you will be entering about the right number of wind-reporting station to get all the detail you can out of the X‑Plane weather engine.
The simplest way of setting the time of day is by dragging the slider in the bottom right of the Flight Configuration screen. Time is given as both local and Zulu time (that is, Greenwich Mean Time or UTC). Click on the Customize button to change the date, time or GMT offset by using the drop down menus. Changing the date will accurately track changes in the length of days and nights within X-Plane. For instance, there are fewer daylight hours in December than in June in North America, as in the real world.
Aditionally, you can check the always track real date and time box to keep X‑Plane in sync with the date and time set in your operating system.
Figure 5.3: The options available in the Customize window of Time of Day
When flying for the first time (both in X‑Plane and the real world), it’s a good idea to use a relatively simple aircraft. The Cessna 172 is an excellent choice in this regard, a fact attested to by the millions of real-world pilots trained in this model.
Before beginning, be sure you have configured your flight controls, if applicable, per the section “Configuring Flight Controls” of the chapter Configuring and Tuning Your X‑Plane Installation. If you are not using flight controls, you will have to fly with the mouse. In this case, there will be a small white plus sign (+) in the center of the screen. If only this cross is visible, with no white box around it, X‑Plane is indicating that the pilot’s “hand” is not on the stick. This means that the mouse is free to move anywhere without impacting the flight controls.
To grab the stick (and thus take control of the aircraft), click the left mouse button in the vicinity of the little white cross and a white box will appear around the cross. The mouse button should not be held down, only clicked once to turn the box on (i.e., to grab the stick) and again to turn the box off (to release the stick). When the box is visible, the pilot’s hand is on the stick and any movements of the mouse within the box will position the flight controls accordingly. Thus, moving the mouse directly below the cross will command some up elevator (causing the plane to climb) and will not impose any roll commands (which should keep the aircraft from changing its bank). Likewise, keeping the mouse lined up exactly with the cross but deflecting it to the right a bit will cause the plane to bank to the right without altering its pitch.
If you are not familiar with flying an airplane or using X-Plane, check out Flight School for tutorials on many basic aviation concepts. Tutorials range from how to take off and land in the default Cessna 172 SP, to how to use a VOR to navigate. To access Flight School, go to the main menu (found under the File menu) and click the button for Flight School.
Figure 5.4: The General Aviation section of Flight School
To take off, the airplane must first be located at the end of a runway. By default X‑Plane relocates the craft here, unless you have specifically picked a different location in the Customize Location screen. To take off in the Cessna 172, release the brakes (for instance, by using the ‘b’ key) when the throttle reaches its halfway point, then slowly advance the throttle (the F2 button when not using a joystick). Continue to advance the throttle and be ready to feed in some right yaw (using the right rudder or the twist on the joystick, if applicable) as the airplane accelerates. The tendency to turn to the left is normal in single engine aircraft due to the turn of the propeller.
Don’t worry if it takes a few tries to learn how to keep the aircraft on the runway—a Cessna can take off in the grass just fine. If the airplane turns off the runway as it’s accelerating, just keep on going. Normally, the pilot will rotate (that is, apply some up elevator by pulling back on the yoke or stick) at about 60 knots in the Cessna 172. Once the aircraft leaves the ground, push the stick forward a bit to momentarily level off and allow the airplane to build speed. Once the craft reaches 80 knots or so, pull back gently on the stick again and resume climbing. Building airspeed before climbing this way will help keep the plane from stalling.
Note that if a crash occurs that damages the airplane too badly, X‑Plane will automatically open a new airplane and place it at the end of the nearest runway (which may not be where you started). If the impact is only hard enough to damage the airplane without necessarily destroying it, the aircraft will just sit there and smoke. If this happens, you will need to open the Flight Configuration screen and start a new flight. If only it were so easy in the real world!
To land the plane you must first locate an airport and runway. This can be done during a flight by “dead reckoning” (that is, looking at your surroundings to find an airport nearby) or by opening Local Map (either by clicking on the icon in the menu, or using the ‘m’ key by default). The simplest option is to have X‑Plane set you up on a final approach by opening the Flight Configuration screen, clicking on the Customize button in the location section, and selecting your desired airport and runway. Make sure the Starts button is toggled to Runway, then pick you desired distance from the drop down menu.
To begin the descent in the Cessna 172, gradually lower the throttle to about 20% power and pitch the nose down between –3 and –5 degrees. Start to gradually lower the flaps (by using the ‘2’ key if no replacement button was configured) to further slow the aircraft. The goal is to be around stalling speed (about 50 knots in the Cessna) right at touchdown for the smoothest landing. As you near the runway, cut the throttle completely and pitch the nose up about 7 degrees to gently land the plane. Apply the brakes to come to a complete stop.
When using the forward cockpit view, the mouse can be used to control the instruments in the panel, just as the pilot’s hand would be used to manipulate the instruments, switches, and other controls.
To operate a button, just click it and release. To operate a switch, do the same to change its position. For example, to bring the landing gear down (on planes that are able to), click with the landing gear switch. Of course, this control will look different in different aircraft. Keep in mind that the
g key could also be used or a joystick button could be assigned to toggle the gear.
To turn knobs, move the mouse to the “plus” or “minus” side, whichever is necessary, and click to move the knob. Click repeatedly for greater movements.
To easily see the controls within the cockpit that the mouse can operate, open the Settings and go to the General tab. Under the Flight Model section, check the box labeled Show mouse click regions in the cockpit. This will draw a thin yellow square around the areas of the instrument panel that can be manipulated with the mouse.
If you have trouble interacting with (or even seeing) a control, you can switch to the 3-D cockpit mode by pressing Shift + 9, then move your view backward by pressing the comma key (‘,’). This will allow you to see the whole of the cockpit. You can also use the period key (‘.’) or mouse wheel to zoom in and get a closer look. Alternatively, you can use the up, down, left, and right arrow keys to move your view around in the 2-D panel view.
To get a quick description of the instruments in the panel, open the Settings and go to the General tab. Under the Flight Model section, check the box labeled Show instrument instructions in the cockpit. After closing the window, you’ll see a description of an instrument whenever you hold the mouse over it.
Avionics in most airplanes utilize twin concentric knobs that allow the pilot to tune the radio. For example, there will typically be a large knob on the surface of the radio, with a smaller knob sticking out from the large one. The large knob controls the integer (“counting number”) portion of the frequency and the smaller knob controls the decimal portion.
For example, imagine that the COM1 radio (the communications radio number 1) needed to be tuned to 128.00 MHz. In a real aircraft, the pilot would turn the big, lower knob until 128 was visible in the window, then turn the small, upper knob until 00 was visible.
X-Plane is set up the same way. When hovering the mouse in the vicinity of one of the radio tuning knobs, two counter-clockwise arrows will appear on the left of the knob and two clockwise arrows on the right. The arrows closest to the knob are physically smaller than those on the outside-these adjust the decimal portion of the frequency. The outside arrows are larger and adjust the integer portion of the frequency.
You can change your view of the aircraft using the View menu, or by using the keyboard shortcuts listed on the right side of each option in the View menu. For example, to select the forward view, one would press the ‘w’ key, and to turn the view 45° left, one would press the ‘q’ key.
Using the menus or the appropriate keyboard shortcuts, you can select a view or modify your current view. The controls for view selection affect the type of view that you are using. For instance, you may choose to be in the cockpit, looking forward at the instrument panel, or you may select an external view, perhaps where you look at your aircraft from the point of view of the nearest air traffic control tower. View selection controls are described in Table 5.2.
After selecting some view, you can modify the view using translation (moving left, right, fore, or aft), rotation (spinning about your point of focus), or zoom (changing the angle of view). The default keyboard shortcuts for these effects are listed in Table 5.1.
In the 3-D cockpit mode, if you want to move your view closer to the instrument panel, you would press the ‘.’’ (period) key, not the ‘=’’ key. To move your view farther from the instrument panel, you would press ‘,’ (comma), not the ‘-’ key. Furthermore, you cannot zoom out past your camera’s actual location; you have to translate backward (using the ‘,’ key) to move farther away.
Many aircraft use 3-D cockpit mode by default, but you can also switch to it by opening the View menu, clicking Change (Internal), then clicking “3-D Cockpit Command Look,” or by pressing Shift + 9 on the keyboard. In this mode, you can move your view around the cockpit in one of a few ways:
This mode leaves the mouse free to click on things in the cockpit without affecting where you are looking.
In 3-D cockpit mode, you can use the keyboard shortcuts or the View menu itself to change where you are looking. These are described in Table 5.1.
|Movement Name||Keyboard Shortcut||Effect|
|Translate left, right, up, and down||Corresponding arrow key||Shifts the view a bit in the direction you choose|
|Translate fore and aft||‘,’ (aft) and ‘.’ (fore)||Shifts the view toward the front and rear of the aircraft, respectively|
|Rotate left, right, up, and down||‘q’ (left), ‘e’ (right), ‘r’ (up), and ‘f’ (down)||Spins the view in the corresponding direction|
|Zoom in and out||‘=’ (zoom in) and ‘-’ (zoom out)||Simple zooming|
Table 5.1: General view modification commands
|Name of View||Keyboard Shortcut||Effect|
|View Selection Controls for cockpit views|
|Forward with panel||‘w’||Shows the instrument panel as though you were in the cockpit, facing forward|
|Forward with HUD||Shift+’w’ (i.e., ‘W’)||Shows a front-facing view with no instrument panel, only a head-up display (HUD)|
|Forward with nothing||Ctrl+’w’||Shows a front-facing view unencumbered by an instrument panel or any other display|
|3-D cockpit, using keyboard shortcuts to look around||Shift+9 (i.e., ‘(’)||Displays the in-cockpit view of the 3-D instrument panel, where available. Uses translation and rotation commands (listed in Table 5.1) to move and look around.|
|View Selection Controls for external views|
|Linear spot||Shift+1 (i.e., ‘!’)||Moves the camera with your craft’s initial velocity.|
|Still spot||Shift+2 (i.e., ‘@’)||Fixes the camera’s location some distance in front of your craft’s position.|
|On the runway||Shift+3 (i.e., “#”)||Fixes the camera’s location on the ground at the nearest runway.|
|Circling the aircraft||Shift+4 (i.e., ‘$’)||Moves the camera with the aircraft, allowing you to use the rotation and translation keys (see Table 5.1) to circle the craft.|
|Tower view||Shift+5 (i.e., ‘%’)||Fixes the camera at the nearest tower.|
|Ride-along||Shift+6 (i.e., ‘^’)||“Mounts” a camera to the aircraft, which can then be moved using the rotation and translation keys (see Table 5.1).|
|Track fired weapon||Shift+7 (i.e., ‘&’)||Causes the camera to follow any fired weapon.|
|Chase||Shift+8 (i.e., ‘*’)||Sets the camera directly behind the aircraft.|
Table 5.2: Controls for selecting a view
Quick Look allows you to set up a view just the way you like it, and then save it as a hot key or command. Then, in the future, whenever you press that key on the keyboard (or button on your joystick, as the case may be), you can go right back to that view again.
Note that the Quick Looks are aircraft-specific preferences. This means that your Quick Look views in the Cessna 172 do not interfere with your views in the King Air, and so on.
For example, suppose you’re flying the default King Air and you find yourself frequently positioning your view in the cockpit by tilting down and zooming in on the throttle quadrant to see how you have the aircraft configured. This can take some time to set up and if you do it often, it can get tedious.
The solution, then, is to set up a Quick Look. Set the view to however you like it, and assign it to Quick Look 1 by pressing Ctrl+Num Pad 1 (i.e., the control key, with the 1 key on the number pad). Note that the Num Lock must be on in order to do this. Now, no matter how your view changes, when you press the shortcut for Quick Look 1 (by default, Num Pad 1), your head position, orientation and zoom goes right back to your memorized view of the throttle quadrant.
By default, the numbers 0 through 9 on your keyboard’s numeric keypad (a.k.a. the num pad or tenkey) are used to bring you back to Quick Looks 0 through 9. When pressing the Ctrl key along with any of those numbers, you will store your current view to be recalled later by that number key. Thus, to set a view for Quick Look 3, you would get the view to the way you like it, then press Ctrl + Num Pad 3, and to go back to that view, you would press Num Pad 3. However, like most keys in X-Plane, you can modify these settings if you like, and you can even assign an established Quick Look to your joystick as described in the section “Assigning Functions to Buttons”.
Quick Looks are not just for 3-D cockpit mode, either. They work in all aircraft-relative views, such as 3-D Cockpit, Ridealong, Chase, Circle, and Forward with HUD.
X-Plane has the capability to fly an aircraft using artificial intelligence (AI). The AI system can handle all aspects of flying your aircraft, including taxiing around the airport, take off and landing.
To enable the AI’s control of the craft, move the mouse up to the top of the screen to bring down the menu bar. Click Aircraft, then select A.I. Flies Your Aircraft.
With the AI controlling the airplane, you are free to experiment with the different views and also to practice raising and lowering the aircraft’s landing gear, flaps, and so on. Furthermore, this is an excellent way to practice tuning radios.
In addition, you can have the AI control your view by opening the Aircraft menu and selecting A.I. Controls Your Views.
If you need help with a certain aspect of the simulator, open the menu and check for a question mark icon in the right corner. Click on the icon to open a webpage with additional information and instructions about the screen you are currently viewing.
X-Plane offers a number of ways to save and share a particular flight. These are:
In each case, you can save the flight and replay it yourself, or you can upload it to the Internet for others to see.
Figure 5.5: Load a situation, replay, FDR or Xavion file from the Load Flight screen
A “situation” in X‑Plane is a file readable only by X-Plane. It is essentially a “snapshot” that makes a note of the aircraft you are using, its position in the air or on the ground, its payload, the amount of fuel in its tanks, and so on. It also includes information on the environmental conditions of the flight, including cloud conditions, temperature, and time of day. Furthermore, any other aircraft you have loaded will also be noted.
To create a situation (a ‘.sit’ file), move the mouse to the top of the screen, click File, then click Save Flight.
You may need to toggle the “Save As” file type to the correct file type, then enter a name in the File Name field and click the Save button.
By default, X‑Plane saves your situation files to the following directory: ‘X-Plane/Output/situations/’, although you can pick a different save location with the Change Destination button.
This is especially useful for quickly loading and practicing a specific type of approach, or for recreating a specific combat situation. The situations can even be sent to other X‑Plane users; all they need is the ‘.sit’ file that you created.
To load a situation in order to fly it again, open the File menu and click Load Flight. You can narrow down the list of all the saved files by clicking on the Situations button. If you do not see your file in any of the lists, you can also click the Open Saved Flight Not Listed button to open a file browser window to navigate to the file, wherever you saved it. Click on the .sit file you want to load, then press the Load Flight button at the bottom of the screen.
A “replay” in X‑Plane is essentially a “movie” of your flight which notes the aircraft’s location and attitude at each time step, beginning at the last time you loaded an aircraft or traveled to an airport and ending at the moment you click the “Save Replay” button. This file is only viewable in X-Plane, but because it is so complete, you can change your view as much as you like while replaying. This is in contrast to an AVI movie, which records only what you see while you’re recording.
These files, like situations, can be shared with and replayed by any X‑Plane user.
To create a replay (a ‘.rep’ file), move your mouse to the top of the screen, click File, and click Save Flight. You may need to toggle the “Save As” file type to the correct file type, then enter a name in the File Name field and click the Save button.
By default, X‑Plane will store your replay in the following directory: ‘X-Plane 11/Output/replays/’, although you can pick a different save location with the Change Destination button.
To load a replay, open the File menu as before, but select Load Flight. You can narrow down the list of all the saved files by clicking on the Replay button. If you do not see your file in any of the lists, you can also click the Open Saved Flight Not Listed button to open a file browser window to navigate to the file, wherever you saved it. Click on the .rep file you want to load, then press the Load Flight button at the bottom of the screen.
In addition to file types readable only by X-Plane, you can also create more universally readable movies. The downside to these movie files is that they record exactly what you see when you record them, and they do not record sound. You will toggle the recording on, fly around a bit, then toggle the recording off; the resulting ‘.avi’ file will contain what you saw on your screen while flying around. After recording the movie, you can edit it in a program like iMovie (installed on new Macs by default) or Windows Live Movie Maker.
Before recording your movie, you will want to set up the movie’s specifications. Do so by moving the mouse to the top of the screen, clicking on the File menu, then clicking “Configure video recording.” In the dialog box that appears, you can set:
In choosing a frame rate, know that videos produced at 15 frames per second will look jittery. Film and television use 24 and 30 frames per second, respectively. In choosing a resolution, keep in mind that an x-resolution of 720 pixels is 720p, and that increasing beyond the resolution you’re using on your screen will give no benefit.
To begin recording a movie, either press Ctrl + Spacebar or open the File menu and click “Toggle video recording.” After flying whatever you intended to record, turn the recording off by either pressing Ctrl + Spacebar or clicking Toggle Movie from the File menu. A file called “X-Plane [aircraft name]_[number].mov” will appear in the Output folder of the X‑Plane directory.
Your movie file can be played back on virtually any computer. If the appropriate software is not installed on the computer you want to play the file on, you can get a free cross-platform multimedia player from the VideoLAN Organization.
The final method of saving or sharing your flight is to take a simple screenshot. This can be done either by pressing Shift + Spacebar, or by moving your mouse to the top of the screen, clicking the File menu, and clicking “Take Screenshot.” The captured image (a ‘.png’ picture file) will appear in the Output folder of your X‑Plane directory.
These ‘.png’ screenshots can be opened and viewed on any modern computer, regardless of whether X‑Plane is installed.
In addition to being able to save replays for later playback (as described in the section Saving and Sharing Your Flight above), you can visualize your flight up to your present location in a few different ways. You can view your flight path on X-Plane’s 2-dimensional maps, or you can toggle the 3-D flight path and view that path in the main simulator. If you want to replay your flight, beginning at the last time you loaded an aircraft or location, you can use X-Plane’s built-in replay function, which has shuttle controls to play, rewind, and fast forward, just like you would expect. Finally, if you want to visualize the path taken by a real-world aircraft, you can format its flight data recorder information in a way that X‑Plane can interpret. X‑Plane will treat the data in the FDR file just like a regular replay, so you can play, fast forward, and rewind as usual.
Figure 5.6: Visualizing a 3-D path
The path taken by an aircraft up to its current location can always be seen as a trail behind the aircraft when you toggle the 3-D flight path on. To do so, either press Ctrl + ‘p’ on the keyboard, or move the mouse to the top of the screen, click on the View menu, and click Cycle 3-D Flight Path. Doing so once will cause X‑Plane to display a violet-striped line behind the aircraft. Cycling it again will give a semi-transparent black bar extending from the flight path to the ground (seen in Figure 5.6). Cycling the path once more will turn off the flight path lines.
To reset the 3-D flight path, either press Shift + ‘p’ on the keyboard, or open the Aircraft menu and click Reset 3-D Flight Path. The flight path will also be reset whenever you load an aircraft or a location.
You can replay your flight, from the last time you loaded an aircraft or a location up to your current location, by toggling the replay mode on. This can be done either by pressing Alt (Option on a Mac) + ‘r’ or by opening the File menu and clicking Toggle Replay Mode. In the top of the window, you will see shuttle controls to (listed left to right):
Additionally, you can click the shuttle slider and drag it to quickly jump around in the playback.
To return to the flight, either press Alt (Option) + ‘r’ again, or open the menu and click Toggle Replay Mode once again.
The final method of visualizing a flight is to load information from a flight data recorder (FDR). This is useful primarily in accident investigation and re-creation. In that case, you would need to take the data from the “black box” of the aircraft you’re interested in and put it in a format that X‑Plane can read. That format is the Flight Data Recorder (or ‘.fdr’) format.
You can load .fdr files, including an example file from the Instructions folder, by going to the File menu and clicking on “Load Flight.” Click the Flight Data Recorder button, select the desired file from the list, and click Load Flight. Then you will be greeted with the standard replay shuttle buttons with which you can replay the flight.
Note that even if your custom instantaneous “snapshots” of the aircraft does not use a given parameter (such as the engine pressure ratio, perhaps), your data file must use a dummy value as a placeholder so that the columns of data are interpreted correctly. The FDR file specification and information on each field can be found in the X-Plane Knowledge Base.
X-Plane models flight by breaking an aircraft down into a number of little pieces and finding the forces acting on each piece. By clicking the “Show Flight Model” option from the View menu (or by pressing Ctrl + ‘m’ on the keyboard) and moving to an outside view (e.g., by pressing Shift + 8 on the keyboard for the chase view), you can actually see all the forces calculated on each piece of the craft, as illustrated in Figure 5.7. With some wind and turbulence turned on in the Weather screen, you can even see the pseudo-random velocity vector flow field around the airplane. The velocity vectors seen are the actual vectors interacting with the aircraft, and the force vectors (the green lines coming off the plane) are the actual forces acting on the plane—nothing is just for show here. This is the actual work that X‑Plane is doing.
Figure 5.7: Illustrating the forces acting on a Baron 58
The green bars extending from the control surfaces of the aircraft indicate how much lift each section of the surface is generating; longer bars represent greater force. The red bars, likewise, represent drag, and the yellow bars represent lift from vertical control surfaces.
To see the flow field around the plane, press Ctrl + ‘m’ (or select Show Flight Model from the menu) again. Note that X‑Plane is not a computational fluid dynamics application, but it makes a decent stab at seeing how the craft affects the flow field, and how that in turn affects other parts of the craft.
Figure 5.8: The flow field around a Baron 58
The vector popping out of each point around the airplane shows if the air is being pushed up, down, fore, or aft (or, for that matter, side to side by the rudder or vertical stabilizer) compared to the speed and direction of the center of gravity of the airplane. The color of the vectors represent airspeed, where yellow is the middle of the spectrum, and a 10% speed change takes us to red (10% lower) or green (10% higher) vector color.
Pressing Ctrl + ‘m’ (or selecting Show Flight Model from the menu) one more time will show the streamlines, and toggling the flight model a fourth time will turn it off completely.
Additionally, these on-screen visual representations provide no numerical data. In order to obtain that information, press Shift + ‘m’ and the data will be output to the file “Cycle Dump.txt” in the main X‑Plane directory. The text file will include angles of attack, forces, velocities and additional data for that instant of your flight.
X-Plane is the most comprehensive and powerful flight simulator available. As such, there are a great number of features available that go beyond simply taking off, flying around, and landing. These include tools like the logbook and checklists, and features like equipment failures and damage modeling.
Each time an aircraft is flown in X-Plane, the program logs the flight time in a digital logbook. By default, X‑Plane creates a text file called “X-Plane Pilot.txt” in the ‘X-Plane 11/Output/logbooks directory’. Inside this text file are the following details of previous flights:
To see your logbook, open the File menu and click “Open Logbook.” You can load a logbook by clicking the Open Logbook button and navigating to your logbook, or you can create a new logbook using the New Logbook button.
X-Plane’s air traffic control (ATC) system is powerful and realistic when you want to practice real-world protocols, but completely unobtrusive when you want to just fly. Although AI aircraft will always follow the guidance of the air traffic control, they will also work around your aircraft if you are not interacting with the ATC.
Note: You will only be able to hear the air traffic control chatter if ATC audio output is enabled; to confirm this is the case, open the Settings screen, then click Sound.
All interactions with the air traffic control occur via the on-screen ATC window. To access this feature, simply press Enter (Return) on the keyboard. You can also program a button on a joystick to access this screen or click the headset icon in the menu.
In order to make a request or hear from the air traffic controllers, you must have your COM 1 radio tuned to the proper frequency for the request. Filing a flight plan is independent of any controller, so that option is always available. However, once the flight plan is filed, you must tune to the Clearance Delivery, Ground, or Tower frequencies (if available, in that order as in the real world) to get clearance for takeoff.
After you get clearance, you tune to the Ground (if available) or Tower frequencies for your taxi clearance. When you get to a hold short line, ground control will hand you off to tower and then you’ll receive handoffs throughout the rest of your flight when necessary; keep tuning to the proper frequency to continue to receive air traffic control guidance.
To see these frequencies, as well as other important airport information, click on the airport in the Map window, then on Details in the box that opens.
You can always tune your radios by hand, but you can also auto-tune your COM1 radio by clicking on any line in the ATC list. In addition, if you’re ever en route and not sure which controller you should be talking to, X‑Plane will do its best to suggest the right one—you’ll see a little asterisk (*) next to the recommended controller. X‑Plane can automatically switch between the correct controllers for you if you check the “Auto-tune recommended frequencies” box.
Figure 6.1: The Air Traffic Control window at KSEA
As in the real world, any ATC interaction begins with filing a flight plan. Thus, the first time you press Enter during a flight, the primary option available will be “File Flight Plan.” Click that button to open the Flight Plan window (shown in Figure 6.2).
Your starting airport will already be filled in, but you must enter your destination airport code, as well as your planned cruising (enroute) altitude. You may also specify your route using NDBs, VORs, Fixes and airways. Pressing the File button will register your flight plan with the X‑Plane air traffic control.
Figure 6.2: The Flight Plan window
With your flight plan filed, you can bring up the ATC menu again by pressing Enter, then click “Request Clearance.” Check the “Use departure wizard box” if you’d like assistance with the ATC departure process. It will help you through each step in the proper order and give you hints if you get off track.
The following is a brief walkthrough on how to depart the KSEA area:
Load a small aircraft, such as the Cessna 172, and position yourself at a gate at KSEA.
Tune your COM1 radio to 128.00, the clearance delivery frequency at KSEA. Remember you can do this by hand, by clicking on the line in the list of controllers, or, if auto-tune is enabled, it will happen automatically.
Press Enter on the keyboard to bring up the ATC menu, then select “File Flight Plan.”
Enter KSEA as the departure ICAO, set your altitude to 3,000 feet, and then set your destination to KBFI. We’re going to leave the route blank because we want to go direct, but you could also enter any NDB/VOR/FIX/Airway to get real routings. When you’re done click File.
You now have a flight plan in the system. If you wish to change your mind, you can return to the flight plan dialog in the same way and update it. (You may need to uncheck “Use departure wizard” if you no longer see the option to file a flight plan.)
You need an IFR clearance before you can proceed, and in the ATC window and you’ll see an option for “Request Clearance.” Click that and you’ll receive your clearance.
Read back your clearance by clicking the option “Read back transmission.” Note that if you hear a beep when you click on any ATC menu items, that means that another aircraft or controller is busy talking on the radio. As in the real world, you must wait for them to finish talking before you can talk. You must also respond within a reasonable amount of time or they will repeat their instructions.
Once you’ve received and read back your clearance, tune the COM1 radio to 121.70, the frequency for the ground controller at KSEA. Click Request Taxi to call ground to receive a taxi clearance. Acknowledge the clearance as described above and then look around you. You’ll see yellow arrows painted on the ground directing you to where you should go. Where the arrows stop, you must also stop and wait for further instructions.
Taxi to where the arrows are taking you. When you reach the side of the runway, ground will instruct you to contact the tower. Read back the command and then tune to the tower frequency of 119.90.
Check in with this new controller. This is how you tell the controller you’re now on their frequency waiting for their command. If there are aircraft using the runway, you will have to wait until they are done. This may take some time! At that time,
Tower will call you and give you your takeoff clearance. Respond and then depart. Unless otherwise instructed, fly the runway heading up to your cleared altitude of 3,000 feet.
At some point, you will be handed off to the center controller on 124.20. Check in as you did before. Continue on your heading and altitude and eventually Center will begin vectoring you to an approach at your destination of KBFI.
Once the approach is set up, you will be handed off to KBFI’s tower for landing and the process continues until you’ve arrived back at the gate.
X-Plane has the ability to display a simple checklist in the simulator. This checklist must be stored somewhere in the X‑Plane directory as a plain text (‘.txt’) file.
To load a check list, open the File menu and click Open Checklist. Click on Load New Checklist and navigate to your ‘.txt’ file. Open it and you will see the checklist displayed line-by-line in the checklist window. You can use the forward and back buttons to go to the next and previous lines, respectively.
If you prefer to see the text file all at once (rather than line-by-line as in the checklist view), you can select Open Text File from the File menu and then load a file in the manner discussed above.
By default, X‑Plane does not remove parts of the aircraft when the craft’s limits are exceeded. However, by opening the Settings screen and clicking on General, you can enable the option to Remove flying surfaces when over speed or over G limits
Additionally, with the reset to the nearest airport when you wreck box checked, X‑Plane will automatically reload your aircraft at the nearest airport in the event of a fatal crash.
By making these damage modeling features optional, X‑Plane allows both easy, possibly unrealistic flights, as well as much more accurate, more challenging simulations.
To modify an aircraft’s weight, balance, and fuel, go to the Flight menu and pick “Edit Weight & Balance.” You can also access this screen during Flight Configuration. Click on the icon for the aircraft you’d like to modify, click the Customize button, then the Weight, Balance, & Fuel button. Either way will open a window where you can use the sliders to set the aircraft’s center of gravity, the weight of its payload, and the amount of fuel in its tanks.
Figure 6.3: Weight, Balance, & Fuel screen for the default Cessna 172
An airplane can typically stay in the air at very high weights, but it will have a hard time getting off the ground initially. Additionally, moving the center of gravity forward (left on the slider) makes the plane behave more like a dart, and moving the center of gravity aft (right on the slider) makes the plane more unstable, and potentially unflyable. Flying a plane with the center of gravity far aft is like shooting an arrow backwards—it wants to flip around with the heavy end in the front and the fins in the back.
Since X‑Plane calculates in real time how the plane is burning fuel, and the engines need fuel to run, and the weight distribution of the fuel is considered in the simulation, the fuel put on board does indeed matter.
X-Plane can simulate countless aircraft systems failures. Using this feature lets you experience what happens when important pieces of equipment don’t do what they’re supposed to in flight.
You can access this feature while in the Flight Configuration screen by clicking on an aircraft icon, then the Customize button, then the Failures button. Or, access it during flight by going to the Flight menu and picking “Edit Failures.”
If the Set global mean time between failures box is checked, the simulator will use the value to the right to determine how often, on average, each piece of equipment will fail. For instance, if the mean time between failure is set to 1000 hours, X‑Plane will decide that each piece of hardware in the plane has about a one in a thousand chance of breaking each hour. Since the airplane has a few hundred pieces of hardware, that means a failure might occur every 5 to 20 hours or so. Checking this box essentially allows the possibility of random and unexpected failures.
The World section of the Failures window controls things outside of the airplane, such as bird strikes and airport equipment failures. The other categories and subcategories in this window let the user set the frequency of specific failures for hundreds of different aircraft systems. Many of the options allow you to specify a time, speed, or other condition at which they will fail.
A smoke trail, as might be used by an aerobatic airplane in an airshow, can be enabled behind your aircraft. This control is assigned to the ‘x’ key by default. You can assign a different key by following the instructions in Configuring Keyboard Shortcuts.
By pressing Alt+’t’ on the keyboard, you can increase the simulation speed to 2× the standard speed. Pressing Alt+’t’ repeatedly will increase the speed to 4×, then 6×, and then it will finally return the simulator back to standard speed.
Note that if your computer cannot run the simulation at the required frame rate, X‑Plane will slow its measurement of time to compensate. This is seen most often for users running at standard speed, but failing to maintain 20 frames per second. When X‑Plane runs slower than 20 fps, it slows down its simulation of real-time so that the simulator is “effectively” running at 20 fps. For instance, if the simulator is running at 10 fps due to extreme rendering settings, X‑Plane will run the flight model at half speed. The result is that the physics are integrating in slow-motion in order to avoid destabilizing from the low framerate. Thus, if you need real-time simulation, you must run the simulator at 20 fps or faster.
In commercial aircraft, a nosewheel tiller is used to more accurately align the nosewheel to the taxi lines, and to get the aircraft safely docked at jetways. You can assign an axis on your joystick to control this tiller by opening the Settings screen, going to Joystick and, in one of the drop-down menus in the Axis tab, selecting nosewheel tiller. Note that this is the same procedure used in setting up the joystick axes normally, as described in the section “Configuring Flight Controls” of the chapter Configuring and Tuning Your X‑Plane Installation.
People often call customer support asking about some of the more advanced things that pilots do in the real world—how to navigate, use an autopilot, or fly on instruments. This chapter will cover these areas in a fair amount of detail, but we recommend that, if you are really serious about mastering these facets of aviation, you head down to a local general aviation airport and hire a CFI (Certified Flight Instructor) for an hour or two. If you have a laptop, by all means bring it along and have the instructor detail these things in practice. There is much more to review here than this manual could ever cover, so a quick search for information on the Internet will also be of assistance.
Navigating over the Earth’s surface is as easy as knowing where your aircraft is and how to get to where you want to go, although this isn’t quite as straightforward as it sounds. Imagine that you’re flying IMC (Instrument Meteorological Conditions—that is, in the clouds). You have no reference to the ground and are flying over St. Louis in the middle of an overcast layer. As you might guess, this looks pretty much identical to the view you would have flying over Moscow on instruments. The only way to know that you’re over St. Louis and not over Moscow is to be able to navigate. Navigation is the art of being able to tell where your aircraft is and how to make it go where you’d like.
X-Plane’s navigation maps come in a few different varieties, each of which is useful for a different situation. These navigation maps are opened by hitting the ‘m’ key or clicking the map marker icon in the menu. You can pick from three different modes: VFR Sectional, IFR Low Enroute, and IFR High Enroute.
The VFR Sectional map is designed for use under visual flight rules. The IFR Low Enroute map is used as a low altitude Instrument Flight Rules navigation chart by piston (propeller) aircraft pilots. The IFR High Enroute map is essentially the same as the IFR Low Enroute view, but it displays the medium and high level airways instead of low level ones. It only shows the information of interest to pilots flying above 18,000 feet and making use of vector airways that are much longer, based on larger VORs with longer ranges.
The maps provide a lot of information on the area where your aircraft is located, including topography and selectable NAVAIDs. Each map is made up of ticked, thin black lines that make “boxes” officially named “Quadrangles.” Each box is 1/4 of a degree of latitude and longitude. The thick blue and gray lines running across the maps are airways, which are basically like highways in the sky. These vector airways are given names (for example, V503) and are used by air traffic controls to assign clearances. The white triangles along them are “fixes.”
Small airports are indicated by blue or magenta notched circles, while larger airports with are shown as full runway layouts. Airports shown in blue have control towers in the real world. Note that a discussion of the navigational aids (NAVAIDs) of these maps (the ILS, VOR, and NDB beacons) can be found below, in the section “Modern Means of Navigation.”
To move your view around a map, you can click the map and drag. You can also zoom in and out by using your mouse scroll wheel. Additionally, you can use the viewing control buttons located in the top left corner of the map window to alter your view. Use the plus or minus icons to zoom in or out respectively.
Tap the target icon to center the view on the aircraft. This will also lock the map view onto the aircraft so that as you fly, the map will scroll underneath it and the aircraft will stay in the center. Drag anywhere on the map to break the lock. Tap the arrow icon to change whether the top of the map is North or the aircraft’s heading. In this second case, if the plane is flying south, the top of the map will be south. If the plane banks to the east, the map will automatically rotate and east will now be on top.
Click on anything in the map to get more information on it. For example, if you click on your aircraft, a box will pop up with its name, heading, altitude, speed, and climb angle, most of which you can also edit from within the window. Clicking on an airport will allow you to pick a new runway or final approach, or view details such as weather conditions and communications frequencies. Click on a NAVAID such as a VOR to tune radios with a click of a button.
Finally, toggling the “Glideslope” slider will display a vertical profile of the flight at the bottom of the map screen.
“Modern” navigation (after the 1930s) was based on ground-based transmitters. You’ll need a good set of charts if you’d like to actually fly in X‑Plane using any of these methods, but the software does contain a full set of (mostly) current charts as well. Remember you can open the map by pressing ‘m’ or from the menu icon.
Non-directional beacons were invented in the late 1940s and consisted of a ground-based transmitter that broadcast a homing signal. A receiver in the aircraft could be tuned to one of about 300 discrete frequencies in order to tune to a particular transmitter. With that done, an instrument in the panel, called the NDB (or, interchangeably, the ADF, or Automatic Direction Finder), would point to the station.
Although nearly abandoned in the United States, NDBs are still used in many countries around the world. It is for this reason that they are modeled in X-Plane.
An ADF is located in the instrument panel for the Cessna 172 that comes with X-Plane. It is located above the mixture knob and trim wheel, below the dual VOR CDIs, and is pictured in Figure 7.1 below.
Figure 7.1: The ADF in the Cessna 172
Very High Frequency Omni-Range navigation (or VOR) was introduced in the mid–1950s and represented a large improvement in navigation accuracy. Instead of an NDB that a pilot could home in on, the VOR sends a series of 360 discrete little carrier tones on a main frequency. Each of these carriers is oriented along a different radial from the station, one of 360 just like a compass rose. You can imagine it like the wheel of a bike: the VOR transmitter is the hub of the wheel with 360 spokes representing each radial. Thus, when you are flying along and tune in the main VOR frequency, you then fine tune your navigation display to tell you which of the 360 radials you are flying and also whether the transmitter station is in front of or behind you. Impressive!
This finally gave pilots a means of telling exactly where they were in relation to a fixed spot on earth, and this system “automatically” adjusted for any winds aloft as the system would quickly display any error in track that the plane was making. This error could only be due to two factors—either the pilot was not flying along the radial or the wind blew the airplane slightly off of course.
VORs are modeled in X-Plane. Clicking on one in the map will display it’s information and allow you to tune your Navigational radios with a click of a button.
A specific type of VOR, a VOR-DME, combines the lateral guidance (that is, guidance left and right) of a VOR with the distance guidance of a DME (distance measuring equipment). Another type of VOR beacon, a VORTAC, is also found throughout the X‑Plane maps. This is a transmitter that combines both VOR and TACAN features. TACAN (or tactical air navigation) provides special information to military pilots similar to a civilian VOR. However, for our purposes, this is functionally identical to a VOR-DME.
Figure 7.2: A close-up of a VORTAC near KSEA as displayed on the Hi-Speed map
To learn about the basics of using a VOR to navigate, check out the “VOR Navigation” tutorial in the Navigation tab of Flight School, or follow the instructions below.
To use a VOR, first look on your map to find a VOR station that is close to the location of the aircraft. Click on the map icon to open a window that will allow you to tune the frequency into your NAV 1 radio automatically. The little red ‘nav1’ or ‘nav2’ flags on your CDI (Course Deviation Indicator) should disappear. Make sure the GPS is set to VLOC, if applicable. (Keep in mind that you can also tune the navigation radio built into the GPS, but you may have to hit the flip-flop switch to bring the frequency you just tuned into the active window on top.)
A CDI or OBI is the other key instrument to VOR navigation. X-Plane’s Cessna 172 is equipped with two CDIs, but we are only concerned with the top one. The vertical line in the center is the reference indicator, and moves to the left and right to indicate where the aircraft is in relation to a chosen radial. Select a radial by turning the OBS knob which rotates the compass rose around the instrument; the chosen radial is indicated above the top yellow arrow. There are also arrows above and below the white horizontal glide slope indicator (which does not move during VOR navigation) showing whether the aircraft is headed “TO” or “FROM” the station center, respectively.
Figure 7.3: A CDI in the Cessna 172SP
Now you can determine where you are in relation to the VOR by finding what radial you are on, or you can enter a radial you want to be on in order to plot your desired course. Keep in mind that all radials are measured as the heading when moving away from a VOR beacon.
Determining what radial you are on is simple. Turn the OBS knob on the CDI until the vertical white indicator is perfectly centered in the little white circle in the middle of the instrument, and the “FROM” flag is displayed. The number above the yellow arrow at the top of the CDI is your current radial position.
To intercept a different radial, look at your map again to determine where you are in relation to the station. If you are inbound to the station, pick the reciprocal on the opposite side of the station from your aircraft. If you are outbound, use the radial your aircraft is currently on. Turn the OBS dial again to enter the desired radial at the top of the circle. Most likely the vertical line will be off to one side or the other. This indicates how far you are from your desired radial.
To the left and right of the center target (the little white circle) the instrument displays five dots or short lines on each side. Each of these dots indicates that you are two degrees off of course. Thus, a full scale left deflection of the vertical reference indicates that the aircraft is 10 degrees right of the desired radial. Just remember that as long as you are flying towards the VOR, the line on the CDI indicates the location of the desired course. If the reference line is on your left that means that your target radial is on your left, and you should turn that direction. (Of course, if the station is behind you while displaying the “TO” arrow, then the instrument is reverse sensing. That means that a left deflection indicates that the plane is to the left of your desired radial-the aircraft’s movement in relation to the vertical reference indicator is displayed in reverse.)
Your aim is to get the vertical line in the center and to stay there, indicating you are flying the desired radial. As you get closer to the VOR station, the indicator’s movement will become more sensitive to even slight changes of the aircraft’s course. Flying over the station will cause the vertical line to swing to one side, and eventually the instrument will change from displaying the “TO” arrow to the “FROM” arrow.
With only one VOR you really don’t know where you are along a given radial, only that you are in front of or behind a station and what radial you’re on. You have no way of telling if you are 15 miles from the station or 45 miles away. The solution is to use two VOR radios so that you can plot your location from two different VORs. If you can determine that you’re on the 67th radial from the OJC VOR and on the 117th radial from the MKC VOR then you can pinpoint your location on a sectional chart. Don’t forget that you’ll have to work fast as your position will be continually changing.
An ILS (or instrument landing system) differs from a VOR in that it provides both lateral guidance (left and right, as given by a VOR) and vertical guidance (up and down). An ILS is therefore made up of two transmitters, a localizer and a glide slope—one for each component of the navigation. Both these components of the ILS are tuned together; tuning an ILS is just like tuning in to a VOR.
A localizer (LOC) transmitter provides lateral guidance to the centerline of a runway. It works by sending out two signals on the same channel, one of which modulates at 90 Hz and the other of which modulates at 150 Hz. One of these signals is sent out slightly to the left of the runway, while the other sent out slightly to the right of it. If an aircraft is picking up more of the tone modulated at 150 Hz, it is off to the left. If it is picking up more of the tone modulated at 90 Hz, it is off to the right. The course deviation indicator (or CDI) in the instrument panel then indicates this so that the pilot can correct it. When both tones are being received in equal amounts, the craft is lined up with the physical centerline of the runway. These LOC transmitters do not necessarily have to be paired with a glide slope (but doing so makes them an ILS).
The glide slope beacon functions similarly to the localizer, sending out two tones that have the same frequency, but different modulations. The difference is that the glide slope tells the plane that it is either too high or too low for its distance from the runway. The pilot uses this information to push the craft’s nose up or down as needed. The ILS will allow a pilot to fly on instruments only to a point that is a half mile from the end of the runway at 200 feet (depending on the category of the ILS) above the ground. If the runway cannot be clearly seen at that point the pilot is prevented from executing a normal landing. If this happens, the pilot in real life is required to fly a “missed approach” and climb back to altitude in order to try again or go somewhere else.
For detailed instructions on how to fly an ILS approach, see the tutorial “Flying an ILS Approach” in the Navigation section of Flight School.
The Global Positioning System was first created for the US military and introduced to the public in the early 1990s. This system consists of a series of satellites orbiting the Earth which continuously send out signals telling their orbital location and the time the signal was sent. A GPS receiver can tune in to the signals they send out and note the time it took for the signal to travel from the satellite to the receiver for several different satellites at once. Since the speed at which the signals travel is known, it is a simple matter of arithmetic to determine how far from each satellite the receiver is. Triangulation (or, rather, quadrangulation) is than used to determine exactly where the receiver is with respect to the surface of the Earth. In an aircraft, this information is compared with the onboard database to determine how far it is to the next airport, navigational aid (NAVAID), waypoint, or whatever. The concept is simple, but the math is not. GPS systems have turned the world of aviation on its head, allowing everyday pilots to navigate around with levels of accuracy that were unimaginable 20 years ago.
There are several types of GPS radios available, and about 11 of these have been modeled in X-Plane. While the intricate workings of the various GPS radios are complex, the basic principals are pretty consistent. If you want to navigate from one location to another just launch X-Plane, open the aircraft of your choice, then press the Direct To key on the GPS radio (sometimes shown as a capital D with an arrow going through it) and enter the airport ID you’d like to navigate to. On the Garmin 430, entry is performed using the control knob on the bottom right of the unit. Use the outer knob to select which character of the identifier to modify, the use the inner knob to scroll through the characters (see the section “A Note on Radio Tuning” of the chapter Flight in X-Plane for more information on using the knobs).
The databases in these radios are not limited simply to the identifiers of the airports you may wish to fly to. You can enter the IDs for any VOR or NDB station you’d like, or the name of any waypoint or fix you’d like to go to.
To begin a discussion on instrument flight, we must first discuss why it is so difficult. It isn’t that the principles behind flying on instruments are so difficult or that interpreting what the instruments are telling you is that difficult. Rather, the difficulty lies in believing what the instruments are saying. Your body has developed a system of balance and equilibrium that has evolved in humans over millions of years, and forcing your brain to ignore these signals and to believe what the instruments are telling you is very difficult. To put it bluntly, in a real aircraft, your life depends on ignoring your feelings and senses and flying based solely on the information in front of you.
The gyroscope was invented many decades before aircraft, but its tremendous implications for flying were not realized until the mid- to late–1920s. The basic principal that they work on is that if you take a relatively heavy object and rotate it at a high rotational velocity it will hold its position in space. You can then mount this stable, rigid gyroscope in an instrument that is fixed to your aircraft and measure the relative motion of the instrument case (and thus the airplane) about the fixed gyro. The gyroscope is physically attached to an indicator of some sort, and these indicators then relay critical information to the pilot concerning the aircraft’s attitude (that is, its orientation relative to the horizon). There are three primary gyroscopic instruments in the panel. They are:
Figure 7.4: The three primary gyroscopic instruments in the Cessna 172
The AI indicates what attitude the aircraft is flying at—how far the nose is above or below the horizon, as well as how far the wings are banked and in which direction. The TC indicates the rate of turn—that is, how steep or shallow your bank is in relation to a standard 2 minute turn rate, and the DG is nothing more than a gyroscopically driven compass that is more stable and accurate than the old standby, the magnetic (or “whisky”) compass.
There are six primary instruments that have become standard in any instrument panel. Since the early 1970s, these have been arranged in a standard layout referred to as “the six pack.” They are laid out in two rows of three instruments each. The top row, from left to right, contains the airspeed indicator (ASI), the attitude indicator (AI) and the altimeter (ALT). The bottom row contains the turn coordinator (TC), the directional gyro (DG) and the vertical speed indicator (VSI).
The airspeed indicator shows the speed at which the aircraft is traveling through the air. In its simplest form, it is nothing more than a spring which opposes the force of the air blowing in the front of a tube attached under the wing or to the nose of the aircraft. The faster the airplane is moving the stronger the air pressure is that acts to oppose the spring and the larger the deflection of the needle from which the pilot reads the craft’s speed. Obviously, it’s quite a bit more complicated than this, as the pressure exerted by the stream of air varies with the local air density (which continually changes as the airplane climbs or descends), and the ASI must account for this.
The attitude indicator informs the pilot of his or her position in space relative to the horizon. This is accomplished by fixing the case of the instrument to the aircraft and measuring the displacement of the case with reference to a fixed gyroscope inside.
The altimeter looks somewhat like the face of a clock and serves to display altitude. This is measured by the expansion or contraction of a fixed amount of air acting on a set of springs. As the airplane climbs or descends, the relative air pressure outside the aircraft changes and the altimeter reports the difference between the outside air pressure and a reference, contained in a set of airtight bellows.
The turn coordinator measures the rate of turn for the aircraft. The instrument is only accurate when the turn is coordinated-that is, when the airplane is not skidding or slipping through the turn. A skid is the aeronautical equivalent to a car that is understeering, where the front wheels do not have enough traction to overcome the car’s momentum and the front of the car is thus plowing through the turn. In a car, this results in a turn radius that is larger than that commanded by the driver. A slip is a bit more difficult to imagine unless you’re a pilot already. It results from an aircraft that is banked too steeply for the rate of turn selected. To correct the slip, all the pilot has to do is increase back pressure on the yoke, pulling the airplane ‘up’ into a tighter turn, such that the turn rate is in equilibrium with the bank angle.
The directional gyro is a simple instrument that points north and thus allows the pilot to tell which way she or he is flying.
The vertical speed indicator reports the craft’s climb or descent rate in feet per minute. Typically, non-pressurized airplanes will climb comfortably at about 700 fpm (if the plane is capable) and descend at about 500 fpm. Descent rates faster than this cause discomfort in passengers’ ears. Pressurized airplanes can climb and descend much more rapidly and still maintain the cabin rate of change at about these levels, since the cabin altitude is not related to the ambient altitude unless the pressurization system fails.
Nearly all of the airplanes included with X‑Plane have basic navigation radios and instruments built into them, and all of these are used in more or less the same way. Visit Flight School for the example tutorial “Flying an ILS Approach” (that is, an approach using an instrument landing system) to the default airport (Seattle-Tacoma International, identifier KSEA), or follow the procedure described below. Similar steps can be used for any airport in any application.
Start by loading the default Cessna 172 at KSEA airport. To fly an instrument approach, we first need to know the local navigational aid (NAVAID) frequencies in order to tune our radios. To find this, open the map by pressing the ‘m’ key or the icon in the menu. If needed, switch to either the IFR Low or IFR High Enroute view.
Now, Sea-Tac is a busy airport, so you may have to zoom in to find the ILS for the runway you are approaching. When you find it, though, you can click on it to highlight in yellow the ILS path and to open a small window with details. From this window you can tune your radios with a click of a button and place your aircraft up in the air at the perfect spot for the approach.
Recall from the discussion of ILSs previously in this chapter that an ILS combines the functionality of a localizer (providing lateral guidance to the centerline of the runway) with a glide slope transmitter (providing vertical guidance down to the runway).
Having found the relevant ILS frequency, enter it into the Nav 1 radio (remember you can tune your radios automatically using the buttons in the map window). Make sure the GPS (if applicable) is set to VLOC by clicking the CDI button near the bottom of the panel to cycle through GPS or VLOC navigation. Click the GPS screen in the cockpit to bring up the close-up of the instrument if needed. You can tune the frequency here as well; changing the GPS frequency will adjust the NAV 1 radio, and vice versa.
Now let’s discuss the instruments we’ll use to follow this ILS.
As in VOR navigation, the CDI is the primary instrument used for ILS navigation in the Cessna. However, in ILS navigation both the horizontal and vertical lines move to provide guidance. The localizer is represented by a vertical line. When it is in the center of the CDI, it means that the aircraft is lined up almost perfectly with the physical centerline of the runway. The glide slope indicator portion of the CDI is represented by a horizontal line. When this is in the center of the instrument, the aircraft is perfectly in line with the glide slope and is descending at an ideal rate.
Below the attitude indicator is the directional gyro. The directional gyro works like a compass in that it indicates the aircraft’s heading. You can use this to line up your approach with a known heading (e.g., about 160 degrees for runway 16L).
Now that we’ve found the relevant ILS frequencies and set up the navigation instruments, let’s begin flying the actual approach.
Once again, we’re flying into Seattle-Tacoma International Airport (KSEA), the default airport in X-Plane, and we set ourselves up for a 10 nm final using a button in the map. We have tuned our navigation radio, used the navigation source selector to choose the right radio, and we’ve reviewed the CDI.
As you’re flying toward the airport, the CDI will begin to wander left or right to indicate which direction your airplane needs to move in order to point down the centerline of the runway. Aim _toward_ the deflection to intercept the localizer course; when the CDI wanders right, point the aircraft’s nose right, and so on.
Additionally, the glide slope indicator will begin to move. This line functions like the vertical one: If its needles are above the center of the instrument then the craft needs to fly up to get back on track, and if they are below the center of the instrument, it needs to fly down to intercept the glide slope. However, the glide slope is (in most cases) a downward slope at three degrees, so you should never need to climb to intercept it, just adjust the rate of descent. The horizontal line is above us when we start the approach, since we started 10 nm out from the runway. Continue flying the same altitude, and the line will slowly come down to the center, and from there you should control the descent to keep it there. The goal is to keep the vertical line centered to stay on the localizer, and the horizontal line centered to stay on the glide slope.
Follow the guidance of the localizer and glide slope until the craft reaches an altitude of about 300 feet above the runway. At this point, if everything was done correctly, the runway will be right in front of the aircraft. If the landing itself was managed properly, the aircraft will be at its stalling speed plus 30% with the gear and flaps down as it comes in for a landing. In the Cessna, this is about 65 knots.
The X‑Plane GPS is modeled closely after the Garmin G430W or G530. This instrument allows pilots to fly a GPS approach as well as direct-to navigation. The GPS essentially combines three things: A NAVCOM 1 radio, a GPS, and a very small moving map.
Figure 7.5: The X‑Plane 430 GPS navigator in the Cessna 172.
To use the GPS, first click on its display in the cockpit to bring up a close-up window, otherwise you won’t be able to see more than one screen. This can be moved around the cockpit as needed. Clicking the GPS display in the cockpit a second time will close the window. The controls on left side adjust the VOR, localizer and communication frequencies, while the ones on the right control GPS functions.
To adjust the radio frequencies, “press” the center of the large knob at bottom to switch between controlling voice radio (COM or “C”) and navigation radio (“V”). The “active” channel is the top frequency in each dark blue box. When the bottom frequency is highlighted in a paler blue, you can use the inner and outer rotating knobs to change the frequency. Then use the vertical “swap” buttons (“C” up/down arrows or “V” up/down arrows) to make the standby frequency, which you just set, into the active frequency.
Read messages, create or edit a flight plan, and activate procedures by pressing the buttons at the bottom. Press the button again to return to the main navigational screen where you can zoom in and out in map view but using the “RNG” button, or change the level of detail with the “CLR” button. The large dial on the button moves through the categories navigational, waypoint or nearest (shortened to “NAV,” “WPT” and “NRST”), while the smaller dial moves through the sub screens of that type. Click on the “PUSH CRSR” button to activate the cursor in applicable screens, then use the dials to change what text is selected. In general, the large dial moves between lines or options, while the smaller one is used to edit a line. Press “ENT” to keep changes or activate selections, and “CLR” or the CRSR button again to cancel.
To enter a GPS destination, press the “Direct to” button (the D with an arrow through it). The LCD will change to a data entry screen. Use the large, outer knob in the bottom right to pick the character position you want to change, and use the inner ring of the knob to scroll through the alphabet/numbers (click and hold to move through the list quickly). For example, to pick the default airport KSEA as your destination, use the inner knob to scroll to “K”, use the outer knob to move the cursor to the next position, use the inner knob to scroll to “S”, and so on, then press ENT twice to activate it. (Note that the X‑Plane GPS includes data for the whole world and can only use ICAO identifiers.)
Alternately, you can select a waypoint or destination by using the “nearest” function. From the main navigation screen, click the large knob twice to get to the group of menus for nearest airport, intersection, NDB, VOR, and airspace. Activate the cursor by pushing the knob, scroll to select the destination, then click the “Direct to” button and enter to activate it.
After creating a flight plan, you can save it to load later by pressing the Menu button while in the active flight plan screen. You can also reverse the order of waypoints or delete the entire plan from this menu. To load a saved plan, use the small knob to go to the second screen of the Flight Plan category. Any .fms file that has been saved in the FMS plans folder (located within the Output folder in the main X‑Plane directory) can be selected from this list.
The autopilot works by implementing a number of different functions. These include, among other things, the ability to automatically hold a certain pitch, altitude, heading, or speed, or to fly to a commanded altitude.
The following autopilot functions are available in X-Plane. Each of these is a mode that the aircraft can be put into simply by clicking that button on the panel with the mouse. Not all aircraft have autopilot, and some of the simpler craft, such as the Cessna 172, may have fewer modes than those listed below. The actual use of these autopilot functions will be discussed in the following sections.
The WLV button is the wing leveler. This will simply hold the wings level while the pilot figures out what to do next.
The HDG button controls the heading hold function. This will simply follow the heading bug on the HSI or direction gyro.
The LOC button controls the localizer flight function. This will fly a VOR or ILS radial, or to a GPS destination. Note that the GPS may be programmed by the FMS.
The HOLD button controls the altitude hold function. This will hold the current or pre-selected altitude by pitching the nose up or down.
The V/S button controls the vertical speed function. This will hold a constant vertical speed by pitching the aircraft’s nose up or down.
The SPD button controls the airspeed function. This will hold the pre-selected airspeed by pitching the nose up or down, leaving the throttle alone.
The ATHR button also controls airspeed, but in the reverse of the SPD button. It will maintain the craft’s current airspeed by increasing or decreasing the throttle, while leaving the pitch alone.
The FLCH button controls the flight-level change function. This will hold the pre-selected airspeed by pitching the nose up or down, adding or taking away power automatically. This is commonly used to change altitude in airliners, as it allows the pilot add or take away power while the airplane pitches the nose to hold the most efficient airspeed. If the pilot adds power, the plane climbs. If they take it away, the plane descends.
SPD and FLCH are almost identical functions in X-Plane—they both pitch the nose up or down to maintain a desired aircraft speed, so adding or taking away power results in climbs and descents, respectively. The difference is that if you have auto-throttle on the airplane, FLCH will automatically add or take away power for you to start the climb or descent, whereas SPD will not.
The PTCH button controls the pitch sync function. Use this to hold the plane’s nose at a constant pitch attitude. This is commonly used to just hold the nose somewhere until the pilot decides what to do next.
The G/S button controls the glide slope flight function. This will fly the glide slope portion of an ILS.
The VNAV button controls the vertical navigation function. This will automatically load altitudes from the FMS (Flight Management System) into the autopilot for you in order to follow route altitudes.
The BC button controls the back course function. Every ILS on the planet has a little-known second localizer that goes in the opposite direction as the inbound localizer. This is used for the missed approach, allowing you to continue flying along the extended centerline of the runway, even after passing over and beyond the runway. To save money, some airports will not bother to install a new ILS at the airport to land on the same runway going the other direction, but instead let you fly this second localizer backwards to come into the runway from the opposite direction of the regular ILS! This is called a back course ILS.
Using the same ILS in both directions has its advantages (e.g., it’s cheaper), but there’s a drawback: the needle deflection on your instruments is backwards when going the wrong way on the ILS. Hit the BC autopilot button if you are doing this. It causes the autopilot to realize that the needle deflection is backwards and still fly the approach.
Note that HSIs do not reverse the visible needle deflection in the back-course; you must turn the housing that the deflection needle is mounted on around 180° to fly the opposite direction.
Note also that the glide slope is not available on the back course, so you have to use the localizer part of the procedure only.
Before using the autopilot, it needs to be turned on. The autopilot power switch is labeled “Flight Director Mode,” or simply “FLIGHT DIR.” It has OFF, ON, and AUTO modes.
If the flight director is OFF, nothing will happen when you try to use the autopilot. If it is ON, then the autopilot will not physically move the airplane controls, but will rather move little target wings on your artificial horizon that you can try to mimic as you fly. If you do this, you will be following the guidance that the autopilot is giving you, even though you are the one actually flying. The flight director, then, is following whatever autopilot mode you selected, and you, in turn, are following the flight director to actually fly the plane. If the flight director is set to AUTO, then the autopilot servos will actually fly the airplane according to the autopilot mode you have selected.
In other words, turning the flight director ON turns on the brains of the autopilot, displaying the commands from the modes above on the horizon as little magenta wings you can follow. Turning the Flight Director switch to AUTO turns on the servos of the autopilot, so the plane follows the little magenta wings for you without you touching the stick.
Therefore, if you have a flight director switch, make sure it is in the right mode for the type of autopilot guidance you want—-none, flight director only, or servo-driven controls.
With the flight director set to the right mode, you can engage the autopilot functions by simply pressing the desired button in the instrument panel. To turn off an autopilot function, simply hit its button once again. When all other autopilot functions are turned off, the autopilot will revert to the default functions.
To turn the autopilot off altogether, simply turn the FLIGHT DIR switch to OFF. Alternatively, assign a key or joystick button to turn it off in the Joystick & Equipment dialog box of X-Plane.
With the autopilot turned on (either to the flight director-only mode or the servo-driven control mode), you are ready to use the autopilot functions. We will discuss when it would be appropriate to use some of the most common functions.
Hit either the wing leveler (WLV) or the pitch sync (PTCH) to hold the current roll and pitch attitude, respectively. This is useful when switching between autopilot functions.
Hit the heading hold (HDG), altitude hold (ALT), vertical speed (V/S), speed hold (SPD), flight level change (FLCH), or auto-throttle (ATHR) buttons and the autopilot will maintain whatever values are entered into their respective selectors. For the sake of smooth transitions, many of these values will be set by default to your current speed or altitude at the moment the autopilot function buttons are hit.
If you want the autopilot to guide the aircraft to a new altitude, you have to ask yourself: Do you want the airplane to hold a constant vertical speed to reach that new altitude, or a constant airspeed to reach it? Since airplanes are most efficient at some constant indicated airspeed, climbing by holding a constant airspeed is usually most efficient.
Imagine you are flying along at 5,000 feet and you hit ALT, causing the autopilot to store your current altitude of 5,000 feet. Now, though, you want to climb to 9,000 feet. You would first dial 9,000 into the altitude window. The plane will not go there yet; before it will, you must choose how you want to get to this new altitude.
To get to your new altitude via a given airspeed (as airliners do), after dialing in 9,000 feet in the altitude window, you would hit the FLCH or SPD buttons. This will cause the plane to pitch the nose up or down to maintain your current indicated airspeed. Now, simply add a dose of power (if needed) to cause the nose of the plane to rise (which the autopilot will command in order to keep the speed from increasing). When you reach 9,000 feet, the autopilot will leave speed-hold mode and go into altitude-hold mode, holding 9,000 feet until further notice.
Both the airspeed and vertical speed modes will be maintained until you reach the new specified altitude, at which point the autopilot will abandon that mode and go into altitude-hold mode. The same thing will happen with the glide slope control. If the glide slope is armed (that is, lit up after you pushed the button), then the autopilot will abandon your vertical mode when the glide slope engages. This will also happen with the localizer control. If the localizer is armed, the autopilot will abandon your heading mode when the localizer engages. This is referred to as “capturing” the localizer or glide slope.
The key thing to realize is that the vertical speed, flight level change, and heading modes are all modes that command the plane the moment they are engaged. Altitude, glide slope, and localizer, on the other hand, are all armed (in standby) until one of the modes above intercepts the altitude, glide slope, localizer, or GPS course.
An exception to the above rule is altitude. If you hit the altitude button, the autopilot will be set to the current altitude. This is not the way a smart pilot flies, though. A smart pilot with a good airplane, a good autopilot, and good planning will dial in the assigned altitude long before he or she gets there (including the initial altitude before take off) and then use vertical speed, flight level change, or even pitch sync to reach that altitude.
Here is how the system in a real plane would be used (and thus how the system in X‑Plane is best used):
While on the ground, short of the runway, you are told to maintain, say, 3,000 feet. You are given a runway heading and cleared for takeoff.
You enter 3,000 feet into the ALTITUDE window and a runway heading (for instance, 290) into the HEADING window.
You take off.
In the initial climb, around maybe 500 feet, you set the flight director to AUTO. The autopilot notes the plane’s current pitch and roll and holds the plane steady.
You hit the HDG button, and the plane follows or turns to the heading. Once there, click the HDG button again and the plane will maintain its course.
You hit either the V/S, FLCH, or SPD button. The autopilot automatically notes the current vertical velocity or airspeed, and the plane flies at that airspeed or vertical velocity until it gets to 3,000 feet, where it levels off.
You are given a new heading and altitude by ATC, and dial these into their respective windows.
You click the HDG button and the aircraft turns to the new heading, then hit V/S, FLCH, or SPD to let the plane zoom to the new altitude.
These are the options that are most difficult to figure out, partially because the right frequencies and HSI mode must be selected to use them, and partially because they will do nothing until they capture the approach path they are looking for. For that to happen, some other mode (any of the ones discussed above) must be engaged to do that.
These modes capture an ILS, VOR, or GPS course, so they must obviously be able to fly either NAV 1, NAV 2, or GPS. The autopilot only knows which of these three to use when you tell it which one. This is done with the button labeled “NAV–1 NAV–2 FMC/CDU (or GPS),” which is the HSI source selector.
Note: In some aircraft, this is instead a three-position switch labeled SOURCE.
If you set this button to NAV 1, the HSI will show deflections from the NAV 1 radio, and the autopilot will fly VOR or ILS signals from the NAV 1 radio when you hit the LOC or G/S buttons.
Similarly, if you set this to NAV 2, then the HSI will show deflections from the NAV 2 radio, and the autopilot will fly VOR or ILS signals from the NAV 2 radio when you hit the LOC or G/S buttons.
If you set this switch to FMC/CDU (or GPS), then the HSI will show deflections from the GPS, which can be set manually or by the FMS, and the autopilot will fly to the GPS destination when you hit the LOC button. Remember that if you enter destinations into the FMS, they will automatically feed into the GPS, so the autopilot will follow them if you select LOC.
To repeat: be sure to send the right signal (NAV 1, NAV 2, or GPS) to the autopilot when using the LOC and G/S (lateral and vertical navigation) buttons.
The LOC button will immediately begin lateral navigation to a GPS destination once engaged. It will, however, only track a VOR radial or ILS localizer after the needle has come off of full-scale deflection. This means that if you have a full-scale ILS needle deflection (simply because you have not yet gotten to the localizer) the localizer mode will simply go into armed (yellow) mode, and will not do anything yet to the plane. Your current heading or wing level mode (if engaged) will remain in force (or you can fly by hand) until the localizer needle starts to move in towards the center. Once that happens, the LOC will suddenly go from armed mode (yellow) to active mode. This causes the autopilot to start flying the plane for you, disengaging any previous modes.
The reason that the localizer function disengages previous modes is that as soon as the localizer needle comes in, you want the autopilot to forget about heading and start flying the localizer down to the runway. Alternatively, you may simply fly the plane by hand to the localizer (with no autopilot mode on at all) and have the autopilot take over once the ILS needle starts to come in, indicating you are entering the localizer. Interestingly, this is much the same as the altitude modes. Just as the localizer is armed by hitting the LOC button, and you can do anything until the localizer arms take over lateral control, the altitude is also armed (always and automatically) and you can fly any vertical speed, airspeed, or pitch (manually or on autopilot) until the altitude is reached, at which point the autopilot will go into altitude hold mode.
Just like the lateral navigation (that is, the localizer function), the vertical navigation (glide slope, or G/S mode) will not do anything until the glide slope needle starts to move. Unlike with the localizer, though, the glide slope function won’t do anything until the glide slope needle goes all the way through the center position. It does this because you typically have the airplane on altitude hold until you intercept the glide slope, at which point the plane should stop holding altitude and start descending down to the runway. In other words, the glide slope function will automatically go from armed to active once the plane hits the center of the glide slope.
Let’s now put the LOC and G/S functions into use to fly an ILS.
To fly an ILS, do the following while still far away from the ILS and below glide slope:
Hit the ALT button to hold the current altitude.
Enter a heading in the heading window to be followed until you intercept the ILS.
Hit the HDG button to hold that heading.
Hit the LOC button. It will go to “armed” (yellow).
Hit the G/S button. It will also go to “armed” (yellow).
As soon as you intercept the localizer, the LOC button will go from yellow to green, abandoning the heading mode to instead fly the localizer.
As soon as you intercept the center of the glide slope, the G/S button will go from yellow to green, abandoning the altitude hold mode to instead fly the glide slope.
The autopilot will track you right down to the runway, and even flare at the end, cutting power if auto-throttle mode is engaged.
Just as in a real airplane, these things only work well if you:
If you come in above the glide slope, cross the localizer at a wide angle, or intercept the localizer too close to the airport, the autopilot will not be able to maneuver the airplane for landing (again, just as in a real plane).
Now that we’ve detailed flying with the autopilot, let’s talk about flying an FMS (flight management system) plan.
To use the autopilot to fly a flight management system plan, a few things must happen:
You must enter your entire flight plan into the FMS.
You have to have the HSI set to GPS, not NAV 1 or NAV 2 (because the autopilot will fly whatever it sees on the HSI).
You must have the LOC button selected ON since that button causes the autopilot to follow the localizer (or whatever is on the HSI).
You must have the FLIGHT DIR switch set to AUTO, so that the servos are running.
You must hit the VNAV button if you want the FMS to also load altitudes into the altitude window.
Do all these things and the plane will follow any FMS plan, assuming, of course, that the plane you are flying has all this equipment (which of course some do not).
To demonstrate the use of an FMS, we’ll go through the procedure in a typical aircraft. The steps will be similar in any aircraft.
Start the flight by opening the Quick Start dialog box and selecting an aircraft with the default FMS, such as the P180 Avanti. It is found in the General Aviation aircraft folder. Select San Diego International Airport (KSAN) as the starting airport from the Airport box. Time of day and weather can be anything you like, but to keep it simple, let’s use the “day” and “clear” settings.
In 3-D cockpit view, the FMS is found to the right of the pilot’s seat (it should be displaying the text “PLAN SEGMENT 01”). Hit the top left INIT button on the FMS. This gets the FMS ready to receive a flight plan and puts the cursor on the second line labeled “APT.”
Now enter the ID of the starting airport by hitting the FMS keypad with the mouse. We are starting at San Diego International Airport (KSAN) and flying to San Bernardino International (KSBD).
If you like, hit the line-select button on the left side of the FMS next to the text “FLY AT FT” and enter the altitude you want to fly at using the keypad.
Now, hit the NEXT button on the FMS and repeat the steps above for the next waypoint. For our purposes, press the AIRP button and enter KSBD for our final destination airport here, then click the dash button to the left of the “Fly At” line on the screen to enter the altitude at which you’ll be flying. Any VOR, NDB, FIX or LAT/LON can be entered here instead (or as additional plan segment pages) to program your route. Make sure your press the appropriate button on the FMS before entering the code for the NAVAID of your choice.
Use the DEL button to erase mistakes, or CLR to cancel the entire plan. The PREV PAGE and NEXT PAGE buttons will cycle through the various waypoints in your plan. To save an FMS plan, click the SA button, or click the LD button to load a saved plan. X‑Plane stores these plans in the Output folder of the home directory.
Once you have entered the plan into the FMS, set the white NAV Source switch to GPS so that the HSI is getting data from the flight management computer we just programmed. Move the FLIGHT DIR switch to on, then take off.
The second waypoint should activate automatically. Engage HDG mode on your autopilot and set it to intercept the FMS course. Press the LOC autopilot button to arm FMS course capture so as you approach the course the autopilot will lock on and turn toward the waypoint. You must first intercept the FMS course to make the autopilot lock on. Press the autopilot VNAV button to select the “Fly At” altitude.
If your flight plan has more than one waypoint, as you approach the FMC’s active waypoint it will automatically switch to the next Plan Segment. If for some reason the FMS fails to do this, you can force it to step forward or skip waypoints by using the NEXT button to display the desired waypoint and the select button (a D with an arrow through it) to activate it.
An Instructor Operator Station is a sort of console used by a flight instructor or someone standing in for an instructor. This console can be used to fail multitudes of aircraft systems, alter the weather and time of day, or relocate the aircraft. The IOS can be run either on the same computer as the simulator (using a second monitor), or it can be a separate computer which communicates with the computer used as the simulator either via a local network or over the Internet.
If you are using one computer with two (or more) monitors, you can enable the IOS on the second monitor by going to the Graphics tab in the Settings screen. Under Monitor Configuration, ensure your primary monitor is set to “Full Screen Simulator” in the drop down box, then pick “Instructor Operating Station” in the drop down menu for the other monitor. (Note that the IOS can only be used full screen, not windowed, when set up in this manner.) When you close the Settings window you will have the IOS screen options on your second monitor and the flight on the primary monitor.
If you would like to use X‑Plane windowed, you can also open the IOS as a window, pop it out and drag it around to whatever location you want on your monitors. Open the IOS window by going to the Flight menu > Toggle Instructor Operating Station. Click the two squares in the top right corner to pop it out as a separate window that you can then drag to a different monitor.
Alternatively, use a second computer as an IOS. To do so, first make sure each computer has the most recent update to the simulator and that they are on the same network. Next, launch X‑Plane on both computers and open the Network tab of the Settings window. For the computer that will be the flying “student” machine, leave “This machine’s role” set to Master. Then expand the Instructor Operating Station section and check the box “Allow a networked IOS to control this machine.” If needed, pick the other computer that will function as the IOS from the drop down, or enter its IP address. In most cases it will not be necessary to change the Port number from 49000.
On the other computer (the instructor’s machine), set the machine’s role to Instructor Operating Station. If needed, pick the other computer that will function as the student from the drop down, or enter its IP address. In most cases it will not be necessary to change the Port number from 49000.
Once you have the IOS configured how you would like it, you will be able to fly on one monitor while controlling many of the aspects of your flight on the other.
In the IOS window you you will have the standard Map display as well as buttons along the left of this window which allow the instructor to perform all sorts of tasks from one location, while maintaining a watch on the X‑Plane pilot using the map view.
The “instructor” can load different aircraft, relocate the aircraft, alter weather conditions, fail systems, and change the time, weight, balance, or fuel for the “student” pilot. In addition, there are buttons to load or save a flight, reset the flight path and quit X-Plane.
The following is a description of how helicopters are flown in the real world, along with the application of this in X-Plane. Note that helicopters are loaded in X‑Plane just like any other aircraft, using the Flight Configuration screen. Note also that you can move to the helipad nearest you at any time by opening the Customize Location screen, clicking the Special Starts button and clicking on the Helipad Start line.
All manner of different helicopter layouts can be found in reality, but we will discuss the standard configuration here—-a single overhead rotor with a tail rotor in the back. Here’s how this works: First, the main rotor provides the force needed to lift the craft by continuously maintaining the same rotor RPM for the entire flight. The amount of lift generated by the main rotor is only varied by adjusting the blade pitch of the main rotor blades.
So, imagine the one-and-only operational RPM of a helicopter is 400 RPM. When the craft is sitting on the ground, the rotor is turning 400 RPM, and the pitch of the rotor’s blades is about zero. This means that the rotor is giving about zero lift! Because the blades have zero pitch, they have very little drag, so it is very easy to move them through the air. In other words, the power required to turn the rotor at its operational RPM is pretty minimal. Now, when the pilot is ready to go flying, he or she begins by pulling up on a handle in the cockpit called the “collective.” When this happens, the blades on the rotor go up to a positive pitch. All the blades on the main rotor do this together at one time—“collectively.” Of course, they are then putting out a lot of lift, since they have a positive pitch. Equally apparent is the fact that they are harder to drag through the air now, since they are doing a lot more work. Of course, since it is a lot harder to turn the blades, they start to slow down—if this were allowed to happen, it would be catastrophic, since the craft can’t fly when its rotor isn’t turning! To compensate, at that point any modern helicopter will automatically increase the throttle as much it needs to in order to maintain the desired 400 RPM in the rotor.
To summarize, this is the sequence for getting a helicopter in the air in X-Plane:
While on the ground, the collective handle is flat on the floor. This means the rotor pitch is flat, with minimum drag and zero lift. In X-Plane, a flat collective corresponds to the throttle being full forward, or farthest from the user. The automatic throttle in the helicopter is obsessively watching the rotor’s RPM, adjusting the throttle as needed to hold exactly 400 RPM in the example above. On the ground, with the collective pitch flat, there is little drag on the blades, so the power required to hold this speed is pretty low.
When you decide to take off, you do so by raising the collective up—that is, by pulling it up from the floor of the helicopter. In X-Plane, this is done by easing the throttle on a joystick back down toward you. This increases the blade pitch on the main rotor and therefore increases its lift, but it also increases the drag on the rotor a lot. The rotor RPM begins to fall below 400 RPM, but the auto-throttle senses this and loads in however much engine power it has to in order to keep the rotor moving at exactly 400 RPM.
More collective is pulled in until the blades are creating enough lift to raise the craft from the ground. The auto-throttle continues adding power to keep the rotor turning at 400 RPM no matter how much the collective is raised or lowered.
Once the craft is in the air, the first-time helicopter pilot’s first crash is no doubt beginning. This inevitability can be delayed for a few moments using the anti-torque pedals.
The main rotor is putting a lot of torque on the craft, causing it to spin in the opposite direction (because of course for every action there is an equal and opposite reaction—the rotor is twisted one way, the helicopter twists the other way). This is where the anti-torque pedals come in. The rotational torque on the helicopter is countered with thrust from the tail rotor. Just push the left or right rudder pedal (such as the CH Products Pro Pedals) to get more or less thrust from the tail rotor. If rudder pedals aren’t available, the twist on a joystick can be used for anti-torque control. If the joystick used does not twist for yaw control, then X‑Plane will do its best to adjust the tail rotor’s lift to counter the main rotor’s torque in flight.
Incidentally, the tail rotor is geared to the main rotor so that they always turn in unison. If the main rotor loses 10% RPM, the tail rotor loses 10% RPM. The tail rotor, like the main rotor, cannot change its speed to adjust its thrust. Like the main rotor, it must adjust its pitch, and it is the tail rotor’s pitch that is being controlled with rudder pedals or a twisting joystick.
Once the craft is in the air and the collective pitch of the main rotor is being adjusted (in X-Plane, using the joystick throttle), try holding the craft 10 feet in the air and adjusting the tail-rotor pitch with the anti-torque pedals (i.e., rudder pedals or a twisting stick) to keep the nose pointed right down the runway. From here, the joystick should be wiggled left, right, fore, and aft to steer the helicopter around.
Here is how this works: If the stick is moved to the right, then the rotor blade will increase its pitch when it is in the front of the craft, and decrease its pitch when it is behind the craft. In other words, the rotor blade will change its pitch through a full cycle every time it runs around the helicopter once. This means that it changes its pitch from one extreme to the other 400 times per minute (7 times per second) if the rotor is turning at 400 RPM. Pretty impressive, especially considering that the craft manages to stay together under those conditions! Now, while it seems that the right name for this might be the “helicopter destroyer,” the fact that moving the stick sends the blade pitch through one cycle every rotation of the rotor blades means we call the control stick the cyclic stick. So, we have the collective, cyclic, and anti-torque controls.
Let’s talk more about the cyclic. When the stick is moved to the right, the rotor increases pitch when it is in the part of its travel that is in front of the helicopter. This will increase the lift on the front of the rotor disc, causing it to tilt to the right, since the gyroscopic forces are applied 90° along the direction of rotation of the gyroscope. Now that the rotor is tilted to the right, it will of course drag the craft off to the right as long as it is producing lift.
The fascinating thing is that the rotor on many helicopters is totally free-teetering; it has a completely “loose and floppy” connection to the craft. It can conduct no torque (left, right, fore, and aft) to the body of the helicopter. Maneuvering is only achieved by the rotor tilting left, right, fore, and aft, dragging the top of the craft underneath it in that direction. The helicopter body is dragged along under the rotor like livestock by a nose-ring, blindly following wherever the rotor leads.
Once you master hovering in place, push the nose down to tilt the rotor forwards. The lift from the rotor acting above the center of gravity of the aircraft will lower the nose of the helicopter, and the forward component of lift from the rotor will drag the craft forward as it flies along.
To view all the possibilities for special starts in X-Plane, go to Flight Configuration and click the Customize button in the Location box. In the following window, click the Special Starts button at the bottom left of the screen. In this list you will find a number of special ways to take off and fly. Selecting the Grass Strip, Dirt Strip, Gravel Strip, or Seaplane Start lines will take you, in your current aircraft, to the nearest airstrip of that type.
Figure 8.1: Special starts in the Location Customize screen
Selecting the Frigate Approach, Small Oil Rig Approach, or Large Oil Platform Approach lines will give you excellent targets for a helicopter landing. Additional types of special starts are discussed in more detail in the following sections.
Get started with flying gliders by going to the Flight Configuration window and picking a glider, such as the default ASK 21. Now you have to get in the air, either by being towed by another aircraft or by a winch. Click the Customize button and pick which start you’d like from the two options at the bottom of the window.
The Glider Tow button will load another aircraft (the Stinson L–5) to which your glider will be attached. This aircraft will pull yours along behind it, and you will be able to release the line connecting you to the towplane at your desired altitude. On the other hand, the Glider Winch button will set up a stationary winch on the ground which will quickly pull in a wire attached to your glider, which you will release once you are 1500 feet or so above the ground. In either case, you can release the tow line by pressing the space bar.
When using the towplane, you will start behind the plane with its engine running and ready to go. Releasing the glider’s brakes (using the
b key by default) commands the towplane to take off, dragging your glider with it.
The towplane, once in flight, will take the glider as high as you like. Pressing the space bar will release the line between the aircraft, allowing you to soar freely. While being carried up to altitude, though, you must keep your glider in formation behind the towplane.
Notice that until you have unhooked yourself, the tow rope connecting your glider to the towplane is attached to your nose and the towplane’s tail. X‑Plane models the real physics of this situation, so if your glider pulls left, right, up, or down, it will drag the towplane’s tail in that direction. This could result in simply pulling the plane off course, or ultimately in dragging the plane into a stall or spin. If that happens, things will get very complicated very quickly—-the towplane (which will likely be crashing) will be dragging the glider with it! The dynamics of the resulting crash are interesting if nothing else.
According to the FAA Glider Handbook, a glider pilot should keep the glider in one of two positions when being towed to altitude. It should either be in a “low tow” position, wherein the glider is just below the wake from the towplane, or it should be in a “high tow” position, just above the wake from the towplane. Hold this position carefully to keep from dragging the towplane around!
A glider pilot must watch the wind and the slope of the terrain carefully to hold inside the upward-moving currents of air, using the lift of the air flowing up the mountain slope to hold the craft aloft. With a good 25-knot wind set in the simulator, you can get a nice, free elevator ride to 10,000 feet when flying along the windward side of a nice, steep mountain. This is called ridge lift.
X-Plane will also model the columns of rising hot air, called thermals, that are useful for prolonging a glider flight. To turn on the thermals, open the Customize Weather screen from Flight Configuration. Expand the Thermals section in the right side list, then drag the Coverage slider up—15% coverage or more makes for a nice flight. A 500 ft/min Climb Rate is fine, but you can raise that value, too, if you like. Additionally, as you’re starting out in gliders, you may want to keep the Speed, Turbulence, Gust Speed Increase and Shear Amount settings of your wind layers set to minimum.
Now, to take full advantage of both ridge lift and thermals, gliders have a unique instrument known as the total energy variometer. This indicates your glider’s rate of climb or descent. You can see the visual representation of this instrument in the panel (it is labeled “Total Energy” and is found towards the bottom of the panel in the ASK 21); if the needle is above the center of the dial, you are climbing (perhaps due to ridge lift or a thermal), and if it is below the center, you are falling. Even better, you can flip on the switch next to it labeled “Audio” in the instrument panel to get auditory feedback from the variometer. If it is beeping, then the aircraft is in a nice updraft from the air following the terrain. Circling in that area will let the glider ride the climbing air to altitude. When the variometer is emitting a steady tone, the craft is in descending air—-the glider has been blown to the wrong side of the mountain, and a crash will follow soon if you do not find a way out of that area!
To land the glider, simply circle down to runway level. The trick is to approach the runway with just enough speed to set the craft down safely. Remember, pulling the speedbrakes in can help slow the craft down, but if it doesn’t have enough speed to reach the landing strip, the glider has no way of generating thrust. Ideally, you will reach the runway at just above stalling speed, but it’s always better to have too much speed (which you can burn off using the speedbrakes) than too little.
Read this chapter before attempting Space Shuttle landings in X‑Plane if you want your virtual pilot to live!
The first rule of flying a glider—quite unlike flying a powered plane—is this: Never come up short. When bringing a powered plane in for landing, if the pilot thinks the craft will not quite make it to the runway, it is no big deal. She or he just adds a bit more power to cover the extra distance. If a little more speed is needed, it is again no problem—just add power.
Gliders play by a different set of rules, though. There is no engine to provide power, so when setting up a landing, a pilot must be sure to have enough altitude and speed to be able to coast to the airport, because if s/he guesses low by even one foot, the craft will hit the ground short of the runway, crashing. Gliders must never be low on speed or altitude, because if they ever are, there is no way of getting it back—a crash is assured. (Thermals, or rising currents of air, provide the exception to this rule. These can give efficient gliders enough boost to get the job done, but thermals will typically provide less than 500 feet per minute of vertical speed—not enough to keep even a lightweight Cessna in the air!)
Now, with the Space Shuttle, it is certainly true that the aircraft has engines—three liquid-fuel rockets putting out 375,000 pounds of thrust each, to be exact. (To put this in perspective, a fully-loaded Boeing 737 tips that scales around 130,000 pounds, so each engine of the orbiter could punch the Boeing straight up at 3 Gs indefinitely. That is not even considering the solid rocket boosters attached to the Shuttle’s fuel tank that provide millions of pounds of thrust!)
So, the Space Shuttle has engines; the problem is fuel. The orbiter exhausts everything it’s carrying getting up into orbit, so there is nothing left for the trip down. Thus, the ship is a glider all the way from orbit to its touch-down on Earth. With the final bit of fuel that is left after the mission, the orbiter fires its smaller de-orbit engines to slow it down to a bit over 15,000 miles per hour and begins its descent into the atmosphere.
So, if you want to fly the Space Shuttle, and the Space Shuttle is a glider from the time it leaves orbit to the time it touches down on Earth, you must bear in mind the cardinal rule of gliding: Always aim long (past the landing point), not short, because if ever you aim short, you are dead, because you cannot make up lost speed or altitude without engines. Aim long since the extra speed and altitude can always be dissipated with turns or speedbrakes if the craft winds up being too high, but nothing can be done if it comes up short.
In observance of this rule, the Orbiter intentionally flies its glide from orbit extra high to be on the safe side. But there is one problem. It would appear that if the Orbiter flies its entire approach too high, it will glide right past Edwards. In reality, this doesn’t happen for one reason. For most of the re-entry, the Shuttle flies with the nose way up for extra drag, and it makes steep turns to intentionally dissipate the extra energy. The nose-up attitude and steep turns are very inefficient, causing the Shuttle to slow down and come down to Earth at a steeper glide angle. If it ever looks like the Orbiter might not quite be able to make it to the landing zone, the crew simply lowers the nose to be more efficient and level it out in roll to quit flying the steep turns. This makes the Orbiter then glide more efficiently, so the crew can stretch the glide to Edwards for sure. The extra speed and altitude is the ace up their sleeve, but the drawback is they have to constantly bleed the energy off through steep turns (with up to 70° bank angle!) and drag the nose up (as high as 40°!) to keep from overshooting the field.
We will now walk through the re-entry process from the beginning as it is done both in the real Shuttle and in X-Plane.
After de-orbit burn, the shuttle heads for the atmosphere at 400,000 feet high with a speed of 17,000 miles per hour and a distance of 5,300 miles from Edwards (equivalent to landing in the Mojave Desert after starting a landing approach west of Hawaii—not a bad pattern entry!). In reality, the autopilot flies the entire 30-minute re-entry, and the astronauts do not take over the controls of the shuttle until the final 2 minutes of the glide. The astronauts could fly the entire re-entry by hand, but it is officially discouraged by NASA, for obvious reasons. These speeds and altitudes are way outside of normal human conception, so our ability to “hand-fly” these approaches is next to nil.
During the first one hundred NASA Shuttle missions, the craft was hand-flown for the entire re-entry only once, by a former Marine pilot who was ready for the ultimate risk and challenge. In contrast, users flying the Space Shuttle in X‑Plane will have to complete the entire mission by flying by hand.
To open the Space Shuttle for a re-entry flight into the atmosphere, go to the Aircraft section of Flight Configuration. Make sure Show extra aircraft from old versions is checked and select the Space Shuttle. Click on Customize in the location box. Click on Special Starts to find four options for flying the space shuttle: Full Re-entry, Final Re-entry, Full Approach, and Final Approach.
The Space Shuttle: Final Approach is the shortest and easiest, as well as the most realistic since this is the only part of the whole procedure pilots actually hand-fly! Click this button to fly the final eight miles before setting down on the runway at Edwards Airforce Base. Click Space Shuttle: Full Approach to start 40 miles away from Edwards. You’ll fly over and past the base, then make a left turn to heading marker 230 to line up with the runway for touchdown. The Sapce Shuttle: Final Re-Entry button will start you almost 600 feet downrange for the final 12 minutes of descent to Edwards.
To fly the whole 30 minute re-entry procedure, click the Space Shuttle: Full Re-entry button (choose one of the other options for a much shorter flight). X‑Plane will load the craft at around 450,000 feet, in space, coming down at a speed of Mach 20. Control will be limited in space (the craft is operating off of small reaction jets on the Orbiter, set up as “puffers” in Plane-Maker), but once the shuttle hits atmosphere, there will be some air for the flight controls to get a grip on and the craft will actually be able to be controlled. The ship will first hit air at about 400,000 feet, but it will be so thin that it will have almost no effect.
The airspeed indicator at this point will read around zero—interesting, since the craft is actually moving at over 17,000 mph. The reason for this is that the airspeed indicator works based on how much air is hitting it, just like the wings of the Orbiter do. In space, of course, that’s very little. The indicated airspeed will build gradually as the craft descends. Under these conditions, even though the Shuttle is actually slowing down, the airspeed indicator will rise as it descends into thicker air that puts more pressure on the airspeed indicator. This oddity of the airspeed indicator, though, is useful, since the air is also putting more pressure on the wings. This means you should get some help with your research paper and the airspeed indicator is really measuring how much force the wings can put out, which is really what a pilot is interested in here.
Restated, the airspeed indicator indicates the craft’s true airspeed times the square root of the air density. It indicates lower speeds in thin air, but the wings put out less lift in thin air as well, so the airspeed indicator works very well to tell the pilot how much lift can be put out by the wings.
If the airspeed indicator reads more than about 250 knots, the wings have enough air to generate the lift to carry the aircraft. If the airspeed indicator is showing less than about 250 knots, then the wings do not have enough air hitting them to lift the Shuttle, so it is still more or less coasting in the thin upper atmosphere, where the air is too thin to do much for controlling flight.
As the airspeed indicator on the HUD gradually starts to indicate a value (as the aircraft descends into thicker air), it means the craft is starting to ease down into the atmosphere at 15,000 mph like a sunburned baby trying to ease into a boiling-hot Jacuzzi—very carefully and very slowly. Remember, if the craft was going 15,000 mph in the thick air of sea level, it would break up into a million pieces in a microsecond. The only reason it survives at 15,000 mph up here is the air is so thin that it has almost no impact on the ship. Again, the airspeed indicator tells how much the air is really impacting the craft; 250 knots is a “comfortable” amount. The trick is to get the craft moving much slower than 15,000 mph by the time it gets down to the thick air of sea level—and to have it doing so at Edwards Air Force Base. This is what the re-entry is for, to dissipate speed while descending so that the Orbiter is never going too fast for the thickness of the air that it is in. It should only descend into the thicker air once it has lost some speed in the thinner air up higher. The whole thing should be a smooth process wherein the ship doesn’t get rammed into thick, heavy air at too high a speed.
Now, as the Orbiter begins to touch the outer molecules of the Earth’s atmosphere, you will notice a slight ability to fly the ship as some air begins to pass over the wings. At the same time, the HUD should begin showing speed. Notice the picture of the Orbiter on the far right-hand EFIS display in Figure 8.2 below. (The best way to see the entire panel is in 3D cockpit view, selected from the View menu at the top of the screen, or by pressing “Shift + 9,” then use the arrow keys to position the view as desired.) Both the Orbiter and the path down to Edwards should be visible. The goal is to stay centered on the path. If the craft gets above it, it is either too fast or too high and might overshoot the landing. If it gets below it, it is either too slow or too low and might not make it.
Remember that the line is drawn with a large margin for error, so if a pilot stays on the line, he or she will have plenty of extra energy. Getting below the line a little will only tap into the speed/altitude reserve. Getting below the line a lot will keep the craft from reaching Edwards.
Figure 8.2: The 3D Orbiter cockpit
The Orbiter must stay near the center green line. This green line represents the desired speed for the early part of the re-entry, the desired total energy for the middle part of the re-entry, and the desired altitude for the final phase of the re-entry. If the craft is too fast or too high (meaning it is above the center line) then it is time to dissipate some energy. Put the Shuttle in a steep bank, pull the nose up, and hang on!
The real Orbiter will have it nose up about 40° and be in a 70° bank to try to lose energy while moving at 14,000 mph, glowing red hot, hurtling through the upper atmosphere on autopilot, and leaving a ten mile-long trail of ionized gas behind it while the astronauts just watch.
Go into some steep turns to dissipate energy as needed to keep the ship from going above the center green line. Pilots should follow the computer’s recommendation or their own intuition for how much bank to fly, but they must certainly keep the nose up (in order to stay in the upper atmosphere) and fly steep banks to dissipate the extra speed and altitude. It might be tempting to just push the nose down if the craft is high, but don’t. The aircraft would drop down into the thick air and come to an abrupt stop from the tremendous drag, keeping it from ever making it to Edwards. It would wind up swimming in the Pacific somewhere around Hawaii.
Now, as the pilot makes those steep turns, the aircraft will gradually be pulled off course. For this reason, the turn direction should be switched from time to time to stay on course. Turn left awhile, then right, then back to the left again. This is what the real Orbiter does—it slalom-skis through the upper atmosphere at Mach 20. Watch Edwards on the center Horizontal Situation EFIS display.
As the ship approaches Edwards (right on the green line of the right-hand Vertical Situation display) there should be some numbers in a sort of curve out past Edwards. This is the Heading Alignment Cylinder, or H.A.C. The aircraft will fly past Edwards at about 80,000 feet, then fly around the H.A.C. like it’s connecting the dots. After coming around, it will be pointed right at Edwards. If the craft is still on the green line, its altitude will be just right for landing as well. In the real Shuttle, this is usually where the pilot will turn off the autopilot and hand-fly in.
Figure 8.3: The space shuttle’s horizontal and vertical course displays
The craft should now be doing about 250 or 300 knots, coming down at about 15,000 feet per minute or so (about 125 miles per hour of descent rate). Needless to say, pilots do not want to hit the ground with that 125 miles per hour descent rate. Do not aim for the runway without expecting to become a smear on it. Instead, aim for the flashing glide slope lights 2 miles short of the runway that NASA has thoughtfully provided. If they are all red, the craft is too low. If they are all white, it is too high, so the speed brakes need to be brought in. If the lights are half red and half white, the Orbiter is right on its glide slope (about 20°). Airliners fly their approach at 125 knots with a 3 angle of descent, while the Space Shuttle uses 250 knots and a 20° descent angle—not too unusual considering pattern-entry started west of Hawaii, actually.
To recap: the craft should be at 250 knots, on the green line, lined up with the runway. It should be facing half red, half white glide slope lights with the flashing strobes by them. This approach configuration should be held until the craft is pretty close to the ground (3° glide slope to the runway), then the descent should be leveled and the gear put down (using the ‘g’ key or the mouse). Pull the nose up for a flare as the runway approaches, causing the Orbiter to touch down smoothly. Lower the nose then and hit the parachute and even the brakes if the craft will be allowed to roll out.
Now, if you can just repeat that process another hundred times in a row without a single hitch, you will be as good as NASA.
Special thanks to Sandy Padilla for most of the Shuttle re-entry information!
The North American X–15 is a rocket-powered speed demon. With a top speed of Mach 6.72 (4520 miles per hour), it is the fastest manned aircraft in the world. To begin flight, this craft is dropped, uniquely, from the B–52 “mothership.” Its top speed is over double that of the SR–71 (the world’s fastest jet airplane), and its maximum altitude of over 50 miles qualifies its pilots for astronaut status.
The craft’s absurdly high top speed requires a blast shield to be installed over one side of the windshield—without it, the windows would burn up. The X–15 pilots would fly the high speed portion of the mission with the shield on the right side, looking out the left side only. After the craft slowed down (and the left window was sufficiently charred), the pilot would jettison the blast shield and move to the right window in order to land.
To fly the X–15, go to the Aircraft section of Flight Configuration. Make sure Show extra aircraft from old versions is checked and select the X–15. To be dropped from the B–52, click on Customize in the location box, then on Special Starts, and finally click the line B–52 Drop.
X-Plane will load up both the X–15 and the B–52 drop ship. When you are ready, press the space bar to release the rocket from the drop ship. Give it full throttle, with no flaps, and watch your airspeed “rocket”—that is, until it gains enough altitude, at which point its indicated airspeed will drop to maybe 15 knots, while it is actually moving at Mach 6.
To begin carrier operations, select the aircraft you will use (military aircraft are good choices). Open the Flight Configuration Screen and click the Customize button in the Location box. Pick either the Carrier Catshot, Frigate Approach, or Carrier Approach line to set up a catapult launch from a carrier or a final approach to one, respectively.
To take off from a carrier, a few things must be done in quick succession. First, give the aircraft full throttle, and pull in about half flaps. Release the brakes (using the ‘b’ key by default) to activate the catapult propelling your aircraft off the deck. From there, simply guide the craft down the flight deck and, once clear, pull the nose up. When you’re safely in the air, bring the gear up (using the ‘g’ key by default) and you’re off.
Landing on the carrier is a bit more difficult. First, be sure you have an aircraft with an arresting hook.
To set up an approach to a modern carrier, such as the USS Nimitz included with X-Plane, bear in mind that the landing runway is angled 30 to the port (left) side—it is not straight down the flight deck like in older carriers. This change was made in order to prevent the all-too-common overruns that occurred in WWII when a landing plane crashed into the stacked line of planes at the far end of the carrier. A pilot landing on such a carrier must correct for this angling. With your ADF tuned to the carrier, then, you must wait until the ADF is pointing either 15° or 60° to the right before turning in for a landing.
When approaching the flight deck to land, a glidepath of about 3.5° is standard. At this time, the tail hook should be lowered (Option + ‘Q’ by default). This will allow the tail of the aircraft to catch the arresting wires on the deck. These wires will decelerate the craft from well over 100 knots down to zero in little more than a second.
Unlike in a conventional landing, there should be no “flare” before touching down on the carrier. Whereas, say, an airliner would raise its nose up just before touching the runway (thereby ensuring a smooth landing), a carrier approach should maintain a constant glide slope until the craft hits the deck.
Also, rather counter-intuitively, a real fighter pilot must slam the throttle to full the instant that the aircraft touches the deck. This is because, even when the pilot has done everything right, the craft’s tail hook can bounce over the arresting wires in what is called a “bolter.” When this happens, the pilot must be ready to get off the deck safely and come around for another try. Don’t worry—even when the throttle revs up like this, the arresting wires will still pull the craft down to zero velocity.
The piggybacking Space Shuttle situation in X‑Plane was inspired by the following email, which was circulated by United Technologies corporate. It is a “trip report” from the pilot of the 747 that flew the Shuttle back to Florida after the Hubble repair flight.
Well, it’s been 48 hours since I landed the 747 with the shuttle Atlantis on top and I am still buzzing from the experience. I have to say that my whole mind, body and soul went into the professional mode just before engine start in Mississippi, and stayed there, where it all needed to be, until well after the flight… in fact, I am not sure if it is all back to normal as I type this email. The experience was surreal. Seeing that “thing” on top of an already overly huge aircraft boggles my mind. The whole mission from takeoff to engine shutdown was unlike anything I had ever done. It was like a dream… someone else’s dream.
We took off from Columbus AFB on their 12,000 foot runway, of which I used 11,999 ½ feet to get the wheels off the ground. We were at 3,500 feet left to go of the runway, throttles full power, nose wheels still hugging the ground, copilot calling out decision speeds, the weight of Atlantis now screaming through my fingers clinched tightly on the controls, tires heating up to their near maximum temperature from the speed and the weight, and not yet at rotation speed, the speed at which I would be pulling on the controls to get the nose to rise. I just could not wait, and I mean I could not wait, and started pulling early. If I had waited until rotation speed, we would not have rotated enough to get airborne by the end of the runway. So I pulled on the controls early and started our rotation to the takeoff attitude. The wheels finally lifted off as we passed over the stripe marking the end of the runway and my next hurdle (physically) was a line of trees 1,000 feet off the departure end of Runway 16. All I knew was we were flying and so I directed the gear to be retracted and the flaps to be moved from Flaps 20 to Flaps 10 as I pulled even harder on the controls. I must say, those trees were beginning to look a lot like those brushes in the drive-through car washes, so I pulled even harder yet! I think I saw a bird just fold its wings and fall out of a tree as if to say “Oh, just take me.” Okay, we cleared the trees, duh, but it was way too close for my laundry. As we started to actually climb, at only 100 feet per minute, I smelled something that reminded me of touring the Heineken Brewery in Europe… I said “Is that a skunk I smell?” and the veterans of shuttle carrying looked at me and smiled and said “Tires!” I said “Tires?! Ours?!” They smiled and shook their heads as if to call their captain an amateur… Okay, at that point I was. The tires were so hot you could smell them in the cockpit. My mind could not get over, from this point on, that this was something I had never experienced. Where’s your mom when you really need her?
The flight down to Florida was an eternity. We cruised at 250 knots indicated, giving us about 315 knots of ground speed at 15,000 feet. The miles didn’t click by like I am use to them clicking by in a fighter jet at Mach 0.94. We were burning fuel at a rate of 40,000 pounds per hour or 130 pounds per mile, or one gallon every length of the fuselage. The vibration in the cockpit was mild, compared to down below and to the rear of the fuselage where it reminded me of that football game I had as a child where you turned it on and the players vibrated around the board. I felt like if I had plastic clips on my boots I could have vibrated to any spot in the fuselage I wanted to go without moving my legs… and the noise was deafening. The 747 flies with its nose 5° up in the air to stay level, and when you bank, it feels like the shuttle is trying to say “Hey, let’s roll completely over on our back.” Not a good thing, I kept telling myself. So I limited my bank angle to 15° and even though a 180° course change took a full zip code to complete, it was the safe way to turn this monster.
Airliners and even a flight of two F–16s deviated from their flight plans to catch a glimpse of us along the way. We dodged what was in reality very few clouds and storms, despite what everyone thought, and arrived in Florida with 51,000 pounds of fuel too much to land with. We can’t land heavier than 600,000 pounds total weight and so we had to do something with that fuel. I had an idea… Let’s fly low and slow and show this beast off to all the taxpayers in Florida lucky enough to be outside on that Tuesday afternoon. So at Ormond Beach we let down to 1,000 feet above the ground/water and flew just east of the beach out over the water. Then, once we reached the NASA airspace of the Kennedy Space Center, we cut over to the Banana/Indian Rivers and flew down the middle of them to show the people of Titusville, Port St. Johns and Melbourne just what a 747 with a shuttle on it looked like. We stayed at 1,000 feet and since we were dragging our flaps at Flaps 5, our speed was down to around 190 to 210 knots. We could see traffic stopping in the middle of roads to take a look. We heard later that a Little League Baseball game stopped to look and everyone cheered as we became their 7th inning stretch. Oh say can you see…
After reaching Vero Beach, we turned north to follow the coast line back up to the Shuttle Landing Facility (SLF). There was not one person laying on the beach… They were all standing and waving! “What a sight,” I thought, and figured they were thinking the same thing. All this time I was bugging the engineers, all three of them, to re-compute our fuel and tell me when it was time to land. They kept saying “Not yet Triple, keep showing this thing off,” which was not a bad thing to be doing. However, all this time the thought that the landing, the muscling of this 600,000 pound beast, was getting closer and closer to my reality. I was pumped up! We got back to the SLF and were still 10,000 pounds too heavy to land so I said I was going to do a low approach over the SLF going the opposite direction of landing traffic that day. So at 300 feet, we flew down the runway, rocking our wings like a whale rolling on its side to say hello to the people looking on! One turn out of traffic and back to the runway to land… still 3,000 pounds over gross weight limit. But the engineers agreed that if the landing were smooth, there would be no problem. “Oh thanks guys, a little extra pressure is just what I needed!” So we landed at 603,000 pounds, and very smoothly if I have to say so myself. The landing was so totally controlled and on speed, that it was fun. There were a few surprises that I dealt with, like the 747 falls like a rock with the orbiter on it if you pull the throttles off at the “normal” point in a landing and secondly, if you thought you could hold the nose off the ground after the mains touch down, think again… It is coming down!!! So I “flew it down” to the ground and saved what I have seen in videos of a nose slap after landing. Bob’s video supports this!
Then I turned on my phone after coming to a full stop only to find 50 bazillion emails and phone messages from all of you who were so super to be watching and cheering us on! What a treat, I can’t thank y’all enough. For those who watched, you wondered why we sat there so long. Well, the shuttle had very hazardous chemicals on board and we had to be “sniffed” to determine if any had leaked or were leaking. They checked for Monomethylhydrazine (N2H4 for Charlie Hudson) and nitrogen tetroxide (N2O4). Even though we were “clean,” it took way too long for them to tow us in to the mate-demate area. Sorry for those who stuck it out and even waited until we exited the jet.
I am sure I will wake up in the middle of the night here soon, screaming and standing straight up dripping wet with sweat from the realization of what had happened. It was a thrill of a lifetime. Again I want to thank everyone for your interest and support. It felt good to bring Atlantis home in one piece after she had worked so hard getting to the Hubble Space Telescope and back.
—Triple Nickel, NASA Pilot
To experience this in X-Plane, go to the Flight Configuration screen and select the Boeing 747–100. Click Customize and make sure Fly with piggybacking Space Shuttle is checked.
To try your hand at flying in formation with another aircraft, click the Customize button in the Location box of Flight Configuration. Click on Special Starts and pick Formation Flying from the list. X‑Plane will load an AI-controlled version of the same aircraft you are using. Both aircraft will start the situation about 10,000 feet in the air, and from there you can follow the other aircraft as it maneuvers around.
To try your hand at military mid-air refueling, select a fighter aircraft then click the Customize button in the Location box of Flight Configuration. Click on Special Starts and pick either the Refuel - Boom and Refuel - Basket to set your aircraft up in mid-air behind a tanker trailing a refueling boom or basket. Try to approach the tanker from slightly below or from the side in order to avoid the worst of its turbulence. From there you can line the fuel port on your aircraft up with the refueling system, then maintain the “air refueling envelope” formation to receive the fuel. Moving outside of this envelope can lead to mid-air collision. Unlike in the real world, in X‑Plane there is no need to extend or retract the receiving aircraft’s fuel probe, so once you’ve finished refueling, simply fly away!
If X‑Plane is set up and flying, but aircraft seem to be too sensitive in pitch, or if they pull to one side, the simulator’s handling may need to be tuned. It is also vital to make sure the hardware itself isn’t malfunctioning first.
Make sure the joystick and/or other control devices are set up and calibrated. See the section “Configuring Flight Controls” of the chapter Configuring and Tuning Your X‑Plane Installation for instructions on doing this.
To easily see whether the controls are properly calibrated, we’ll first need to display their output. Go to the Settings screen and click Data Output. Find line 8 labeled joystick ail/elv/rud and check the first box to show the values in the cockpit. When you close the Settings window, you will see in the upper left corner of the screen the aileron, elevator, and rudder inputs from the flight controls (such as a joystick, yoke, rudders, etc.).
With properly configured controls, the aileron, elevator, and rudder joystick inputs should all read around 0.0 when your flight controls are centered. When the controls are pushed full left and forward, they should read around –1.0. When the controls are pulled full aft and right, they should read around 1.0. If this is what you see, then your controls are properly calibrated. If not, it’s no wonder the plane is not flying correctly! You need to configure the controls as described in the section “Configuring Flight Controls” of the chapter Configuring and Tuning Your X‑Plane Installation.
If the controls are indeed properly calibrated as per the above test, but the plane still is not flying correctly, it’s time to look at the first level of control response tuning. Go to the Settings screen and click Joystick. Click on the Calibrate button and follow the instructions to complete calibration.
Once you have ensured the hardware is calibrated and functioning properly, try flying the plane once again. If it still does not handle correctly, read on to tune the next level of control response.
Open the Joystick window again and click on the Control Sensitivity button. Look at the three sliders under the Control Response column (one each for pitch, roll, and yaw).
If these three sliders are fully left, then the control response is linear; that is, a 50% stick deflection in the hardware will give 50% control deflection in the aircraft. Likewise, 100% stick deflection in the hardware will give 100% control deflection in the aircraft.
If the problem being experienced is that the plane feels too responsive in the simulator, try dragging the sliders all the way to the right. This will give a non-linear response. Set this way, 0% hardware deflection will still give 0% control deflection in the simulator, and 100% hardware deflection will still give 100% control deflection. The difference lies in between—50% stick deflection in the hardware might only give 15% control deflection in the simulator. In other words, while the hard-over roll rate in the simulator will remain unchanged no matter how these sliders are set, fine control will be increased for smaller, partial deflections, since the flight controls will move less for a small-to-moderate stick deflection in the hardware joystick or yoke. This will give a nice, fine pitch control and slow, detailed roll control.
If, after changing the control response, the aircraft still does not fly as it should, the next level of control tuning is stability augmentation. If the plane still feels squirrelly or overly sensitive, go back to Joystick settings, open the Control Sensitivity window, and try dragging the three sliders in the right column labeled “Stability augmentation” all the way to the right.
This will cause X‑Plane to automatically counteract any stick input to some degree, resisting rapid or large deflections in pitch, heading, and roll. Basically, it is like always having an autopilot on that smooths things out. This is obviously very fake, but in the absence of a perfect flight control system, g-load, and peripheral vision feedback, this can help smooth out the airplane’s flight characteristics. Try flying with those sliders at various places, bearing in mind that full left should be most realistic (with no artificial stability added).
If, after doing all of the above, the aircraft still does not fly as it should, nothing more can be done within the simulator. It is now time to tweak the airplane model itself. In the real world, if a plane is pulling to one side or the other, a pilot will bend the little trim tab on the aileron one way or another. This bending of the aileron trim tab counteracts any imperfections in the shape of the airplane, the dynamics of the propwash, or the mass distribution inside the plane. The same thing can be done in X-Plane—you can bend a trim tab a bit one way or the other to make the plane fly true.
To do this, exit X‑Plane and open Plane Maker (included in the X‑Plane installation). Go to the File menu and select Open. There, select the plane that is pulling left or right and load it using the Open button.
Then, go to the Standard menu and click Control Geometry. In this window, select the Trim & Speed tab. Look at the far right-hand column of controls in the top half of the screen, labeled for aileron, elevator, and rudder trim tab adjust. This is a measure of how much the trim tabs are bent on each axis. A value of 0.000 in these boxes means that the trim tab is not bent at all. A value of 1.000 means the tab is bent so far that the control is fully deflected by the trim tab—this is way too far. Try bending the trim tab just a little bit—maybe set the value at 0.05 or at most 0.10. This would correspond to being enough force to deflect the controls 5% or 10%, respectively, due to the trim tab. A positive value corresponds to bending the trim tab up or right, depending on whether it is pitch, yaw, or roll. Thus, if the plane needs to roll right a bit more (or needs to stop rolling left), then enter a positive number for the aileron control. The same goes for the rudder: if the plane needs to pull right a bit more, enter a positive rudder trim tab adjust. If the plane needs to pull up a bit more, give it a positive elevator trim tab adjust. Tweak the trim tabs as needed, save the aircraft file (using Plane Maker’s File menu), and exit Plane Maker. Then, open up X‑Plane and try flying the plane again. It should noticeably pull one way or another based on how the trim tabs were bent. The trim tab controls may need to be tuned again to get the plane to fly as straight as is desired.
A copilot’s station is a second computer networked to the main simulator, set to view a portion of the cockpit intended for the copilot. To use a copilot’s station, you will first need two computers on the same network, each running their own copy of the most recent X‑Plane update.
You will need two copies of the aircraft file you intend to fly, both either created or modified using Plane Maker. The first copy of your aircraft should have the pilot-side instrument panel. If you are content with the default panel layout, any of the stock planes could be used.
With the first version (the pilot-side version) of the plane ready, simply make a copy of the entire airplane folder and add some suffix, such as “_copilot” to the end of the folder’s name—for instance, if the aircraft you wanted to fly was in the folder “Boeing 747”, you might name the copilot-side version “Boeing 747_copilot”.
Next, open the copilot-side copy of the aircraft in Plane Maker and tweak the instrument panel (as described in the chapter “Creating an Instrument Panel” of the Plane Maker manual) as desired for the co-pilot’s side of the craft. Save it when finished and close Plane Maker.
There should now be two copies of the same aircraft folder, where each aircraft file within has its own instrument panel. These folders should have names like “[Plane name]” and “[Plane name]_copilot”. Both folders should be in the same place within your X‑Plane directory.
Simply copy that entire aircraft folder from one of the computers over to the other, putting the aircraft folder in the same directory (relative to the X‑Plane installation directory) on the second computer. For example, the folder location might be ‘X-Plane 11/Aircraft/Extra Aircraft/Boeing 747/’ on the pilot’s computer and ‘X-Plane 11/Aircraft/Extra Aircraft/Boeing 747_copilot/’ on the copilot’s computer. With that done, open X‑Plane on each computer and start a flight with the unmodified copy of the plane on both computers. From our example above, each computer will start a flight with the Boeing 747. Then open the Settings, and select Network. Expand the External Visuals section. From here, the procedure for the pilot’s and copilot’s machines differ slightly.
On the pilot’s machine, leave the role set to Master. Click the Add External Visuals Machine (Independent View) button and select the other computer from the drop down list, if necessary. It should not be necessary to change the Port number.
Set the copilot machine’s role to External Visuals. Pick the Pilot’s computer from the drop down under the “Master Machine” section, if necessary. Check the box Use aircraft from suffixed folder and enter the folder suffix you used before (_copilot, in our example). After that, no matter what aircraft is opened on the pilot’s machine, this computer will add “_copilot” to the name of the aircraft folder that it needs to open.
If everything is set up correctly, the pilot’s machine will send all the appropriate data to the copilot’s machine, the copilot’s machine will get the message. The copilot’s machine will then apply the suffix “_copilot” to the name of the aircraft folder, and it will open the copilot’s version of the aircraft cockpit on the copilot’s machine.
There are a number of different ways in which a multi-display simulator can be used. You might want many displays linked together to form a super wide cockpit view, or you might want one display for your cockpit and others for external visuals.
There are two general ways of configuring multiple monitors. You can either have your monitors all connected to one computer, running one copy of X-Plane, or you can have multiple different computers all networked together, each one with its own monitor and its own copy of X-Plane.
In general, using multiple displays on one computer will be more restrictive regarding the ways in which you can configure the simulator. Networking many computers together will be more flexible, but it will also be much more expensive.
Multiple displays can be used with one computer in three ways. You can either:
plug multiple monitors into your graphics card (if it supports multiple monitors) and configure the monitors as entirely separate in your operating system;
If your multiple monitors are configured as a single large display in your operating system, all you need to do to have X‑Plane fill the screen with a single large window is go to Settings > Graphics > Monitor Configuration and change the drop down to “Full Screen Simulator.” If X‑Plane is still only filling one screen, you may need to pick “Custom” from the Resolution drop down, and change it to the combined size of all your monitors (for example, two 1920x1080 monitors should be entered as a custom resolution of 3840x1080).
If, on the other hand, your monitors are configured in the operating system as separate displays, the simplest option is to have a regular, windowed version of X‑Plane which you manually resize to fill as much of your display as possible.
If your monitors are separate displays and you also don’t want to have X‑Plane windowed, in the Monitor Configuration box you will need to set each monitor to “Full Screen Simulator.” Then you will need to adjust the offsets in the Visual Offsets section.
For a wrap-around, 3-monitor configuration:
For a flat, 3-monitor configuration:
If you want to use your secondary monitor as an instructor operator station, refer to the section “Using an Instructor Operator Station (IOS) for Flight Training” of the chapter Special Situations in X-Plane. Note that this is the only configuration available for separate monitor views if you are using X‑Plane on only one computer. If you would like your monitors to display completely different views than the IOS and the flight, or different offsets of the same view, you will need to have more than one computer and to follow the instructions in the next section.
Also recall that in X‑Plane 11 many of the windows, such as the GPS, map, and ATC windows, can be popped out as separate displays and moved to a secondary monitor. Simply click on the icon in the top right corner of the window then move it around independently.
To set up a multi-computer simulator, each of the computers you want to use must first be linked together over a network. For the most reliable connection, join the computers together with Ethernet cables, or you can connect over a Wi-Fi network. The computers should form a simple LAN, configured as normal within Mac OS X or Windows, whatever the case may be. The most recent version of X‑Plane should then be launched on each computer.
On each computer, open the Settings and go to Network. In this screen, expand the “External Visuals” section. Here, the steps differ slightly between the “master” machine (the computer which is hooked up to all your flight controls) and the other computers.
On the master machine, press the button for either Add External Visuals Machine, depending on whether you want the view locked to this machine or not. If needed, pick the machine you want to connect to from the drop down list. On the other machine(s), set the machine’s role to “External Visuals.” Expand the Master Machine section and pick the master computer from the drop down, if necessary.
If the button for Independent Views was used, you can now set up each of the additional computers with a different view from the Master machine. It may be helpful to set up Quick Views according to the instructions in Using the Quick Look Feature to quickly return to your setup the next time you launch X-Plane.
For a complex set up with four computers and four monitors, or one cockpit and three external visuals, and with the view locked to the master computer, you’ll need to adjust the view offsets to accommodate a wrap-around view. On each of the three computers used for external visuals, we need to open the Rendering Options dialog box from the Settings menu. There, we will enter a lateral field of view of 45° for each of them. Enter a lateral offset for networked scenery of –45° for the left screen, 0° for the center screen, and 45° for the right screen, with no vertical offset on all screens. This will simply yield a 135° (45° × 3) field of view. If this is drawn out on paper, it becomes apparent that the 45° offsets on the left and right screens will cause them to perfectly sync up with the center screen.
From there, the monitors need to physically be moved around the “cockpit” (that is, where a user will sit when flying the simulator) in a semi-circle describing a 135° field of view. If this is not done, then the horizon will not appear straight as the craft pitches and rolls, caused by the “fisheye lens” effect. If a 135° field of view is described in a flat plane or in an arc of monitors that describe less than 135° of arc, fisheye distortion will result, apparent as a horizon that seems to bend and distort between monitors.
Now, sometimes people sit on the ground and see the horizon does not line up, so they enter vertical offsets on some of the display machines only in order to get the horizons to line up. They quickly become confused when everything breaks down as they pitch and especially roll. If vertical offsets are used, they must be used on all networked machines in your simulator, unless you have one monitor physically above another. If some but not all of your computers have vertical offsets, things start getting messed up. What often happens is that a user will fly with a cockpit in the center screen, which shifts the center of that screen as far as scenery is concerned to be around 75% of the way up the monitor; this is done in order to leave room for the instruments. The external visuals, on the other hand, have screen centers in the center of the monitor, since they do not have to reserve space for the instrument panel. In this case, you need to do the following:
Open Plane Maker from the X‑Plane installation directory.
Click on the File menu, then click Open Aircraft.
Navigate to the aircraft you wish to fly and open it.
Click on the Standard menu, then click Viewpoint.
In the Viewpoint dialog box, go to the View tab.
In the Screen-Centers box, set the view center Y, panel view (i.e., the y coordinate of the center of the screen when in the panel view) to be one-half the height of your monitor in pixels (assuming you run X‑Plane in full screen mode). For instance, if your monitor has a resolution of 1920×1080 pixels, you would enter 540 here (being 1080/2).
Close the Viewpoint dialog box, either by pressing Enter or by clicking an X in the corner of the window.
Open the File menu and click Save As (not Save, since you do not want to overwrite the original file).
Type in a name for this copy of the aircraft file (for instance, “Triple Monitor [aircraft name]”) and press Save.
Close Plane Maker.
Now, when you load the new copy of the aircraft up in X-Plane, the screen center will be just where you like it.
When using more than one monitor to fly in X-Plane, you must account for the monitor bezels (the frame around each monitor), or the displays will not line up seamlessly. If you’re flying an airplane with a 3D cockpit and using two monitors, an acceptable solution may be to move your point of view a little to the left to get the bezel out of the way of the runway. An alternative, or for planes with only a 2D panel, experiment with putting a small lateral offset in the rendering options. The example below describes how to do this with three monitors.
Let’s imagine that you have three networked computers for additional visuals to form a wrap-around cockpit. Each computer might have a 45° lateral field of view (as set in the Graphics settings). You would enter a lateral offset for networked scenery of –45° for the left visual, 0° for the front visual, and 45° for the right visual, as discussed above. If each display has a field of view of 45°, these images would blend together seamlessly if you didn’t consider the width of the displays’ bezels. If you cannot set up the monitors to run their effective image all the way to the edge (as you can with some, even though you wouldn’t be able to see the part under the border), you might instead try a field of view of maybe 43° based on whatever fraction of the monitor is visible. Vertical and roll offsets, of course, are the up/down and tilt equivalents of the lateral offset.
Note: While the view offsets do indicate how much to the left or right or up or down each view is looking, people make the same mistake over and over: they run a center view with a cockpit in the center screen, and external visuals on the left and right—which is fine—but they notice that the horizon in the center (cockpit) screen does not line up with the horizons on either side. The reason for this is that the center-point of the screen where the horizon rests in a level flight attitude is up near the top of the screen in the cockpit view (to make room for the instrument panel) and the center of the screen for the external visuals (which do not need room at the bottom for the instrument panel). Often, people will incorrectly lower the vertical offset of the center panel (with the cockpit).
This results in countless problems with the views not lining up. The way to correct this is to do as in the “Lining Up the Horizon (Without Vertical Offsets)” section above and change the screen center for your aircraft; only then will the horizon always line up across all the visuals. In other words, the only time a vertical offset should be used is if there is one monitor on top of another.
The lateral field of view setting, located in the Monitor Configuration window of Graphics settings, will change the way X‑Plane displays the view of the outside world. Higher settings will allow more of the terrain to be viewed at any one time, but will reduce performance. Higher settings will also increase the “fish eye” effect of the simulator. The default value is 60° per display, which generally gives good performance and a natural view. Note, of course, that changing the field of view of a monitor in a multi-display setup will require you to re-evaluate your lateral offset values as well.
Now, suppose you are using multiple monitors, some for external visuals and others for cockpit displays. You may notice that when views are changed within X-Plane, the change propagates to all the visuals. To stop this from occurring, use the Add External Visuals Machine (Independent View) when setting up additional computers. You can also check the Lock view to default box under the “visuals settings” section of Monitor Configuration to prevent the view from being changed by any means.
If you have flight instruments or other hardware you plug into a serial port, you can send datarefs from X‑Plane to the serial port to drive them. To do this, first go to the Data Output section of Settings and click on Dataref Read/Write. Check the box next to A COM port, then select the com-port number and enter the baud rate in the lower-right.
Now you can choose any number of datarefs from the list on the left to write or read from the serial port. They will show up on the right. If you selected a dataref that contains an array of data (like sim/cockpit/engine/fuel_pump_on, for example), then you simply select the array index you want from the field there.
The X‑Plane Professional-Use Key enables sending imagery to a projector to make wrap-around visuals for professional displays. To set up projection, go to the Developer menu and toggle “Show Projection Parameters.” In this window are three tabs that allow customization of the projection, Ren Opts (Rendering Options), Grid Adjust, and Edge Blend. The Cylinder Projection box in the first tab should be checked to optimize projections onto curved surfaces instead of flat. Grid Adjust has options for test images that can help customize the warp of the projection. Edge-blending lets you adjust the edge darkness, or fade-out, near the left and right sides of the screen to help you overlap projectors.
X-Plane is a powerful source of data and much of it is handled using the Data Output screen (found in the Settings window). The General Data Output button controls where the data will be output.
Figure 10.1: The Data Output section of Settings
Each field has four checkboxes corresponding to the four places the data can be sent, as shown in Figure 10.1. They are: Show in cockpit, Disk (data.txt file), Data Graph Window, and Network via UDP. Checking the Disk option will send output to the data.txt file located in the main X‑Plane folder. Data Graph Window options will display in the Data Output Graph, which is accessed under the Developer menu (or Ctrl + g by default).
Data selected to display in the Data Graph Window is displayed in a graph with different colors for each variable and can be zoomed in or out using the sliders in the bottom right corner of the screen.
For detailed examples on how to set up a plugin using data input & output, see the document “Sending Data to X-Plane.rtd” found in the Instructions folder.
Please see this webpage for a table of all the fields present in the X‑Plane Data Output screen.
This chapter is designed as a reference for when you encounter common problems in X-Plane. Each of the following sections describes a common problem and its solution. As a general rule of thumb, however, the first thing you should do after encountering any problems is update to the latest version per the section “Updating X-Plane.” If you are running the latest version and still have problems, you can check for problem files by manually downloading and running the latest installer found on the X-Plane website. Select “Update X-Plane,” pick which copy you’d like to update, and click the “continue” button. The installer will scan your installation to see if any of the default files are missing or altered, and allow you to restore them.
When scenery is not installed for a given location, all that will be visible are airports and water. This is referred to as “water world,” and is a common problem, especially when using older installers.
To avoid water world, either install the scenery for the location in which you’re flying, or choose to fly somewhere else. To install scenery, run the installer and pick Add or Remove Scenery. You will need to have DVD disc 1 inserted, or possibly enter your digital download product key for authorization.
If scenery for the location is in fact installed, be sure that the copy of X‑Plane for which it is installed is the one being used—for instance, if you have two copies of X‑Plane installed (say, one running a demo version and one running 11.00), the two versions may have different amounts of scenery installed.
If the X‑Plane installer gives an error about a failed file extraction, or input/output error, it is almost always because your DVD drive cannot read the disc. Take note of the file reported in the error message and try to copy it from the DVD (using the Finder in Mac OS or Windows Explorer on Windows). If possible, try copying the file into a different folder. If multiple DVDs cannot be read, it is likely that your DVD drive is to blame. If, however, only a single DVD is causing problems, it is more likely the DVD is defective. Defective discs can be replaced for a small charge. Email our tech support at firstname.lastname@example.org for more information.
Most graphics- and DLL-related issues in X‑Plane are due to a lack of video drivers. Make sure your graphics drivers are up to date by following the instructions in the X‑Plane Knowledge Base article entitled Updating the Computer’s Graphics Drivers in Windows.
A hard crash in X‑Plane can be caused by a multitude of factors, so isolating a fix for every specific crash is outside the scope of this manual. If the automatic crash reporter comes up, be sure to send the report so Laminar Research has the data on your crash.
In general, a good place to start for almost any problem with X‑Plane is running the installer to update the program. Even if you are running the latest version of the simulator, the Installer/Updater can find missing or accidentally modified files and replace them with the correct default files. See the section “Updating X-Plane” for step by step instructions on how to check for and update to the latest version of X-Plane.
If you are running the latest version of the simulator and still have problems, another good place to look is at the preferences. Move the preferences folder (found in the Output folder) to the desktop, then restart X‑Plane and default preferences will be restored. If the default preferences do not fix your problem, you can simply replace them with the folder you moved to the desktop and restore your personalized settings.
The final common culprit is third party add ons, such as scenery and plugins. Try moving the Custom Scenery folder and plugins folder (found in the Resources folder) to the desktop, then restart X-Plane.
If X‑Plane detects that it crashed the last time it was run, then on the next start, you have an option to reset the rendering settings. If you reset the settings, you might avoid a crash on startup if the rendering settings were the cause of the initial crash. You may bring up the option to enter safe mode only if you start the sim with the shift key pressed down.
If the joystick and other flight controls appear to be configured correctly according to the steps outlined in the the section Configuring Flight Controls of the chapter Configuring and Tuning Your X‑Plane Installation but are not giving the desired response in the simulator, it’s time to troubleshoot. Thankfully, X‑Plane makes it easy to find out how the software is perceiving the flight controls’ input.
In the following example we’ll assume that the plane’s pitch, yaw, and roll are not matching the way the joystick is being moved. A similar procedure may be used for other malfunctioning controls.
Move your mouse to the top of the screen and open the Settings.
Click Data Output.
Select the first box on line 8 joystick aileron/elvator/rudder. This box will cause X‑Plane to display the input it is receiving while running the simulation.
Close the window.
A box in the upper left should be displaying the elev, ailrn, and ruddr commands (elevator, aileron, rudder, respectively) being received from the joystick.
Now, center the stick and pedals. Each axis should indicate 0.0, or close to it.
Move the stick full left. The ailrn should indicate –1.0 or near –1.0.
Move the stick full right. The ailrn should indicate 1.0 or near 1.0.
Move the stick full aft. The elev should indicate 1.0 or near 1.0.
Move the stick full forward. The elev should indicate –1.0 or near –1.0.
Move the rudder full left. The ruddr should indicate –1.0 or near –1.0.
Move the rudder full right. The ruddr should indicate 1.0 or near 1.0.
By moving the stick and pedals and seeing what values they are sending X-Plane, you can see if X‑Plane is getting proper stick input.
If the correct values (according to the tests above) are not being received in X-Plane, and you have calibrated the controls in X‑Plane per the section “Calibrating the Hardware” of the chapter Configuring and Tuning Your X‑Plane Installation, then the next step is to look at the first level of control response tuning.
Go to the Settings and click Joystick. In that dialog box, select the Axis tab. Click the button labeled Calibrate. Follow the directions to calibrate the controls. Go back to the cockpit and check to see if the data output (which should still be on the screen from the pre-test in the above instructions) is around 0.000 when the controls are centered. If it is, then the hardware works fine and the center point was set successfully.
The last step to solving the issue is checking the hardware’s calibration in your operating system, not X-Plane. Finally, if you have done all of the above steps and still have problems, then the hardware itself is malfunctioning.
Note: If your frame rate is below 20 frames per second (which you can confirm by checking the box labeled frame rate in the Data Input & Output window, just like you did with the joystick ail/elv/rud box), X‑Plane may behave erratically _regardless_ of your joystick settings. See the section “Increasing the Frame Rate” of the chapter Configuring and Tuning Your X‑Plane Installation for help improving your frame rate.
If your frame rate is low, or the simulator seems to “stutter” or move in slow motion, most likely your rendering settings are set too high for your system. Make sure your computer meets the minimum system requirements to run X‑Plane 11, then review the section “Configuring the Rendering Options” for a step by step guide to adjusting the rendering options.
Many of the most common problems people encounter with X‑Plane is due to low frame rate and rendering settings which are set to high for the system.
The tendency for some aircraft to flutter and crash is a known limitation. Just as a car can only go a certain speed with a given horsepower, the X‑Plane simulator can only accurately model flight at a certain speed with a given frame rate.
If the frame rate gets too low for the flight model to handle, then the plane is likely to start oscillating quickly back and forth (referred to as “simulator flutter,” often occurring with autopilot on) as the flight model tries unsuccessfully to predict what the plane will do next. At this point, the computer is running too slowly to take small enough steps in the flight model to see what the plane will really do at each moment. Smaller and more maneuverable planes will accelerate more quickly, and greater accelerations require a higher frame rate to simulate.
This occurs due to the way that X‑Plane moves aircraft within the simulation. X‑Plane calculates the acceleration of the craft for each frame, then adds up the acceleration between frames to move the plane. This works fine if the frame rate is reasonably high and the accelerations are reasonable low. In fact, for any reasonably normal aircraft that has reasonably normal accelerations, a frame rate of 20 fps or more is fine.
Problems occur, though, when you have very light aircraft with very large wings going very fast, or sitting on the ground with landing gear spread very far out from the center of gravity. All of these things add up to the same result—high acceleration.
X-Plane, of course, can handle these high accelerations, but it needs a high frame rate to do it. For the flight model to work, there can only be a certain amount of velocity change per frame of the simulation. If the accelerations are high, then the frame rate better be high so that there is a reasonable velocity change (i.e., acceleration) per frame.
To determine how high a frame rate is enough to handle a given acceleration, just find the frame rate at which there is no flutter.
For example, imagine a Boeing 747 at approach speed. It slowly lumbers along, hardly accelerating at all. One frame per second could track that flight accurately. Now imagine holding a paper airplane out the window of a car at 80 miles per hour and letting go. The plane doesn’t smoothly, gradually, accelerate up to speed, it disintegrates in a thousandth of a second! To simulate that may require a simulator to run at one thousand frames per second!
So, while a simple 20 frames per second works fine for most any aircraft, when small, light, big-winged craft with widely spaced landing gear designs start flying fast, the accelerations come up enough that in extreme cases, 100 fps might be needed to model accurately.
This is more of a problem with planes that:
When using an airplane that reacts extremely quickly to the environment, the computer needs to react just as quickly to simulate it. This can be achieved by reducing the rendering options and visibility in X‑Plane enough to raise the frame rate to a non-fluttering level. More info on this can be found in the section “Configuring the Rendering Options.”
If the simulator’s measurement of time is incorrect (e.g., the “elapsed time” field has a value less than it should), check your frame rate. If your computer cannot maintain 20 frames per second, simulator time will not match real time; when X‑Plane runs slower than 20 fps, it slows down its simulation of real-time so that the simulator is “effectively” running at 20 fps. For instance, if the simulator is running at 10 fps due to extreme rendering settings, X‑Plane will run the flight model at half speed. The result is that the physics are integrating in slow-motion in order to avoid destabilizing from the low framerate. Thus, if you need real-time simulation, you must run the simulator at 20 fps or faster.
When a computer freezes after running X‑Plane for a while, the problem is almost always heat related. When the system is running X-Plane, the video card and processor get very hot because they are running at 100% utilization. This causes the temperature to rise inside the case. To eliminate heat as an issue, remove the computer’s cover and aim a fan into the case. Run X‑Plane for a while and see if the problem goes away. If it does, then you need to add some additional cooling.
Note that this assumes that the system has enough RAM. Running out of RAM will cause crashes as well. (See the current X‑Plane 11 system requirements here.) This also assumes that the computer is not overclocked.
The X‑Plane Digital Download product key is a long, unique series of numbers and letters that identifies your copy of X‑Plane 11, allows you to download X‑Plane directly to your computer over the internet, and allows you to run X‑Plane without a DVD.
When you buy a digital copy of X‑Plane from Laminar Research or another company, you receive a 24-digit code (your digital download product key). The code consists of numbers and capital letters; the letters i and o and the numbers 0 and 1 are never used, to avoid confusion.
Your purchase of the digital download version of X‑Plane provides you with one product key that is like a credit card number. Product keys do not have passwords associated with them; like a credit card number, if someone else has your digital download product key, that user has access to your copy of X-Plane. Just like credit cards, you should not share your digital download product key with anyone else.
If you have to contact Laminar Research customer support, we will only require the last eight digits of your digital download product key; you do not need to send your full digital download product key to anyone, including Laminar Research.
If someone manages to steal your digital download product key, piracy is prevented by fraud detection; our servers will see your digital download product key being used in a pattern that looks like multiple people (e.g. your product key used from two continents at the same time) and it will be locked. You can contact X‑Plane customer support to receive a new, unlocked digital download product key, and your old one will be discarded.
In order for X‑Plane to work outside of demo mode with a digital download product key, the computer running X‑Plane must have an internet connection to contact our servers. X‑Plane does not require an internet connection to re-validate on every single application launch, but it does require authentication frequently. If your internet service is unreliable or extremely slow, you may prefer to purchase and use the X‑Plane DVDs.
The digital version of X‑Plane is available online at any time for download, but it is not a replacement for a good backup of your computers! Only a true backup can save your preferences, third party aircraft you’ve downloaded, your log book, etc.
The only version of X‑Plane that is available digitally is the latest non-beta version of X-Plane. If you do not want to update to the latest version, you need to make your own backup of X-Plane; re-installing the product will get the latest version.
For additional information, see the Knowledge Base article “X-Plane Digital Download.”
If your issues do not match those above, first search for a solution on the X-Plane Q & A site. You can also ask your question there if it has not been covered already. Questions are answered by Laminar Research team members and knowledgeable community members. The site also features commenting, voting, notifications, points and rankings.
There is one more option you should try before contacting tech support: resetting the preferences. Open the X‑Plane folder, double click on the “Output” folder and locate the preferences folder within. Move the entire preferences folder to the desktop. When you restart X‑Plane it will restore the default preferences and settings. If this does not fix your problem, you can simply replace this new folder with the one you moved to the desktop and restore your personalized settings.
Before calling or emailing, save both yourself and customer service time by checking this manual, the X-Plane Knowledge Base, or the X-Plane Q & A site for answers. Be sure you have the latest version of the software you’re using before calling. (You can check this by following the instructions found in the section “Updating X-Plane” of the chapter Configuring and Tuning Your X‑Plane Installation.)
To contact customer service, email email@example.com or call (913) 269–0976 during standard business hours (Central Standard Time).
If your problem involves a system crash, please include the following in your email:
For questions regarding your order status from X-Plane.com, email our shipping department at firstname.lastname@example.org.
When sending a bug report, please include as much information as possible—anything that the X‑Plane development crew might need to know in order to reproduce the malfunction. This includes (but is not limited to) the following information:
Additionally, before filing a bug report, please:
Be sure you are using the latest version of X‑Plane (this includes making sure you aren’t using an outdated shortcut).
Delete (or move) your preferences file in order to rule that out.
Disable any plug-ins or third-party add-ons. (Please report bugs in third-party add ons to the add on developer, not the X‑Plane team.)
Be sure you understand the feature you are reporting a bug on.
Ask on the X-Plane Q & A site if you are not sure whether you have a bug or a tech support problem.
To file a bug report, please use the X-Plane Bug Reporter. Make sure to attach a ‘log.txt’ file from X‑Plane (or the installer or other X-Application) when filing the report, as well as PNG screenshots for any visual problems. The ‘log.txt’ file will tell us a lot of information about your system that will speed up bug analysis.
Please note that, if the report was filed correctly, most likely you will not receive any feedback on it. The report will be saved and looked into, and, depending on its priority, fixed in a future update.
Very often, people will report a bug like, “My speed indicator does not work.” Well, I might crash my Corvette into a tree, pick up my cell phone as the airbag deflates in my lap, call General Motors, and say, “My speed thing indicates zero!”
In a case like that, how good a job can GM do in deciphering that report?
Filing a report with X‑Plane saying “My speed indicator does not work” can be that incomplete for two reasons. The first is that with about 20 or 30 instruments available in the X‑Plane world (accessible via Plane Maker) that indicate speed, saying “speed Indicator” does not really isolate what instrument is being discussed. The second reason is that you have not really given a checklist of steps that you took to find yourself with the apparent bug. For example, it may take certain conditions for the airspeed indicator to not work, conditions you may cause without thinking about based on your airplane selection, weather, etc.
In the Corvette analogy above, the proper report to GM would be:
I got in my car.
I hit the starter button, the engine started, and I put the transmission in first gear.
I hit the gas and turned the wheel and drove until I hit a tree, which stopped me.
The speedometer in the instrument panel indicated zero.
I included a picture I took on my digital camera here, showing both the speedometer indicating zero and the car actually stopped.
In the X‑Plane world, a proper checklist for the report would look like this:
I renamed my preferences file so I did not have any odd settings that may cause this that we might not know about.
I fired up X‑Plane on my computer running [some operating system].
I went to the File menu and opened the “Austin’s Personal Transport” aircraft.
I noticed the EFIS airspeed indicator stayed at zero, no matter how fast I flew.
I included a screenshot of X‑Plane showing the panel here, with the actual speed of the plane shown using the Data Output screen to show my real speed.
The difference between the five-lined report above and the one-liner at the top is that you have actually told us what you are doing. You are starting by resetting the preferences so that we can do the same as you (a first step toward solving the problem!). You are telling us what aircraft you are opening (so we can do the same). You are choosing one of the planes that come with X‑Plane (so we can do the same as you), and you are listing which of X-Plane’s dozens of speed indicators you are referring to, so we can see what the problem really is.
To summarize, be sure to give a complete checklist to duplicate the issue, starting with deleting the preferences and choosing an airplane that comes with X‑Plane so that we can go through the same steps as you. Err on the side of sending too much information, rather than too little! We must be able to mirror your actions, step by step, to duplicate the bug on our computers, as this is the first step to solving the problem.
Another common mistake, though, is to say something like, “I flip a switch and hit a button and an indicator goes to 56%.” The problem with this is that it doesn’t tell us what the issue actually is. What do you think the indicator should go to? And, above all, prove it.
In almost all filed bug reports, the report lacks any sort of proof that the value being cited as wrong is actually wrong. Since we sometimes get reports from people that think a Cessna cannot roll, an airliner cannot take off without flaps, or a helicopter cannot turn without pulling collective (all incorrect assumptions on the part of the “bug” reporter). We need proof that a characteristic that is claimed to be wrong actually is. Segments of pilot’s operating handbooks are typically just fine.
So, be sure to include proof that a characteristic of the simulator is wrong if you believe it to be so.
Another very common error is for people to install plug-ins that modify data in the simulator, third-party scenery packages that don’t quite follow the standards, or third-party airplanes that may have problems, and then report it as a “bug” when something does not work correctly.
We won’t be able to duplicate the problem if it is due to third-party modifications. So, be sure that starting from a freshly installed copy of X‑Plane with the preferences (and any plug-ins) removed is the first item in your step-by-step walkthrough for recreating the problem. Build up from there as needed, including each step in the checklist so that we can go through it and see the same thing you see. Use only scenery and planes that come with X‑Plane if possible, so that we can duplicate the bug.
Once again, be sure to:
Use a checklist to explain what you are doing, starting with renaming the preferences and removing add ons.
Include every step in the checklist that you send in your bug report.
Use proper terminology. If you do not know the name of an instrument, then go into Plane Maker and click on it with the mouse. The X‑Plane instrument name will be displayed at right. Alternatively, you can get the real name of the instrument by turning on the instrument instructions option (by going to the Settings screen, clicking General, and checking the Show instrument instructions in the cockpit box).
Explain why you think the result you are seeing is wrong. Provide proof if you think the simulator is not doing what the real plane would do.
Remember, a bad report would say, “The pressure gauge does not work.” (Which pressure gauge? Why do you think it does not work? What do you expect it to show? What plane are you even flying?)
A good report would say, “On a Mac running OS X Lion, I renamed the preferences and opened [an aircraft included with X-Plane] via the File menu, then I set the controls as follows, then I observed the manifold pressure gauge to indicate manifold pressure of zero as I advanced the power, though in the real plane I would get 25” of manifold pressure in this plane, as I know from the following excerpt from the plane’s pilot’s operating handbook."
That report indicates what type of computer you are using, what you do to get the problem (in a way that lets us perfectly mirror it), what you think the problem is, and it gives proof that what you believe about the plane is in fact true. That is enough info for us to work with!
Also, be sure to send the ‘log.txt’ file! This lists what type of computer you have. Hardly anyone even thinks to mention whether they are on Mac, Windows, or Linux!
Download: To download something means to get files from some remote server on the Internet and receive those files on your computer. Users can download lots of airplanes and scenery packages for X‑Plane from the Internet. Downloading is receiving files from the Internet; it is not the same as installing those files.
Install: To install something is to move a copy of the software onto your computer so that it can be run. When you get a DVD with X‑Plane on it, you run the installer to install the program from the DVD—this is not downloading the program. It is installing it. You would only be downloading the program if the files were coming from the Internet (though once such files were downloaded, you would install them to have them ready for use).
Update: To update a piece of software is to convert it to a newer version. This should be done every couple months or so in order to take advantage of new features in the simulator. To update in X-Plane, a user first downloads and then installs a newer version. The updater program (available for free at X-Plane.com) does both of these things for you very easily.
Anti-torque pedals: In a helicopter, the anti-torque pedals are the foot pedals which modify the collective pitch of the tail rotor. Because the helicopter’s throttle governor keeps the rotors turning at a constant RPM, changing the pitch also changes the thrust generated by the rotor, so the tail rotor can swing the helicopter’s tail to the left or right. This is referred to as yaw motion.
Collective: In a helicopter, the collective is the lever that modifies the collective pitch of the main rotor’s blades. It is called “collective” because the pitch of all the blades is modified at the same time. Because the engine keeps the rotor moving at a constant RPM, increasing the rotor blades’ pitch with this control will also increase their lift.
Cyclic: The control (a joystick in real life) which changes the pitch of the main rotor’s blades as they go through each cycle, used to steer the craft left, right, forward, or aft.
Joystick: A control device used in aircraft. It consists of a base with a handle attached to it. The handle can be tiled around within the base to control the pitch and roll movement of the aircraft. Computer joysticks often have the ability to twist the handle to control yaw movement also. Real airplanes have either a joystick or a yoke to control them, while helicopters are controlled with joysticks only.
Rotor: The rotating part of a helicopter that generates the craft’s lift; similar in appearance to an oversized airplane propeller, though different in its operation.
Rudder pedals: Foot pedals in an airplane used to steer the plane down the runway and to control its yaw motion in flight (that is, the wagging of its tail left or right). This becomes very useful when starting turns and counter-acting crosswinds. Note that these are not spelled “petals,” as they are not named after the fragile leaves of a flower.
Yoke: The yoke, named after a wooden device draped across oxen to tow things, is the “steering wheel” of the airplane. It is used to steer the plane in flight by dipping the wings up or down and by pulling the nose up and pushing it down. Note that this is not spelled “yolk,” as it is not named after the center of an egg.
Figure G.1: This image illustrates the pitch, roll, and yaw axes of an airplane (which also apply to helicopters). Thanks to Wikipedia contributor ZeroOne for releasing this image under the Creative Commons Attribution 3.0 Unported license.
Pitch: Movement of the aircraft’s nose up or down (illustrated in Figure G.1).
Roll: Movement of the aircraft’s body along the line formed by its body; in an airplane, this is easily seen as the dip or rise of the wings (illustrated in Figure G.1).
Yaw: Movement of the aircraft’s body left or right, most easily pictured as a wagging of the aircraft’s tail (illustrated in Figure G.1).
Above Ground Level (AGL): When holding an altitude requested by air traffic control, a pilot will hold an altitude AMSL (above mean sea level). This lets the pilot stay at a constant level while flying. In order to avoid a horrific and instant death, however, pilots should be aware of their altitude AGL (above ground level) as well! The altimeter in the aircraft works on air pressure, so it measures the altitude above sea level, so awareness of minimum allowable altitudes in one’s region is always needed in order to stay at least that high. The radio altimeter measures the height above the ground (AGL). Most planes, however, do not have these installed. This is increasingly okay, though, because in theory a pilot can follow the en route and approach charts, which list safe MSL altitudes, and more and more planes have moving maps that clearly show the terrain elevation, so pilots can be sure that their elevation is safe.
Airspeed indicator (ASI): The ASI is driven by the pressure of the air impacting a little tube on the nose or wing of the plane. More pressure means the craft is moving faster. See the discussion in the “Indicated airspeed (IAS)” entry below.
Air Traffic Control (ATC): The body governing aircraft operations in a given airspace. Altitude: An aircraft’s altitude is its height above sea level. This is typically displayed on the aircraft’s altimeter, which is driven by air pressure.
Automatic Direction-Finder (ADF): An old-style navigation device that points a needle at a transmitter on the ground. These are not used much any more because with GPS navigation, the idea of going to pre-defined points (like picking up bread-crumbs to find one’s way home) is disappearing. The GPS will take pilots all the way to where they want to go in a straight line, not a zig-zag like would be achieved in flying from one navigation transmitter to another with an ADF.
Back Course (BC): This is the part of the ILS that goes beyond the touch-down zone. Read all about it in Chapter 7, Navigation, Autopilots, and Flying on Instruments.
Course Deviation Indicator (CDI): This instrument (part of the OBI or HSI) displays which direction the aircraft needs to turn in order to intercept the VOR course. This is discussed in Chapter 7, Navigation, Autopilots, and Flying on Instruments.
Density altitude: As the temperature of the air increases, its density decreases. The barometric pressure can vary based on a number of other factors, too, so at sea level on a hot, low-pressure day, the density of the air may be the same as standard air density at 10,000 feet up in the air! This is a 10,000 foot density altitude. This means there is less air for the engines, less air for the propeller, and less air for the wings. All of this adds up to say that it will take the aircraft longer to get off the ground.
Distance Measuring Equipment (DME): An instrument used in navigation which measures distance using the delay between the sending and receiving of a radio signal. Aircraft use this to determine their distance from a fixed NAVAID.
Drag: The aerodynamic force (created by a fluid such as air flowing around an object) that slows the object’s motion.
Electronic Flight Instrument System (EFIS): A flight instrument system (found in an air- craft’s panel) with electronic displays rather than the mechanical gauges of a standard panel.
Go Around (GA): An autopilot mode that raises the nose in a wings-level attitude and calls for lots of power in order to get back to altitude after a botched landing approach).
Glide slope (G/S): The angle at which an aircraft approaches (or needs to approach) a runway; often used when discussing navigation by instruments. See Chapter 7 for more information.
Global Positioning System (GPS): A form of navigation using data from satellites.
Heading (HDG): An aircraft’s heading is the direction that its nose is pointing. This is also a mode in the autopilot that lets the pilot hold a pre-defined heading, typically magnetic. A magnetic heading is heading to the magnetic north pole, something a hair different than true north, which is a geographic heading that will take one to the true geographic North Pole. Remember, since the magnetic north pole is separated from the geographic north pole by a bit, true and magnetic heading are not typically the same! They may be off by 5 or 10 degrees in the medium latitudes. The difference between the true and magnetic north poles is called the magnetic variation.
Hold (HLD): Pressing this button will engage the autopilot in altitude hold mode. See the Autopilots section of Chapter 7 for more information.
Horizontal Situation Indicator (HSI): This instrument is found in the panel of many aircraft in X-Plane. It serves the same function as an OBI—that is, it indicates course deviation. See Chapter 7 for more information.
Instrument Flight Rules (IFR): The procedure for flying an aircraft based solely on the craft’s instrument panel. Environmental conditions requiring such flight (such as the poor visibility on a rainy day) are referred to as IFR conditions. This is contrasted with VFR conditions (those operating under visual flight rules). In bad weather or above 18,000 feet, pilots need to fly by Instrument Flight Rules, following their instruments and air traffic control instructions carefully to avoid hitting the ground or other planes, or going off course.
Instrument Landing System (ILS): A ground-based system for guiding approaching aircraft into the runway via radio signals. See the Chapter 7 for more information.
Instrument Meteorological Conditions (IMC): When pilots are in clouds or rain and cannot see out the window, they are required to fly by IMC rules. In such conditions, they need to be on an instrument flight plan.
Indicated airspeed (IAS): The presumed airspeed of a craft as determined by measuring the pressure acting on a little tube attached to the craft which points into the wind. This differs from true airspeed in situations where the air has very little density (for example, at 80,000 feet in an SR–71 Blackbird or in orbit in the Space Shuttle). This error, though, can be useful, because if there is less pressure pushing on the airspeed indicator, then there is also less pressure pushing on the wings of the aircraft. Therefore, the airspeed indicator tells how much air pressure is available for the props and wings (which is what a pilot really cares about, as more pressure gives more lift and drag). So, if a pilot is going 120 mph in thin air, but the pressure is only strong enough to measure 100 mph on the airspeed indicator, then that means the aerodynamic pressure on the wings is only 100 mph-worth of pressure! It is this pressure that determines how much lift and drag the wings can put out.
Lift: The aerodynamic force (created by a fluid such as air flowing around an object) that pushes an object upward.
Localizer (LOC): A localizer is part of an instrument landing system (ILS). It serves as a lateral (left and right) guide to the centerline of the runway.
Mach speed: The speed of sound through the air. Mach’s number actually describes the speed of sound through any fluid (that is, liquid or gas). In application to aeronautics, though, it is implied that the fluid is air. Note that this number is dependent on a number of factors, such as temperature, humidity, and pressure. Generally, “Mach 1” is cited as 768 miles per hour (the speed of sound at sea level in dry air at 68◦ Fahrenheit).
NAV: Short for “navigate.” This is an autopilot mode that follows an ILS, localizer, VOR, or GPS path. See Chapter 7 for more information.
NAVAID: A navigation aid transmitter (typically a VOR, NDB, or ILS) which is used as a reference when flying. These are often found on or near an airport, but they can also be scattered between airports to use as node points in an airway. Pilots often fly from NAVAID to NAVAID on long flights, as a VOR is only usable from about 50 miles away. See Chapter 7 for more information.
Non Directional Beacon (NDB): See the ADF note above.
Omni-Bearing Indicator (OBI): This instrument, used for navigation, is found in most general aviation aircraft. It consists of a moving arrow (called the course deviation indicator, or CDI) which points the way to whatever VOR frequency is tuned in the navigation radio. The instrument is set using the Omni-Bearing Selector (or OBS), the knob in its lower left corner. A more expensive version of this is an HSI. See Chapter 7 for more information.
Rotations per minute (RPM): a way of measuring the speed of a rotor or propeller. In a helicopter, the RPM of both the main rotor and the tail rotor are held constant.
Speed: The change in the position of an object over time; unlike velocity, speed does not take into account the direction of the object’s movement.
Thrust vector: The direction in which the engine or rotor’s thrust is going; for a helicopter sitting on a helipad with its controls at neutral, this is straight down.
Thrust vectoring: The ability of helicopters and some other aircraft (such as the Harrier or the F–22) to change the direction of the thrust from its engines/rotors.
V-airways (victor airways): Victor airways are the pre-charted airways that are defined by a series of VORs. Pilots fly from VOR to VOR until they reach their destination, thereby staying on a V-airway. Each segment of the V-airway thoughtfully lists the minimum altitude that pilots can fly that airway segment with to avoid crashing.
Velocity: The combination of an object’s speed and the direction of its movement; for example, an aircraft might have a vertical velocity of 500 feet per minute (meaning it moves upward at a rate of 500 feet per minute) or a vertical velocity of –500 feet per minute (meaning it moves downward at 500 feet per minute).
Velocity of Flap Extension (Vfe): This is the maximum speed at which the aircraft can deploy its flaps without damaging or breaking them.
Visual Flight Rules (VFR): This is flying done using a combination of the pilot’s view of the outside world and the aircraft’s instruments. Environmental conditions permitting such flight (such as a sunny day with 10 mile visibility) are referred to as VFR conditions. It is assumed in such conditions that pilots are always able to see out the window well enough to avoid collisions with terrain and other aircraft. To use visual flight rules, one typically needs about 3 miles visibility and to stay about 1000 feet from the clouds.
Visual Meteorological Conditions (VMC): These are environmental conditions suitable for flying by sight (VFR).
Very high frequency Omnidirectional Range (VOR): This is a type of NAVAID that sends out signals that pilots can follow to get to or from the transmitter. While an NDB simply lets the aircraft’s ADF needle point right to it, the VOR actually lets pilots fly to the station along a programmed radial. So, for example, rather than just “flying to the VOR,” a pilot can be sure to fly to the VOR along the 090 radial (from the east), guaranteeing his or her location to be along an airway for the entire trip to the VOR. Once the airway is charted, the aircraft will be over mapped terrain height for the entire trip, and course corrections can be made quickly to stay on the desired radial. Light airplanes often track these VOR signals using an Omni-Bearing Indicator, or OBI, while more expensive craft often use a Horizontal Situation Indicator, or HSI. See Chapter 7 for more information.
Velocity Never Exceed (Vne): This is the maximum speed that a given airplane can go. Going faster than Vne can result in “structural damage,” or in extreme cases, death.
Velocity Normal Operating (Vno): This velocity should not be exceeded unless the air is very smooth. Even then, it should be exceeded “with extreme caution,” as the operating handbooks say.
Vertical Speed/Velocity Indicator (VSI or VVI): By looking at how fast the air pressure is changing, the VSI deduces how quickly the aircraft must be climbing or descending.